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View our feature on Suzanne McLeod's The Cold Kiss of Death. When sidhe-blooded Genny Taylor's friend is murdered and all evidence points to her, she goes on the run. But she's being pursued by some of the most powerful supernaturals in town-and one of them is most certainly the killer.
After Stalin's death in March 1953, the Cold War changed almost overnight. The Soviet Union embarked on a course of reconciliation and greater openness. However, despite an end to the Korean War and progress on many other outstanding East-West questions, the Western world remained mistrustful of Soviet motives and policies and Soviet leaders remained suspicious of Western intentions. Less than a decade after Stalin's death the Berlin Wall was erected and the Cuban Missile Crisis brought the world close to nuclear annihilation. Was this development unavoidable? Was an opportunity missed to overcome and terminate the Cold War? Was there a possibility for the creation of a more stable, less threatening, and less costly world in both human and material terms? It is only now, after the end of the Cold War and based on recently declassified western documents and revelations from once-closed archives in the former Soviet Union, Eastern Europe, and China, that new light can be shed on the nature of international Cold War policies in the years after Stalin's death. The essays in this book offer a historical understanding of this crucial period of the Cold War, assessing both the possibilities for change and the obstacles to d tente. The book draws on the collective talents of an international group of scholars with a wide range of historical, geographical, and linguistic expertise. All of the essays are based on original research, many of them drawing from previously inaccessible archival documents from both the East and West. This book should be read by everyone interested in the final stage of the defining conflict that was the Cold War. Contributions by: Csaba B k s, G nter Bischof, Jeffrey Brooks, Ira Chernus, Jerald A. Combs, Lloyd Gardner, Jussi M. Hanhim ki, Hope M. Harrison, Tsuyoshi Hasegawa, Mark Kramer, Klaus Larres, Vojtech Mastny, Kenneth Osgood, Kathryn C. Statler, and Qiang Zhai
Barry Forshaw, the UK's principal crime fiction expert, presents a celebration and analysis of the Scandinavian crime genre, from Sjöwall and Wahlöö's Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo .
Death's Men is the classic bestselling story of the First World War as told by the soldiers themselves - reissued for the 2014 Centenary. Millions of British men were involved in the Great War of 1914-1918. But, both during and after the war, the individual voices of the soldiers were lost in the collective picture. Men drew arrows on maps and talked of battles and campaigns, but what it felt like to be in the front line or in a base hospital they did not know. Civilians did not ask and soldiers did not write. Death's Men portrays the humble men who were called on to face the appalling fears and discomforts of the fighting zone. It shows the reality of the First World War through the voices of the men who fought. 'A raw, haunting read that puts you directly into the shoes of the men who rushed to volunteer at the start of the war' Guardian 'An engrossing view of what it was like to live in the trenches, go on leave, get wounded, et cetera, and features voice after voice from the ranks' Telegraph Denis Winter was born in 1940 and read history at Pembroke College, Cambridge. Death's Men was first published in 1978, to critical and popular acclaim. This was followed by his book The First of the Few: Fighter Pilots of the First World War.