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A new crime series full of Italian flavor—the first novel in the Inspector Bordelli series, set in 1960s Florence Florence, summer 1963. Inspector Bordelli is one of the few policemen left in the deserted city. He spends his days on routine work and his nights tormented by the heat and mosquitoes. Suddenly one night, a telephone call gives him a new sense of purpose: the suspected death of a wealthy signora. Bordelli rushes to her hilltop villa and picks the locks. The old woman is lying on her bed—apparently killed by an asthma attack, though her medicine has been left untouched. With the help of his young protégé, the victim’s eccentric brother, and a semi-retired petty thief, the inspector begins a murder investigation. Each suspect has a solid alibi, but there is something that doesn’t quite add up . . .
In 1960s Florence, a loan shark is murdered in this moody mystery featuring “a disillusioned anti-hero who is difficult to forget” (Andrea Camilleri). Florence, 1965. A man is found murdered, a pair of scissors stuck through his throat. Only one thing is known about him—he was a loan shark, who ruined and blackmailed the vulnerable men and women who would come to him for help. Inspector Bordelli prepares to launch a murder investigation. But the case will be a tough one for him, arousing mixed emotions: the desire for justice conflicting with a deep hostility for the victim. And he is missing his young police sidekick, Piras, who is convalescing at his parents’ home in Sardinia. But Piras hasn’t been recuperating for long before he too has a mysterious death to deal with . . .
Florence, October 1966. The rain is never-ending. When a young boy vanishes on his way home from school the police fear the worst, and Inspector Bordelli begins an increasingly desperate investigation. Then the flood hits. During the night of 4th November the swollen River Arno, already lapping the arches of the Ponte Vecchio, breaks its banks and overwhelms the city.
In the picturesque Tuscan hill town of Scandicci, the body of a girl is discovered. Scantily dressed, she is lying by the edge of the woods. The local police investigate the case - but after a week, they still haven't even identified her, let alone got to the bottom of how she died. Frustrated by the lack of progress, Chief Superintendent Michele Ferrara, head of Florence's elite Squadra Mobile, decides to step in. Because toxins were discovered in the girl's body, many assumed that she died of a self-inflicted drugs overdose. But Ferrara quickly realises that the truth is darker than that: he believes that the girl was murdered. And when he delves deeper, there are many aspects to the case that convince Ferrara that the girl's death is part of a sinister conspiracy - a conspiracy that has its roots in the very foundations of Tuscan society... Originally published in Italian as La Loggia Degli Innocenti.
Our love of life makes the inevitability of death very difficult to accept. Death is a comprehensive examination of that inevitable and universal human experience. To better our understanding of death--and so perhaps fear it less--the book explains the biological processes and the different causes of death, and examines the human perceptions of death throughout history and across cultures. Death is abundantly illustrated with masterpieces of art, paintings and sculptures and their representations of death, as well as abundant diagrams that explain the science of death. It methodically explores the biological limits of life, the rituals of death and describes the events surrounding the loss of life, using the most current research and medical analyses. Chapters cover diverse topics associated with death. They include: Consciousness and the soul How the body dies Terminal illness and dying slowly Methods of death Poisons, deadly animals and plants Flu pandemics, the new viruses Unsanitary conditions and deadly diseases Murder and execution Euthanasia and ethics Creatures from beyond the grave Violent and dramatic deaths Cheating death. Death is sprinkled generously with humor and the wisdom of the great thinkers. Reflecting on our philosophical, scientific and spiritual understanding of death, it speaks to our visceral fears and allows us to better appreciate life.
One of The Chicago Tribune's Best Reads of 2011 One of Dublin's most powerful men meets a violent end— and an acknowledged master of crime fiction delivers his most gripping novel yet On a sweltering summer afternoon, newspaper tycoon Richard Jewell—known to his many enemies as Diamond Dick—is discovered with his head blown off by a shotgun blast. But is it suicide or murder? For help with the investigation, Detective Inspector Hackett calls in his old friend Quirke, who has unusual access to Dublin's elite. Jewell's coolly elegant French wife, Françoise, seems less than shocked by her husband's death. But Dannie, Jewell's high-strung sister, is devastated, and Quirke is surprised to learn that in her grief she has turned to an unexpected friend: David Sinclair, Quirke's ambitious assistant in the pathology lab at the Hospital of the Holy Family. Further, Sinclair has been seeing Quirke's fractious daughter Phoebe, and an unlikely romance is blossoming between the two. As a record heat wave envelops the city and the secret deals underpinning Diamond Dick's empire begin to be revealed, Quirke and Hackett find themselves caught up in a dark web of intrigue and violence that threatens to end in disaster. Tightly plotted and gorgeously written, A Death in Summer proves to the brilliant but sometimes reckless Quirke that in a city where old money and the right bloodlines rule, he is by no means safe from mortal danger.
Poetry. In his dark and often humorous debut, THE EARLY DEATH OF MEN, Clint Margrave gives us poems that provide no railings for the honest, frank edge on which they stand, poems that peek through telescopes and key holes in equal astonishment, devour words like stars devour planets, or lovers one another. Written in a language as accessible and sturdy as our bones, THE EARLY DEATH OF MEN is humane, deliberate, and witty. An impactful, original, and fierce collection that despite its name promises to remain vital long after you put it down. It seems at least a decade since I wrote a brief preface for an early chapbook of Clint Margrave's poems, announcing the intelligence, talent, erudition, worldly experience, and confident voice which augured such a bright literary future. Still, the scope, variety, maturity, and syntactical artistry of this monumental compilation caught me by surprise. With these poems he takes his place among the elite verbal practitioners of his generation. To the wit he has always displayed, he has added the wisdom and complexities of the self-reflective life. This work well deserves the imprimatur of NYQ's esteemed and indefatigable editor/publisher, Raymond Hammond. When a writer has cleared such high hurdles of our profession, the self-assurance achieved unlocks the remaining chambers of his gift. The next time a blurb is called for, I suspect it will be I who is petitioning him for it. And it had damn well better be a glowing one!--Gerald Locklin
When she is accused of murdering her obnoxious neighbor, Peggy Jean Turner, the Mayor of Cobb's Landing, races against time to clear her name and get the town's Colonial-style Thanksgiving preparations back on track for the incoming tourists.
27,000 French people were killed on 22nd August 1914, the bloodiest day in French history.
It is 1840s Damascus, and Aslan Farhi's quiet, sheltered life is turned upside down when his brutish father, a wealthy businessman, decides he should wed. Aslan finds the wedding a painful ordeal, lightened only by the presence of the exotic dancer, Umm-Jihan, by whom he becomes entranced.