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This collection opens up spaces where lives end, bodies are disposed of and memories generated: hospitals, hospices, care homes, coroners' courts, funeral premises, cemeteries, roadsides, the spirit world. Using material culture studies it illuminates the ways human beings make meaningful the challenges of death, dying and bereavement.
A collection of essays on the cosmos, written by an American Museum of Natural History astrophysicist, includes "Holy Wars," "Ends of the World," and "Hollywood Nights."
On April 12, 1961, Yuri Gagarin became the first person in history to leave the Earth's atmosphere and venture into space. His flight aboard a Russian Vostok rocket lasted only 108 minutes, but at the end of it he had become the most famous man in the world. Back on the ground, his smiling face captured the hearts of millions around the globe. Film stars, politicians and pop stars from Europe to Japan, India to the United States vied with each other to shake his hand. Despite this immense fame, almost nothing is known about Gagarin or the exceptional people behind his dramatic space flight. Starman tells for the first time Gagarin's personal odyssey from peasant to international icon, his subsequent decline as his personal life began to disintegrate under the pressures of fame, and his final disillusionment with the Russian state. President Kennedy's quest to put an American on the Moon was a direct reaction to Gagarin's achievement--yet before that successful moonshot occurred, Gagarin himself was dead, aged just thirty-four, killed in a mysterious air crash. Publicly the Soviet hierarchy mourned; privately their sighs of relief were almost audible, and the KGB report into his death remains secret. Entwined with Gagarin's history is that of the breathtaking and highly secretive Russian space program - its technological daring, its triumphs and disasters. In a gripping account, Jamie Doran and Piers Bizony reveal the astonishing world behind the scenes of the first great space spectacular, and how Gagarin's flight came frighteningly close to destruction.
On February 1, 2003, ten astronauts were orbiting the planet. Seven headed back to Earth on the space shuttle Columbia. They never made it. And the three men left behind found themselves too far from home. Chris Jones chronicles the efforts of the beleaguered Mission Control in Houston and Moscow as they work frantically against the clock to bring their men safely back to Earth, ultimately settling on a plan that felt, at best, like a long shot. Yet even amid the danger, the call of space is a siren song, and Too Far From Home details beautifully the majesty and mystique of space travel, while reminding us all how perilous it is to soar beyond the sky.
It's only a matter of time before a cosmic disaster spells the end of the Earth. But how concerned should we about about any of these catastrophic scenarios? And if they do post a danger, can anything be done to stop them?
Foothold in the Heavens, the second volume in the A History of Human Space Exploration series, focuses upon the 1970s, the decade in which humanity established real, longterm foothold in the heavens with the construction and operation of the first space stations. It marked a transitional phase between the heady, race-to-the-Moon days of the Sixties and efforts to make space travel more economical, more frequent and more 'routine.' Space exploration in the Seventies, although dominated by Soviet achievement, saw the first efforts of mankind to really 'live' and work in space, producing results of direct benefit to humans on Earth. The emphasis changed from the gung-ho, 'strap-it-on-and-go' pioneers of the Sixties to the more practical exploitation of space for science, medicine, and technology. This book focuses on each mission launched between April 1971 and April 1981: from the launch of the world's first space station to the end of operations of Salyut 6, and from the expanded, lengthy exploration of the Moon on Apollo 15 to the first flight of the Shuttle.
Nobody knew it at that moment, but only three things stood in the way of the complete destruction of the Earth: one elderly parrot; one eight-year-old spelling mistake; and an intrepid young schoolgirl-turned-reporter in search of a story ... Greta Zargo needs a big scoop if she's going to win the Prilchard-Spritzer Medal, the quite famous award for great reporting. But big scoops are in short supply in the quiet little town of Upper Lowerbridge, and all Greta's got to investigate is a couple of missing cakes. But then, with a whoosh of unknown energy, a mysterious silver robot descends from the sky ... A laugh-out-loud funny new series from the author of the critically acclaimed The Imaginary, perfect for fans of Mr Gum, Chris Riddell, and Philip Reeve and Sarah McIntyre's Oliver and the Seawigs
Although it is a natural part of life, death is a subject that is often neglected in psychotherapeutic literature and training. In this book Laura Barnett and her contributors offer us insights into working with mortality in the therapeutic setting.
Achieving believable motion in animation requires an understanding of physics that most of us missed out on in art school. Although animators often break the laws of physics for comedic or dramatic effect, you need to know which laws you’re breaking in order to make it work. And while large studios might be able to spend a lot of time and money testing different approaches or hiring a physics consultant, smaller studios and independent animators have no such luxury. This book takes the mystery out of physics tasks like character motion, light and shadow placement, explosions, ocean movement, and outer space scenes, making it easy to apply realistic physics to your work. Physics concepts are explained in animator’s terms, relating concepts specifically to animation movement and appearance. Complex mathematical concepts are broken down into clear steps you can follow to solve animation problems quickly and effectively. Bonus companion website at www.physicsforanimators.com offers additional resources, including examples in movies and games, links to resources, and tips on using physics in your work. Uniting theory and practice, author Michele Bousquet teaches animators how to swiftly and efficiently create scientifically accurate scenes and fix problem spots, and how and when to break the laws of physics. Ideal for everything from classical 2D animation to advanced CG special effects, this book provides animators with solutions that are simple, quick, and powerful.