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One part mixtape, one part disorientation guide, and one part career retrospective, Kyle "Guante" Tran Myhre's debut looks you directly in the eye and doesn't let you flinch. Ranging from justice to love, community action to personal reflection, A Love Song, A Death Rattle, A Battle Cry is a dedication to craft. Clocking in before the rest of us are even awake, the book wastes no time. It does the work and beckons you to follow. A compilation of poems, lyrics and essays from the UN presenter, MC, and two-time National Poetry Slam champion, this book is a love song tucked into a grenade, a necessary call that demands a response.
A poetic picture book about being able to say goodbye to those we love, while holding them in memory.
Grieving Beyond Gender: Understanding the Ways Men and Women Mourn is a revision of Men Don’t Cry, Women Do: Transcending Gender Stereotypes of Grief. In this work, Doka and Martin elaborate on their conceptual model of "styles or patterns of grieving" – a model that has generated both research and acceptance since the publication of the first edition in 1999. In that book, as well as in this revision, Doka and Martin explore the different ways that individuals grieve, noting that gender is only one factor that affects an individual’s style or pattern of grief. The book differentiates intuitive grievers, where the pattern is more affective, from instrumental grievers, who grieve in a more cognitive and behavioral way, while noting other patterns that might be more blended or dissonant. The model is firmly grounded in social science theory and research. A particular strength of the work is the emphasis placed on the clinical implications of the model on the ways that different types of grievers might best be supported through individual counseling or group support.
"Grandparents Cry Twice: Help for Bereaved Grandparents" is a book about grandparents' dual sorrow when a grandchild dies. They cry for their lost grandchild and they also cry for the terrible grief they see their own child having to bear. The author, Mary Lou Reed, writes of her experiences when her beloved grandson, Alex, died. Through her personal story she touches the universal in all grandparents' grief.
A debut novel that's as sharp as a knife's point. Plain Kate lives in a world of superstitions and curses, where a song can heal a wound and a shadow can work deep magic. As the wood-carver's daughter, Kate held a carving knife before a spoon, and her wooden charms are so fine that some even call her "witch-blade" -- a dangerous nickname in a town where witches are hunted and burned in the square.
It's Okay To Cry contains 24 warm, compassionate stories that help people find hope and healing after the death of a beloved pet. The book includes the story of Lassie by Robert Weatherwax, Sr. and the stories of PD, Sparkle and Bear by Jack Hanna. The book also contains a 42-page journal for people to write their own story and share their memories of their beloved pets. The book is a self-contained support group for people who are grieving over the death of a beloved pet.
An electrifying tale of deceit and obsession from New York Times bestselling author of The Good Girl Mary Kubica In downtown Chicago, Esther Vaughan disappears from her apartment without a trace. A haunting letter addressed to My Dearest is found among her possessions, leaving her roommate Quinn Collins to question how well she really knew her friend. Meanwhile, in a small town an hour outside Chicago, a mysterious woman appears in the quiet coffee shop where eighteen-year-old Alex Gallo works as a dishwasher. He is immediately drawn to her, but what starts as an innocent crush quickly spirals into something far more sinister. As Quinn searches for answers about Esther, and Alex is drawn further under the stranger’s spell, master of suspense Mary Kubica takes readers on a taut and twisted thrill ride that builds to a stunning conclusion and shows that no matter how fast and far we run, the past always catches up with us. Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... And look for the new editions of The Good Girl, Every Last Lie, Pretty Baby and The Other Mrs. featuring brand new covers! More edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: Th Good Girl Pretty Baby Every Last Lie When the Lights Go Out Local Woman Missing Just The Nicest Couple The Other Mrs. She’s not Sorry
A Book of Poetry covering the years 1978 thru 1983. The words of a Poet dreaming across years. And just a little bit of Magic, for those who hear.
Most of the time we get the mother's perspective when dealing with children. A Father's Cry is just the opposite of that, it's a father's perspective on life how he deals with everything. Also, it tells you how a father really feels about his children but continue to get pushed away and never gives up. During the trials and tribulations in life and a death of his sister what made him do better. This book examines how a good woman can show you real love, support, care, and showing that she will always be there for you no matter what's trials you go through in life. A Father's Cry is all his pain and tears and not holding back from voicing what's right for a father. Often, we fathers don't get the recognition we deserve, yet we do what's right for our children, but not recognized by the baby's mothers. We fathers all walk lives single, or in relationships, trying to move forward with our children being held as a paycheck. We still don't disown our children, nor do we talk bad about their mothers. We push forward and make ourselves happy at the same time to be present for our children. This book will also show how a child helps a father deal with depression, PTSD, and suicidal issues with them present. Some things will make you cry and break you, but we still must wear our masks and push forward.
French in 1986, is now available in Arthur Denner's fluid and sensitive English translation. Predictably, Poizat's route is not at all a conventional one. Rather than taking as his point of departure the intentions of composers and librettists, he is primarily concerned with the expectations and desires of the audience. He reports on an informal group interview with overnight standees on the Paris Opera House steps as they compare notes on how opera became an addiction.