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The link between weddings and death—as found in dramas ranging from Romeo and Juliet to Lorca's Blood Wedding—plays a central role in the action of many Greek tragedies. Female characters such as Kassandra, Antigone, and Helen enact and refer to significant parts of wedding and funeral rites, but often in a twisted fashion. Over time the pressure of dramatic events causes the distinctions between weddings and funerals to disappear. In this book, Rush Rehm considers how and why the conflation of the two ceremonies comes to theatrical life in the tragedies of Aeschylus, Sophokles, and Euripides. By focusing on the dramatization of important rituals conducted by women in ancient Athenian society, Rehm offers a new perspective on Greek tragedy and the challenges it posed for its audience. The conflation of weddings and funerals, the author argues, unleashes a kind of dramatic alchemy whereby female characters become the bearers of new possibilities. Such as formulation enables the tragedians to explore the limitations of traditional thinking and acting in fifth-century Athens. Rehm finds that when tragic weddings and funerals become confused and perverted, the aftershocks disturb the political and ideological givens of Athenian society, challenging the audience to consider new, and often radically different, directions for their city. Rush Rehm is Assistant Professor of Drama and Classics at Standford University and a free-lance theater director. He is the author of Greek Tragic Theatre (Routledge) and Aeschylus' Oresteia: A Theatre Vision (Hawthorn). Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Many parents who have experienced the death of a child struggle with painful and at times overwhelming marital problems. Grieving can create great marital distance, and it can magnify those problems that existed before the child's death. Grieving parents often fear that divorce is a real possibility. This book can help.
From childbirth and baptism through to courtship, weddings, and funerals, every stage in the life-cycle of Tudor and Stuart England was accompanied by ritual. Even under the protestantism of the reformed Church, the spiritual and social dramas of birth, marriage, and death were graced with elaborate ceremony. Powerful and controversial protocols were in operation, shaped and altered by the influences of the Reformation, the Revolution, and the Restoration. Each of the major rituals was potentially an arena for argument, ambiguity, and dissent. Ideally, as classic rites of passage, these ceremonies worked to bring people together. But they also set up traps into which people could stumble, and tests which not everybody could pass. In practice, ritual performance revealed frictions and fractures that everyday local discourse attempted to hide or to heal. Using fascinating first-hand evidence, David Cressy shows how the making and remaking of ritual formed part of a continuing debate, sometimes strained and occasionally acrimonious, which exposed the raw nerves of society in the midst of great historical events. In doing so, he vividly brings to life the common experiences of living and dying in Tudor and Stuart England.
Birth, marriage and death records are an essential resource for family historians, and this handbook is an authoritative introduction to them. It explains the original motives for registering these milestones in individual lives, describes how these record-keeping systems evolved, and shows how they can be explored and interpreted. Authors David Annal and Audrey Collins guide researchers through the difficulties they may encounter in understanding the documentation. They recount the history of parish registers from their origin in Tudor times, they look at how civil registration was organized in the nineteenth and twentieth centuries and explain how the system in England and Wales differs from those in Scotland and Ireland. The record-keeping practiced by nonconformist and foreign churches, in communities overseas and in the military is also explained, as are the systems of the Isle of Man and the Channel Islands. Other useful sources of evidence for births, marriages and deaths are explored and, of course, the authors assess the online sites that researchers can turn to for help in this crucial area of family history research.
A mysterious death in respectable society: a brilliant historical true crime story In 1849, a woman called Ellen Langley died in Nenagh, Co. Tipperary. She was the wife of a prosperous local doctor. So why was she buried in a pauper's coffin? Why had she been confined to the grim attic of the house she shared with her husband, and then exiled to a rented dwelling-room in an impoverished part of the famine-ravaged town? And why was her husband charged with murder? Following every twist and turn of the inquest into Ellen Langley's death and the trial of her husband, The Doctor's Wife is Dead tells the story of an unhappy marriage, of a man's confidence that he could get away with abusing his wife, and of the brave efforts of a number of ordinary citizens to hold him to account. Andrew Tierney has produced a tour de force of narrative nonfiction that shines a light on the double standards of Victorian law and morality and illuminates the weave of money, sex, ambition and respectability that defined the possibilities and limitations of married life. It is a gripping portrait of a marriage, a society and a shocking legal drama. 'An astonishing book ... a vivid chronicle of the unspeakable cruelty perpetrated by a husband on his spouse at a time when, in law, a wife was a man's chattel' Damian Corless, Irish Independent 'Opens in gripping style and rarely falters ... fascinating and well researched' Mary Carr, Irish Mail on Sunday (5 stars) 'Truly illuminating ... Tierney's exploration of the case's influence on Irish and English lawmaking and literature is particularly intriguing, drawing comparisons with Kate Summerscale's similar work in The Suspicions of Mr Whicher' Jessica Traynor, Sunday Times 'Riveting ... meticulously researched and deftly told' Irish Examiner 'A nonfiction work with the pulse of a courtroom drama ... Tierney's book is a moving account of Ellen Langley's squalid last days, but it's also a study of Famine-era Irish society. Men dominate, be they grimly professional gents in tall hats and grey waistcoats or feckless scoundrels using women as chattel' Peter Murphy, Irish Times 'A dark tale of spousal abuse, illicit sex and uncertain justice, set against a backdrop of poverty and privilege, marital inequality and the deep religious divide between Catholics and Protestants. Tierney is an archaeologist, and his skill in unearthing the past is on display as he digs deep into the historical record of a murder case so shocking and controversial that it was debated in parliament. ... Tierney writes with passion ... and deftly weaves a plot that's filled with surprising twists and turns' History Ireland
Revised Edition Divorce and children, sexuality and well-being, perversions and affairs, sacrifice and individuation-these are only some of the emotional and psychological issues that Adolf Guggenbuhl-Craig examines with his customary vigor and deceptively easy prose style. This brilliant Swiss psychiatrist (famous for his book Power in the Helping Professions and his expertise on psychopathy) examines marriage against the background of individuals and their search for soul, thereby questioning and radicalizing our controversial notions of what constitutes a "happy marriage," or even if happiness in a marriage is necessary to be successful.
Ryan and Selena Frederick were newlyweds when they landed in Switzerland to pursue Selena's dream of training horses. Neither of them knew at the time that Ryan was living out a death sentence brought on by a worsening genetic heart defect. Soon it became clear he needed major surgery that could either save his life--or result in his death on the operating table. The young couple prepared for the worst. When Ryan survived, they both realized that they still had a future together. But the near loss changed the way they saw all that would lie ahead. They would live and love fiercely, fighting for each other and for a Christ-centered marriage, every step of the way. Fierce Marriage is their story, but more than that, it is a call for married couples to put God first in their relationship, to measure everything they do and say to each other against what Christ did for them, and to see marriage not just as a relationship they should try to keep healthy but also as one worth fighting for in every situation. With the gospel as their foundation, Ryan and Selena offer hope and practical help for common struggles in marriage, including communication problems, sexual frustration, financial stress, family tension, screen-time disconnection, and unrealistic expectations.
Through a look at the family, this book discusses the intersections between Roman and Christian legal culture, thought, and political power after the collapse of the Roman Empire.
Conventional wisdom tells us that marriage was illegal for African Americans during the antebellum era, and that if people married at all, their vows were tenuous ones: "until death or distance do us part." It is an impression that imbues beliefs about black families to this day. But it's a perception primarily based on documents produced by abolitionists, the state, or other partisans. It doesn't tell the whole story. Drawing on a trove of less well-known sources including family histories, folk stories, memoirs, sermons, and especially the fascinating writings from the Afro-Protestant Press,'Til Death or Distance Do Us Part offers a radically different perspective on antebellum love and family life. Frances Smith Foster applies the knowledge she's developed over a lifetime of reading and thinking. Advocating both the potency of skepticism and the importance of story-telling, her book shows the way toward a more genuine, more affirmative understanding of African American romance, both then and now.
Young, handsome Colin Whelan was a magnet for women, who always fell for his seductive charms. Little did they know that underneath his cool exterior lay a twisted desire to kill. Behind the facade of normality lay a psychopathic mind struggling to control its homicidal urges. Having seduced and married his sweetheart Mary Gough, Whelan immediately began planning her brutal murder. While his young wife dreamed of a love-filled marriage, Whelan searched the internet for information on serial killers and the methods they used to strangle their victims. Compelling and disturbing, this book reveals how Whelan murdered his wife to claim a hefty life insurance policy, and how he faked his own suicide when he became the prime suspect for the murder. Till Death Do Us Part offers a fascinating insight into the true motivation behind one of Irelands most notorious murders, and is a horrifying story of love, lust, revenge and murder - all the more shocking because every word is true.