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MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.
The author freely admits that devices are not all bad. For better or worse they have changed the world. But this book ranges far from the subject of the effects of devices, often into areas distinctly politically incorrect. Some commentary is amusing; others might be seen as disturbing. This is a good companion book for your one-way trip to Mars! Read it, and you will never be the same again! Nor will be the society described. We live in changing times; there is a distinct sense of a rising sadness for lost America...
Lieutenant Eve Dallas must foil a terrorist plot in this explosive thriller in the #1 New York Times bestselling In Death series. It was just another after-work happy hour at a bar downtown—until the madness descended. And after twelve minutes of chaos and violence, more than eighty people lay dead. Lieutenant Eve Dallas is trying to sort out the inexplicable events. Surviving witnesses talk about seeing things—monsters and swarms of bees. They describe sudden, overwhelming feelings of fear and rage and paranoia. When forensics makes its report, the mass delusions make more sense: it appears the bar patrons were exposed to a cocktail of chemicals and illegal drugs that could drive anyone into temporary insanity—if not kill them outright. But that doesn’t explain who would unleash such horror—or why. Eve’s husband, Roarke, happens to own the bar, but he’s convinced the attack wasn’t directed at him. It’s bigger than that. And if Eve can’t figure it out fast, it could happen again, anytime, anywhere. Because it’s airborne…
“This gonzo-journalistic exploration of the Silicon Valley techno-utopians’ pursuit of escaping mortality is a breezy romp full of colorful characters.” —New York Times Book Review (Editor's Choice) Transhumanism is a movement pushing the limits of our bodies—our capabilities, intelligence, and lifespans—in the hopes that, through technology, we can become something better than ourselves. It has found support among Silicon Valley billionaires and some of the world’s biggest businesses. In To Be a Machine, journalist Mark O'Connell explores the staggering possibilities and moral quandaries that present themselves when you of think of your body as a device. He visits the world's foremost cryonics facility to witness how some have chosen to forestall death. He discovers an underground collective of biohackers, implanting electronics under their skin to enhance their senses. He meets a team of scientists urgently investigating how to protect mankind from artificial superintelligence. Where is our obsession with technology leading us? What does the rise of AI mean not just for our offices and homes, but for our humanity? Could the technologies we create to help us eventually bring us to harm? Addressing these questions, O'Connell presents a profound, provocative, often laugh-out-loud-funny look at an influential movement. In investigating what it means to be a machine, he offers a surprising meditation on what it means to be human.
Ray Gilbert isn’t someone you would call a “nice guy,” but he is a hard-working cardiologist who gives a damn about his job. When Ray starts seeing patients who received medical devices they might not need, he tries to figure out why. Spurned by his superiors and professional societies, Ray turns to Tiffany Springer, an eager but naive newspaper reporter—and Ray’s new lover—to tell his story. Her articles gain national acclaim. Ray and Tiffany ride the crest of their success ... until they came to an untimely end with drug overdose as the probable cause of death. What really happened to Tiffany and Ray, and do their deaths have something to do with the unnecessary medical devices? As Ray’s mentor, Dr. Philip Sarkis can’t help but question the reports. His suspicions lead him to seek the help of his partner and a private investigator. However, as previously proven, digging into medicine’s big money is a deadly business.
Philip Sarkis was a good doctor - maybe a little too good. So when he is sued for malpractice after a young patient dies suddenly he sinks into an alcoholic depression, losing his family and his career.
If a machine could predict how you would die, would you want to know? This is the tantalizing premise of This Is How You Die, the brilliant follow-up anthology to the self-published bestseller, Machine of Death. THIS IS HOW YOU DIE Stories of the Inscrutable, Infallible, Inescapable Machine of Death The machines started popping up around the world. The offer was tempting: with a simple blood test, anyone could know how they would die. But the machines didn't give dates or specific circumstances-just a single word or phrase. DROWNED, CANCER, OLD AGE, CHOKED ON A HANDFUL OF POPCORN. And though the predictions were always accurate, they were also often frustratingly vague. OLD AGE, it turned out, could mean either dying of natural causes, or being shot by an elderly, bedridden man in a botched home invasion. The machines held onto that old-world sense of irony in death: you can know how it's going to happen, but you'll still be surprised when it does. This addictive anthology--sinister, witty, existential, and fascinating--collects the best of the thousands of story submissions the editors received in the wake of the success of the first volume, and exceeds the first in every way.
#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times. When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “The kind of book that can be life-changing.” —The New York Times “Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.
This book refutes the 21st-century notion that advancing technology is an unambiguous social good, and examines the effects of this uncritical acceptance and dependence. The author argues that technology has become the new religion for the digital age, and that elevating technology to nearly the status of a deity allows for the denial of problems created by reliance upon machines. From the release of toxins into the environment to the unsustainable energy demands of the modern era, technological dependence is driving humanity near the brink of extinction. Despite these problems, and existential issues such as artificial intelligence and the proliferation of nuclear weapons, many people have an unwavering belief in the ability of technology, particularly any device labeled "smart," to create a perfect future--while denying the history of unmet promises and unintended consequences of technological innovation. The author explores the psychological underpinnings of these beliefs from both a clinical and a cognitive perspective. The social and economic forces that maintain our reliance on, or addiction to, technology are critiqued as are the ethical and security issues associated with the control of advanced technology.
A young poet, Who May, pens one disturbing poem after another until he creates a poem that can kill, which sparks a "magic poem plague" when copies are mailed to all of his friends.