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Death Blows is a fast-paced, exciting follow-up to Dying Bites—DD Barant and The Bloodhound Files just keep getting better, and Jace Valchek's world keeps getting stranger ... FBI profiler Jace Valchek was pulled into this parallel realm to hunt for Aristotle Stoker, a human serial killer who preys on vampires and werewolves. Now she works for the National Security Agency of the Unnatural States of America—and her boss is a vampire. At a bizarre crime scene, Jace finds a bloodsucker murdered by magic, fried to the bone and dressed in the costume of the comic book hero the Flash—a character who isn't supposed to exist here. Comic books have been outlawed for their powers, including crossover spells like the one that transported Jace to this world. Soon, she's following a trail of dead bodies into the sinister underworld of black-market comics—where a deranged madman gives new meaning to the term "super-villain"...
During the Great Depression, black intellectuals, labor organizers, and artists formed the National Negro Congress (NNC) to demand a "second emancipation" in America. Over the next decade, the NNC and its offshoot, the Southern Negro Youth Congress, sought to coordinate and catalyze local antiracist activism into a national movement to undermine the Jim Crow system of racial and economic exploitation. In this pioneering study, Erik S. Gellman shows how the NNC agitated for the first-class citizenship of African Americans and all members of the working class, establishing civil rights as necessary for reinvigorating American democracy. Much more than just a precursor to the 1960s civil rights movement, this activism created the most militant interracial freedom movement since Reconstruction, one that sought to empower the American labor movement to make demands on industrialists, white supremacists, and the state as never before. By focusing on the complex alliances between unions, civic groups, and the Communist Party in five geographic regions, Gellman explains how the NNC and its allies developed and implemented creative grassroots strategies to weaken Jim Crow, if not deal it the "death blow" they sought.
Homicide detective Veranda Cruz takes on the most ruthless member of the Villalobos cartel. Phoenix homicide detective Veranda Cruz is on a mission. After Hector Villalobos tried to destroy her family, Veranda vowed to take down his powerful crime syndicate. Beautiful, shrewd, and lethal, Daria Villalobos is on a mission of her own. Determined to be the first woman to take the reins of her father's notorious cartel, she hatches a plot to eliminate Veranda. When the investigation blows up in Veranda's face, the hunt is on to stop a bomber. Veranda battles her department and her personal demons as she takes on Daria. To survive her most cunning adversary yet, will she make a pact with a killer? Praise for Death Blow, Book 3 in the Veranda Cruz Mysteries: "If you're in the mood for a nonstop exposé of every fear you've ever had about cartel crime, Veranda Cruz is the woman to follow."—Kirkus Reviews "Finally! A kick-ass female protagonist and an author who knows firsthand the world she writes about. The combination makes for an explosive read that grabs you from page one and doesn't let go."—Alex Kava, New York Times and USA Today bestselling author of Lost Creed "Red alert to all readers of police procedurals with a strong thriller bent: Isabella Maldonado's Death Blow delivers non-stop action with substance, grit and surprises."—Lisa Preston, author of The Clincher "Gritty, raw, and realistic, Isabella Maldonado's Death Blow is the real deal."—Bruce Robert Coffin, bestselling author of the Detective Byron mystery series "A gritty, gut wrenching, page-turning thriller featuring a woman cop bent on bringing down a twisted cartel leader for reasons of her own. Death Blow grabs you from the first jaw dropping scene to the last and Maldonado's stellar writing weaves it all together."—Jamie Freveletti, internationally bestselling author of Blood Run Praise for Phoenix Burning, Book 2 in the Veranda Cruz Mysteries: "Maldonado's a writer to watch, and she showcases her own extensive law enforcement background in this tightly plotted police procedural."—Publishers Weekly (Starred Review) "Maldonado, a former law enforcement officer, brings her experience and expertise to this gripping police procedural. With its gritty heroine, this action-packed mystery will attract readers who enjoy crime novels about the war on drugs."—Library Journal "Phoenix may be burning, but Maldonado's star is rising. Gritty and gripping."—J. A. Jance, New York Times bestselling author "Maldonado's writing always bristles with urgency and authority."—MysteryScene Magazine "Delivers a brilliant and complicated heroine, accented by a take-no-prisoners plot...It's spicy, smart, and entertaining, definitely worth your time."—Steve Berry, author of The Lost Order Praise for Blood's Echo, Book 1 in the Veranda Cruz Mysteries: Winner of the 2018 Mariposa Award for Best First Novel "A highly entertaining police procedural...Maldonado rises to her written challenge to entertain, enthrall, and engage readers in this high-octane thriller."—Suspense Magazine "A tense thriller with a strong sense of place and an insider's look at some of the most dangerous work in law enforcement."—Jan Burke, New York Times bestselling author "An ex-narc leads a war against a powerful crime family. The payoff is satisfying."—Kirkus Reviews
Frank Sterling, private investigator, is going through a bad patch. Business is hard to come by and friendships are strained. Relief comes in a commission to investigate a murder and protect a reputation in nearby Canterbury. Applying his tried and trusted strategy of 'shaking things loose', he is soon embroiled in the city's dark, corrupt underbelly. With the police on the case baffled and danger steadily escalating, will Sterling and his capable young assistant finally discover the truth, no matter where it leads?
This Book Covers The Following Topics: (I). What are Nouns (II). Types of Nouns A. Proper Noun B. Common Noun C. Collective Noun D. Material Noun E. Abstract Noun F. Concrete Noun G. Compound Noun H-1. Countable Noun -- Singular Noun H-2. Countable Noun -- Plural Noun I. Uncountable or Mass Noun J. Possessive Noun (III-A). Countable & Uncountable Nouns – Categorization 1. always countable (both singular & plural) | no uncountable 2. always uncountable | no countable 3A. uncountable + countable (both singular & plural) 3B. uncountable + singular 4A. always singular | no plural 4B. always plural | no singular 5A. (a). uncountable | (b). countable (both singular & plural) 5B. (a). countable (singular and plural) | (b). singular 5C. (a). countable (singular and plural) | (b). plural 5D. (a). countable (singular and plural) | (b). singular | (c). plural 5E. (a). always uncountable | (b). always singular 5F. (a). always uncountable | (b). always plural 6. (a). uncountable and countable (singular as well as plural) | (b). countable (singular as well as plural) 7. (a). uncountable | (b). uncountable + countable (singular as well as plural) 8A. (a). uncountable | (b). countable (singular as well as plural) | (c). uncountable + countable (singular as well as plural) 8B. (a). uncountable | (b). countable (both singular and plural) | (c). singular 8C. (a). uncountable | (b). countable (both singular and plural) | (c). plural 9A-1. countable: usually singular 9A-2. uncountable + usually singular 9A-3. (a). uncountable | (b). usually singular 9A-4. (a). uncountable | (b). usually plural 9A-5. (a). usually singular | (b). countable (both singular and plural) 9B-1. countable: usually plural 9B-2. (a). usually plural | (b). countable (both singular and plural) 9C. (a). always singular | (b). always plural 9D. (a). ‘usually singular’ | (b). ‘usually plural’ 9E. Miscellaneous Patterns 10. Additional Countable and Uncountable Nouns (III-B). Nouns with Singular/Plural Verbs 1. uncountable noun + singular/plural verb 2. singular noun + singular/plural verb 3. countable noun (in singular form) + singular/plural verb (III-C1). Formation of Plural Nouns (1). REGULAR PLURAL NOUNS (2). IRREGULAR PLURAL NOUNS (A). “-y” is changed into “-ies” (B). “-f” and “-fe” is changed into “-ves” (C). “-is” is changed into “-es” (D). “-um” is changed into “-a” (E). “-us” is changed into “-i” (F). “-on/-ian” is changed into “-a” (G). “-ax” / “-ex” is changed into “-ices” (H1). Compound words without dashes (H2). Compound words with dashes (H3). Compound words with a verb (H4). Double Plural (I). “-a” is sometimes changed into “-ae” (J). Change of vowel(s) (J1). “-an” is changed into “-en” (J2). “-oo” is changed into “-ee” (J3). “-o” is changed into “-i” (J4). “-u” is changed into “-ux” (K). Irregular Nouns That Do Not Change When Made Plural (L). Irregular Nouns That Change Substantially (M). Other Irregular Plural Nouns (III-C2). Formation of Nouns from Other Parts of Speech C2-a. Formation of Nouns from Other Nouns C2-b. Formation of Nouns from Adjectives C2-c. Formation of Nouns from Verbs (IV). Nouns and Genders
"Samuel Heilman has walked the mourner's path both as an anthropologist observing the socio-cultural death practices of the Jewish community, and as a bereaved son grieving the loss of a beloved father. In the wake of his successful navigation through these two worlds—academic and personal—he presents an acute understanding of the detailed intricacies of the cycle of Jewish rituals from deathbed to burial, from mourning to memorialization. Heilman emerges from his journey through grief with a wise and seasoned appreciation of the symbols and practices which are at the foundation of Jewish life and culture. When a Jew Dies provides an insightful roadmap to the subtle and profound vicissitudes of grief in the Jewish tradition. For mourner and scholar alike, this is a book to be savored, a friend to walk with, a companion with which to explore the reality of the walk through the valley of the shadow of death."—Simcha Raphael, author of Jewish Views of the Afterlife "Heilman has an unusually keen sense of perception and ability to put everything into an almost universal, social scientific perspective while, at the same time, retaining his personal ties, thought and feelings. As in his previous work, he here examines something that almost every traditional Jew is familiar with, and gives it new perspectives and new meaning. When a Jew Dies includes significant discussion of prevalent customs and the Jewish bases for them. The author's particularistic-universalistic synthesis as well as his deeply-rooted, personal-scholarly synthesis set this book apart from all others."—Chaim I. Waxman, Professor of Sociology at Rutgers University and author of America's Jews in Transition "Heilman offers a unique synthesis of historical scholarship and ethnographic description in this rich account of the complex processes by which Judaism brings the dying to the end of life and the mourning to the end of grief and a return to life. This is, as far as I know, the only study combining the legal-historical, social-historical, and ethnographic perspectives in a single volume. It offers a remarkable glimpse of how one sector of contemporary Jewry confronts the reality of death and transfigures it."—Martin S. Jaffee, author of Torah in the Mouth