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Invited to play in a buddys weekend Member-Guest tournament, golf writer Pete Hacker encounters the president of the Shuttlecock Club, a strange, tantrum-throwing cheat. When the man is murdered during the tournament, there are plenty of suspects.
If it bleeds . . . It leads! Golf writer Hacker is now TV golf broadcaster Hacker with a sweet new gig on a national network. He has to learn the ins and outs of televising golf, and how to deal with the hyper-intense executive producer and director, Ben ‘the Assassin’ Oswald, as they get ready to broadcast the PGA Championship, staged at international developer Conrad Gold’s luxury club in upstate New York. And then the bodies begin to pile up. First is a fellow announcer on the crew, then the assistant to Oswald in the control room. So as Hacker trades quips in the booth with Billy Joe ‘the Boz’ Bosworth, he’s gotta figure out who’s killing the network guys, one by one. It’s another golf-crazy mystery from the author Golfweek Magazine calls “the Dick Francis of golf.”
Dr. Ryan Kendall, dermatologist, thought it was just another day of patients in his office. High powered attorney Drew Garrett thought it was just a routine skin examination. Until Dr. Kendall saw the lesion on his back. Until what was just another ordinary day turned malignant. Dr. Chad Williams, noted D.C. pathologist, controls their fate. His microscope is his tool and weapon. Routine pathology is turned upside down. Lives and families are turned every which way by the pathologists fears and whims. Dr. Bob Williams, Chads father, faces the ultimate nightmare of medical and family betrayal. Their lives become irrevocably interwined in the realities of day to day real medicine and deception. No doctors appointment will ever be routine again.
Presents a series of personal essays concerning the author's life and her experiences with death, including the sudden death of her father, her mother's lingering illness and death, and her own suicide attempt.
“[This] is one of the great crime mysteries of modern times. It took an author of Caitlin Rother’s caliber to bring it into sharp focus. A riveting read.” —Gregg Olsen, #1 New York Times bestselling author “I got a girl, hung herself in the guest house.” The call came on the morning of July 13, 2011, from the historic Spreckels Mansion, a lavish beachfront property in Coronado, California, owned by pharmaceutical tycoon and multimillionaire Jonah Shacknai. When authorities arrived, they found the naked body of Jonah’s girlfriend, Rebecca Zahau, gagged, her ankles tied and her wrists bound behind her. Jonah’s brother, Adam, claimed to have found Rebecca hanging by a rope from the second-floor balcony. On a bedroom door in black paint were the cryptic words: SHE SAVED HIM CAN YOU SAVE HER. Was this scrawled message a suicide note or a killer’s taunt? Rebecca’s death came two days after Jonah’s six-year-old son, Max, took a devastating fall while in Rebecca’s care. Authorities deemed Rebecca’s death a suicide resulting from her guilt. But who would stage either a suicide ora murder in such a bizarre, elaborate way? Award-winning investigative journalist Caitlin Rother weaves stunning new details into a personal yet objective examination of the sensational case. She explores its many layers—including the civil suit in which a jury found Adam Shacknai responsible for Rebecca’s death, and the San Diego County Sheriff’s Department bombshell decision to reconfirm its original findings. As compelling as it is troubling, this controversial real-life mystery is a classic American tragedy that evokes the same haunting fascination as the JonBenet Ramsey and O.J. Simpson cases. “Rother’s meticulous journalism shines through in this authoritative account of the Rebecca Zahau death incident. If you think you know this case, think again. And read this book.” —Katherine Ramsland, professor of forensic psychology and author of The Psychology of Death Investigations
No advertisers to please, no censors to placate, no commercial interruptions every eleven minutes, demanding cliffhangers to draw viewers back after the commercial breaks: HBO has re-written the rules of television; and the result has been nothing short of a cultural ground shift. The HBO Effect details how the fingerprints of HBO are all over contemporary film and television. Their capability to focus on smaller markets made shows like Sex and the City, The Sopranos, The Wire, and even the more recent Game of Thrones and Girls, trigger shows on basic cable networks to follow suit. HBO pioneered the use of HDTV and the widescreen format, production and distribution deals leading to market presence, and the promotion of greater diversity on TV (discussing issues of class and race). The HBO Effect examines this rich and unique history for clues to its remarkable impact upon television and popular culture. It's time to take a wide-angle look at HBO as a producer of American culture.