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When Julia Maltby, a wide-eyed girl of British stock, leaves New York to return to her ancestral castle on a remote island off the coast of Northumberland, she is seeking romance and adventure; but finds more than she bargained for. The British aristocracy closes ranks and Julia is soon at the center of a murder investigation and suspected of planning to steal the family jewels. Will she be able to solve the murder case, clear her name, and inherit the jewelry left to her by her grandmother? If she does, there just may be a chance for her long-time admirer to trust her again and win her heart.
When Albert complains of a toothache, no one in his family believes him, until his grandmother takes the time to really listen to him.
Albert Turtle wakes up one morning and complains that he has toothache. But turtles don't have teeth, as his family gently explains to him, so it's impossible for Albert to have toothache. Or is it? This is a classic and light-hearted story about the importance of taking children seriously.
Chester Chipmunk can't seem to find anybody to share his Thanksgiving dinner.
Anne Langton (1804-1893) arrived in Upper Canada in 1837 to join her brother John on his settler farm near Fenelon Falls, Ontario. An accomplished miniaturist, landscape artist, and writer, Langton documented ten years of family and community hardship and growth in her journals, letters, and art, and traced her own physical and psychological transformation from cultivated Englishwoman to hard-working pioneer settler. She became an exceptionally influential member of the community, developing the first school and library in the area, ministering to the sick, undertaking charitable work, and hosting community events, all the while continuing to record her reactions to her new world in her writing and artwork. First published in 1950, A Gentlewoman in Upper Canada is a classic work of early pioneering literature. This new, significantly expanded edition includes many of Langton's original illustrations and reveals Langton's views on writing, art, and women's social and familial roles in nineteenth-century Europe and Canada. In her extensive introduction, Barbara Williams contextualizes Langton's life and work and reflects on them in light of current scholarship in life writing, art history, and early emigrant, cultural, and social history. This is the definitive edition of Anne Langton's important text.