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When Captain Gabriel Lacey finds himself standing over a dead body in Brighton Pavilion, bloody sword in hand and no memory of how he got there, he immediately fears he is a murderer. The dead man is Colonel Hamilton Isherwood, a man Lacey clashed with after the battle of Salamanca in Spain seven years before. As Lacey tries to piece together the events of the previous night, he discovers he’d promised to help a Quaker gentleman find his missing son, and that the Society of Friends might know far more about his strange night out than anyone else. With the help of Brewster, Grenville, and his wife, Lacey races to save himself from arrest, even it means bringing to light painful scandals from his own past. Captain Lacey Regency Mysteries, Book 14. This is a full-length novel.
Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars to begin solving crimes that go unnoticed by the Bow Street Runners, which take him from the mansions of Mayfair to the backstreets of London's rookeries in this USA Today Bestselling Mystery Series by Ashley Gardner (aka Jennifer Ashley). In April 1817, a Bow Street Runner summons Captain Gabriel Lacey to a Berkeley Square ballroom where a young dandy has been found stabbed to death during a society ball. The prime suspect: Lacey’s former commander, Colonel Brandon. Instead of denying the charges, Colonel Brandon allows himself to be arrested, and claims, to Lacey’s shock, that the lady he’d stayed protectively near at the ball is his mistress. Lacey realizes that he is the only person not convinced of Brandon’s guilt—all present, including Brandon’s wife, believe Brandon committed the murder. Colonel Brandon’s reticence to tell the truth proves to be Lacey’s greatest obstacle in his race against time to prove Brandon’s innocence. Lacey’s hunt for evidence uncovers dark secrets that go back to the Peninsular Wars and involve the origins of Lacey’s and Brandon’s own private war.
For Kathryn Ardleigh and her newly Lorded husband Charles, a seaside holiday in Rottingdean is a needed rest. The cozy hamlet is built on a labyrinth of hundred-year-old tunnels that once were used by smugglers. But when a coast guard's body is found on the beach, the town is suspected to plying its illicit trades of the past. And with the help of a young writer named Rudyard Kipling, they're about to discover something rotten in Rottingdean...
Book 7 of the Captain Lacey Regency Mysteries September 1817: Captain Gabriel Lacey travels with Lady Breckenridge to his boyhood home in northern Norfolk only to discover mysterious happenings in and around the Lacey estate. A young woman, cousin of an old friend, has gone missing, strange objects appear in Lacey's ruined house, and the dark windmills on the marshes keep pulling Lacey to them. The underworld criminal, James Denis, uses Lacey's visit to Norfolk as an opportunity to have Lacey deliver a message to a local squire. A simple task--but one that lands Lacey squarely in international theft and murder. Lacey learns more about Denis's past, and finds himself joining forces with Denis to flush out a brutal killer and save the one person about whom Denis admits to caring.
When I agree to visit Grenville in his villa near Rome, I scarcely imagine that I immediately will become embroiled in mystery and mayhem. James Denis has requested that I purchase an antique from a collector, one Conte de Luca. Before I can approach this count, I am recruited by a Roman a man to help rescue his daughter from a cool aristocrat, and then asked to solve the murder of an Englishman—by a man who is already dead. These tasks do not keep me from traveling to the ruins of Pompeii and Herculaneum and exploring to my heart’s content, but trouble follows me in the form of a man bent on killing me—for what reason I cannot fathom. All this is compounded by another murder back in Rome, and I am commanded by James Denis, as well as the aristocrat who stole my new Roman friend’s daughter, to find out who committed the deed and the secret of the man’s astonishing collection of rare and fine art. Probing these puzzles lead me to the past, present, and future troubles of the Italian peninsula, a beautiful but deadly place in the spring of 1820.
Response to Death presents a literary historical perspective on mourning, tracing examples of mourning in literary works from the medieval world to the present day. Contributors offer a chronological examination of the concept of the work of mourning in specific literary and historical contexts, beginning with an exploration of the medieval York Cycle of plays and sixteenth-century French women's lyric, and continuing through the Renaissance with considerations of Shakespeare, the nineteenth century, and into the twentieth century.
Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars to begin solving crimes that go unnoticed by the Bow Street Runners, which take him from the mansions of Mayfair to the backstreets of London's rookeries. As Captain Gabriel Lacey prepares for his upcoming wedding, his former neighbor, Marianne Simmons, asks for his help to find an actress friend who’s gone missing. Lacey agrees to help look for the actress, little realizing that the search will pit him against men who think nothing of abduction, assault, or sending incendiary devices to the innocent. At the same time, Lacey’s personal life is changing, and his time for investigation is frequently and frustratingly interrupted. He is also commanded by a new Bow Street Runner to assist in bringing down James Denis, a criminal with whom Lacey now has complicated ties. Lacey must help or else risk hanging alongside Denis. The search for the actress takes Lacey from elegant assembly rooms to the backstage of the Theatre Royal in Drury Lane, where he finds darkness in all corners. Lacey’s life and honor are constantly challenged as he tries to settle into his new life, until he realizes he can follow no code but his own.