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Kate Adrleigh is everything the Victorian English gentlewoman is not--outspoken, free-thinking, American...and a writer of the frowned upon "penny-dreadfuls." Soon after her arrival in Essex, England, a body is unearthed in a nearby archeological dig--and Kate has the chance to not only research her latest story...but to begin her first case with amateur detective Sir Charles Sheridan.
Sir Charles Sheridan is many things—an amateur scientist, a renowned photographer, and a skilled detective. And due to Victorian customs, he will soon become a baron—rendering him unable to marry American writer Kate Ardleigh. But even as customs keep them apart, a good muder case always seems to bring them together... The Countess of Warwick, known affectionately as "Daisy," is the subject of endless rumors about her "unladylike" ways and temperament. But what happens during a weekend party at her Easton estate is uglier that any rumor. First, a stableboy is killed. Then a nobleman is murdered outide Daisy's well-known trysting spot. A murderer is on the grounds—and on the loose. Seeking to avoid scandal, the Prince of Wales orders Sir Charles to solve the case. Together, he and Miss Ardleigh find that even the highest levels of society are no refuge from the lowest of deeds...
Two apparently accidental deaths at the Marconi telegraph station. The drowning of a local girl. Two cases that involve Charles, Lord Sheridan, and his wife, Kate, in foreign espionage, malicious intrigue, and inexplicable messages sent out of the blue.
"Pop your favorite Agatha Christie whodunnit into a blender with a scoop of Downton Abbey, a dash of Quantum Leap, and a liberal sprinkling of Groundhog Day and you'll get this unique murder mystery." —Harper's Bazaar THE NATIONAL BESTSELLER! The 71⁄2 Deaths of Evelyn Hardcastle is a breathlessly addictive mystery that follows one man's race to find a killer, with an astonishing time-turning twist that means nothing and no one are quite what they seem. Aiden Bishop knows the rules. Evelyn Hardcastle will die every day until he can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest at Blackheath Manor. And some of his hosts are more helpful than others. With a locked-room mystery that Agatha Christie would envy, Stuart Turton unfurls a breakneck novel of intrigue and suspense. International bestselling author Stuart Turton delivers inventive twists in a thriller of such unexpected creativity it will leave readers guessing until the very last page. ALSO BY STUART TURTON: The Devil and the Dark Water The Last Murder at the End of the World
Lord Charles Sheridan has launched an investigation into a jockey's recent (and mysterious) death-while his wife, Kate, puzzles over the long-ago theft of an actress's jewels. But soon the Sheridans can't help wondering if the two strange events are, somehow, connected.
The Bishop’s Pawn continues renowned New York Times top 5 bestseller Steve Berry’s Cotton Malone series with another riveting, history-based thriller. History notes that the ugly feud between J. Edgar Hoover and Martin Luther King, Jr., marked by years of illegal surveillance and the accumulation of secret files, ended on April 4, 1968 when King was assassinated by James Earl Ray. But that may not have been the case. Now, fifty years later, former Justice Department agent, Cotton Malone, must reckon with the truth of what really happened that fateful day in Memphis. It all turns on an incident from eighteen years ago, when Malone, as a young Navy lawyer, is trying hard not to live up to his burgeoning reputation as a maverick. When Stephanie Nelle, a high-level Justice Department lawyer, enlists him to help with an investigation, he jumps at the opportunity. But he soon discovers that two opposing forces—the Justice Department and the FBI—are at war over a rare coin and a cadre of secret files containing explosive revelations about the King assassination, information that could ruin innocent lives and threaten the legacy of the civil rights movement’s greatest martyr. Malone’s decision to see it through to the end--from the raucous bars of Mexico, to the clear waters of the Dry Tortugas, and ultimately into the halls of power within Washington D.C. itself--not only changes his own life, but the course of history. Steve Berry always mines the lost riches of history--in The Bishop's Pawn he imagines a gripping, provocative thriller about an American icon.
Kate Sheridan is at Blenheim Palace to research King Henry's mistress Rosamund, said to have been poisoned there by Eleanor of Aquitaine. But her visit takes a strange turn when her hosts unwittingly begin to relive the legend.
In this New York Times Notable Book, the Pulitzer Prize–finalist undertakes his own investigation into the murder of a Guatemalan bishop. Named a Best Book of the Year by the Washington Post Book World, the Chicago Tribune, the Economist, and the San Francisco Chronicle Two days after releasing a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand Guatemalan civilians, Bishop Juan Gerardi was bludgeoned to death in his garage. Gerardi was the country’s leading human rights activist, but the Church quickly realized it could not rely on police investigators or the legal system to solve the crime. Instead, Church leaders formed their own investigative team: a group of secular young men who called themselves Los Intocables—the Untouchables. Author Francisco Goldman spoke to witnesses no other reporter was able to reach, observing firsthand some of the most crucial developments in this sensational case. Documenting the Latin American reality of mara youth gangs and organized crime, The Art of Political Murder tells the incredible true story of Los Intocables and their remarkable fight for justice. “Becoming by turns a little bit Columbo, Jason Bourne and Seymour Hersh, Goldman gives us the anatomy of a crime while opening a window to a misunderstood neighboring country that is flirting with anarchy.” —The New York Times Book Review
Father Duncan MacAskill has spent most of his priesthood as the "Exorcist"—an enforcer employed by his bishop to discipline wayward priests and suppress potential scandal. He knows all of the devious ways that lonely priests persuade themselves that their needs trump their vows, but he's about to be sorely tested himself. While sequestered by his bishop in a small rural parish to avoid an impending public controversy, Duncan must confront the consequences of past cover–ups and the suppression of his own human needs. Pushed to the breaking point by loneliness, tragedy, and sudden self–knowledge, Duncan discovers how hidden obsessions and guilty secrets either find their way to the light of understanding or poison any chance we have for love and spiritual peace.
In this deft analysis, Vernon Shetley shows how writers and readers of poetry, operating under very different conventions and expectations, have drifted apart, stranding the once-vital poetic enterprise on the distant margins of contemporary culture. Along with a clear understanding of where American poetry stands and how it got there, After the Death of Poetry offers a compelling set of prescriptions for its future, prescriptions that might enable the art to regain its lost stature in our intellectual life. In exemplary case studies, Shetley identifies the very different ways in which three postwar poets--Elizabeth Bishop, James Merrill, and John Ashbery--try to restore some of the challenge and risk that characterized modernist poetry's relation to its first readers. Sure to be controversial, this cogent analysis offers poets and readers a clear sense of direction and purpose, and so, the hope of reaching each other again.