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"This follow-up to M.F. Steen's previous collection (2003) reproduces in full 169 of the death certificates of the entertainment industry's dearly departed. Brief biographical notes are included, listing birth and professional name as well as notable film, TV and entertainment credits"--Provided by publisher.
Literally the last word for Hollywood trivia buffs, a celebrity death certificate is also strangely compelling. Its matter-of-fact reportage makes the famous ordinary, illuminating previously well-lit profiles with the unfiltered light of the everyday. A death certificate may also reveal information that stars concealed, such as actual birthdates. In California, death certificates are a matter of public record--a real mine of information. This follow-up to M.F. Steen's previous two collections (2003 and 2005) reproduces in full 226 death certificates. Brief biographical notes are included, listing birth and professional name as well as notable film, television and entertainment credits.
Celebrity confers burdens as well as blessings on those it touches, but often the two are indistinguishable. The trappings of celebrity - the relentless exposure, vast wealth, devoted admirers, a license to outrage - can have a dark side, providing a fertile ground for the obsessions, greed, and envy that sometimes drag the famous, and those around them, down to murder. In each case, the powerful magnet of celebrity drew the players together as if on a stage; in the last act, violence shattered their seemingly privileged. lives, and tragedy unfolded.
In this thriller in the #1 New York Times bestselling In Death series, Lieutenant Eve Dallas must solve the murder of an actress whose final role was to die for... Lieutenant Eve Dallas is no party girl, but she’s managing to have a reasonably good time at the celebrity-packed bash celebrating The Icove Agenda, a film based on one of her famous cases. It’s a little spooky seeing the actress playing her, who looks as though she could be her long-lost twin. Not as unsettling, though, as seeing the actress who plays Peabody—drowned in the lap pool on the roof of the director’s luxury building. Talented but rude and widely disliked, K.T. Harris made an embarrassing scene during dinner. Now she’s at the center of a crime scene—and Eve is more than ready to get out of her high heels and strap on her holster to step into the role she was born to play: cop.
“Wise, vulnerable, and surprisingly relatable . . . funny in all the right places and enormously helpful throughout. It will change how you think about death.” —Rachel Held Evans, New York Times–bestselling author of Searching for Sunday We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and—when it can be avoided no longer—letting the professionals take over. Sixth-generation funeral director Caleb Wilde understands this reticence and fear. He had planned to get as far away from the family business as possible. He wanted to make a difference in the world, and how could he do that if all the people he worked with were . . . dead? Slowly, he discovered that caring for the deceased and their loved ones was making a difference—in other people’s lives to be sure, but it also seemed to be saving his own. A spirituality of death began to emerge as he observed the family who lovingly dressed their deceased father for his burial; the nursing home that honored a woman’s life by standing in procession as her body was taken away; the funeral that united a conflicted community. Through stories like these, told with equal parts humor and poignancy, Wilde’s candid memoir offers an intimate look into the business of death and a new perspective on living and dying. “Open[s] up conversations about life’s ultimate concerns.” —The Washington Post “As a look behind the closed doors of the death industry, as well as a candid exploration of Wilde’s own faith journey, this book is fascinating and compelling.” —National Catholic Reporter “[A] stunner of a debut.” —Rachel Held Evans, author of Inspired
Ours is the age of celebrity. An inescapable aspect of daily life in our media-saturated societies of the twenty-first century, celebrity is celebrated for its infinite plasticity and glossy seductions. But there is also a darker side. Celebrity culture is littered from end to end with addictions, pathologies, neuroses, even suicides. Why, as a society, are we held in thrall to celebrity? What is the power of celebrity in a world of increasing consumerism, individualism and globalization? Routledge Handbook of Celebrity Studies, edited by acclaimed social theorist Anthony Elliott, offers a remarkably clear overview of the analysis of celebrity in the social sciences and humanities, and in so doing seeks to develop a new agenda for celebrity studies. The key theories of celebrity, ranging from classical sociological accounts to critical theory, and from media studies to postmodern approaches, are drawn together and critically appraised. There are substantive chapters looking at fame, renown and celebrity in terms of the media industries, pop music, the makeover industries, soap stars, fans and fandom as well as the rise of non-Western forms of celebrity. The Handbook also explores in detail the institutional aspects of celebrity, and especially new forms of mediated action and interaction. From Web 3.0 to social media, the culture of celebrity is fast redefining the public political sphere. Throughout this volume, there is a strong emphasis on interdisciplinarity with chapters covering sociology, cultural studies, psychology, politics and history. Written in a clear and direct style, this handbook will appeal to a wide undergraduate audience. The extensive references and sources will direct students to areas of further study.
Travel to the Scotland Highlands with this classic Hamish Macbeth cozy mystery from the author of the Agatha Raisin series. Death of a Celebrity: A Hamish Macbeth Mystery Murder on the Telly Lochdubh, a remote village reached only by a one-track lane, nestles serenely amid Scotland's hills...until well-known TV reporter Crystal French races into town in her bright BMW. And Constable Hamish Macbeth, dourly wed to duty instead of the fiancee who dumped him, promptly gives her a summons for reckless driving. Outraged, Crystal makes Macbeth's life a misery with a TV report on policing in the Highlands. When she also rakes up old local scandals for her new hit show, Macbeth notes that someone besides himself might be dead keen to stop her. Then someone does-with stealth and violence. Now, finding out who did it will lead the laconic Macbeth down roads he never envisioned, into a dark story of passion and vengeance...and perhaps a crisis of the heart all his own.
Carrie Fisher, also known as Princess Leia from Star Wars, had been abusing cocaine and other pharmaceuticals for many years, so when it was announced that she died from sleep apnea, I was skeptical. A more plausible explanation would have been that she died from a drug overdose. A review of the medical examiner's report revealed that the Fisher family refused to give permission for an autopsy and toxicology tests to be done. Constrained by these limitations, the coroner labeled the manner of death "undetermined." FORENSICS: The Science behind the Deaths of Famous People is an analysis and description of how coroners determine the cause and manner of death. An investigation of twenty-three deaths of famous people was conducted based on a review of publicly available autopsy and toxicology reports, as well as published scientific and lay articles. Drug use was implicated in 70 percent of the deaths. Four celebrity deaths were the result of suicide or homicide. Four others were from natural causes.
We are born, live, and die with technologies. This book is about the role technology plays in sustaining narratives of living, dying, and coming to be. Contributing authors examine how technologies connect, disrupt, or help us reorganize ways of parenting and nurturing life. They further consider how technology sustains our ways of thinking and being, hopefully reconciling the distance between who we are and who we aspire to be. Finally, they address the role technology plays in helping us come to terms with death, looking at technologically enhanced memorials, online rituals of mourning, and patterns of grief enabled through technology. Ultimately, this volume is about using technology to reimagine the art of life.
With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.