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“The perfect weekend getaway: crafting, food, and a murder or two!”—New York Times bestselling author Lynn Cahoon For thirty-something blogger Cora Chevalier, small-town Indigo Gap, North Carolina, seems like the perfect place to reinvent her life. Shedding a stressful past as a counselor for a women’s shelter, Cora is pouring all her talents—and most of her savings—into a craft retreat business, with help from close pal and resident potter Jane Starr. Between transforming her Victorian estate into a crafter’s paradise and babysitting Jane’s daughter, the new entrepreneur has no time for distractions. Especially rumors about the murder of a local school librarian . . . But when Jane’s fingerprints match those found at the grisly crime scene, Cora not only worries about her friend, but her own reputation. With angry townsfolk eager for justice and both Jane’s innocence and the retreat at risk, she must rely on her creative chops to unlace the truth behind the beloved librarian’s disturbing demise. Because if the killer’s patterns aren’t pinned, Cora’s handiwork could end up in stitches . . . Praise for Mollie Cox Bryan’s Cumberland Creek Mysteries: “Scrapbookers and hobby cozy fans will enjoy this delightful holiday escape.” —Library Journal on A Crafty Christmas “A satisfying and surprising read.”—Sheila Connolly, New York Times bestselling author on Scrapped “Though-provoking and well-paced . . . A great story, well told!”—Juliet Blackwell, New York Times bestselling author on Scrapped “A font of ingenuity . . . superb entertainment.”—Mystery Scene magazine on Scrapbook of Secrets Includes crafting tips!
Halloween means spooky scrapbooks for the Cumberland Creek Scrapbook Crop, but what's been happening around town is truly frightening. First a dead woman is found in the freezer at Pamela's Pie Palace, and the next day a second woman is found murdered by the river. Reporter Annie Chamovitz learns the victims were sisters and is certain their deaths are linked. Most bizarre of all, both women were found clutching scrapbook pages. As their Saturday night crop quickly becomes an opportunity to puzzle out the murders, the ladies begin to wonder if Pamela is hiding more than her secret recipes for delicious pies--or if the crimes are related to the startling discovery that there are gangs in Cumberland Creek. As All Hallows Eve approaches, the crafty croppers must cut and paste the clues to unmask a deadly killer. Includes tips and a glossary of terms for the modern scrapbooker!
The brutal slayings of a string of her patients in New York and a horrific attempt on her own life leave Hailey Dean down, but not defeated. After a yearlong respite back home in the Southland, former violent crimes prosecutor Hailey Dean finally returns to her apartment in the sky overlooking Manhattan. Hailey's determined to rebuild a normal life and settle back into her growing practice as a therapist. But in a twist of fate, Hailey agrees to follow her heart and fight crime once again, this time in a new arena, in front of a camera! Under the hot lights of a TV studio, Hailey learns the TV industry's not so glamorous. In fact, it's downright deadly! Waning celebrities, all stunning actresses, each one a shining star turned has-been now struggling to get off the D-List and back into the limelight, meet with a bloody stage exit . . . murder! Hailey's archenemy, Lieutenant Ethan Kolker, the NYPD cop who hunted Hailey down for the murders of her own patients, now wants the past forgotten and reaches out for Hailey's help to solve the murders. In a race against the clock, Hailey has no idea that TV can be murder! In best-selling author, attorney, and TV personality Nancy Grace's second Hailey Dean thriller, life on television is no less dangerous than life in the courtroom!
It is 1963 at Memorial Hospital in Corpus Christi, Texas, as young intern John Deaton dashes madly through the corridors. Overwhelmed yet invigorated by his new challenge, Deaton soon realizes that an intern's life can be exemplary one moment and hopeless the next. Unfortunately, Deaton has no idea that he is about to witness an event that will change his life forever. It is a hot summer day when Maria, one of Deaton's OB/ GYN patients, slips into a coma after mysterious abdominal pain even after she delivers a healthy baby. Exasperated after repeatedly expressing his concerns for her care to his superiors, Deaton is devastated as he watches his crucially ill patient suffer death by neglect, an unthinkable crime brazenly covered up by those in authority. As Deaton details his early life and hospital events, he highlights a shocking phenomenon present behind the White Curtain that tells a story as powerful as it is important. This thoughtful, gripping memoir portrays an untold side of the field of medicine and relays an unforgettable message: when a doctor sacrifices everything to save a patient, the doctor is saved too.
With an aging population, declining marriage and childbirth rates, and a rise in single households, more Japanese are living and dying alone. Many dead are no longer buried in traditional ancestral graves where descendants would tend their spirits, and individuals are increasingly taking on mortuary preparation for themselves. In Being Dead Otherwise Anne Allison examines the emergence of new death practices in Japan as the old customs of mortuary care are coming undone. She outlines the proliferation of new industries, services, initiatives, and businesses that offer alternative means---ranging from automated graves, collective grave sites, and crematoria to one-stop mortuary complexes and robotic priests---for tending to the dead. These new burial and ritual practices provide alternatives to long-standing traditions of burial and commemoration of the dead. In charting this shifting ecology of death, Allison outlines the potential of these solutions to radically reorient sociality in Japan in ways that will impact how we think about the end of life, identity, tradition, and culture in Japan and beyond.
The third book in Charles Bowden’s “accidental trilogy” that began with Blood Orchid and Blues for Cannibals, Some of the Dead Are Still Breathing attempts to resolve the overarching question: “How can a person live a moral life in a culture of death?” As humanity moves further into the twenty-first century, Bowden continues to interrogate our roles in creating the ravaged landscapes and accumulated death that still surround us, as well as his own childhood isolation, his lust for alcohol and women, and his waning hope for a future. We witness post-Katrina New Orleans and terrorist-bombed Bali; we encounter our shared actions with the animal world and the desirous need for consumption; we see the clash and erosion of our physical and figurative borders, the savagery of our own civilization. A man of his time and out of time, Bowden seeks acceptance and a will to endure what may lie ahead.