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A year long collection of letters written from a grandfather newly diagnosed with inoperable cancer to his infant granddaughter beginning shortly after her birth.
Samantha Slayton's eleventh year includes losing her last baby teeth, towering over every boy in dance school, and being mortified by everything her mother does.
“You were going to work your way into my marriage and you were going to call its new three-way shape holy,” writes the unnamed narrator of Dear Thief. The thief is Nina, or Butterfly, who disappeared eighteen years earlier and who is being summoned by this letter, this bomb, these recollections, revisions, accusations, and confessions. “Sometimes I imagine, out of sheer playfulness, that I am writing this as a kind of defence for having murdered and buried you under the patio.” Dear Thief is a letter to an old friend, a song, a jewel, and a continuously surprising triangular love story. Samantha Harvey writes with a dazzling blend of fury and beauty about the need for human connection and the brutal vulnerability that need exposes. “While I write my spare hand might be doing anything for all you know; it might be driving a pin into your voodoo stomach.” Here is a rare novel that traverses the human heart in original and indelible ways.
As if seventh grade isn't hard enough, Truth Trendon learns she has to wear a back brace to help her worsening scoliosis. She decides gravity is to blame for curving her spine and ruining her life. Thanks for nothing, Isaac Newton! Truth's brace is hard plastic, tight, and uncomfortable. She has to wear a t-shirt under it and bulky clothes over it, making her feel both sweaty and unfashionable. She's terrified that her classmates are going to find out about it. But it's hard keeping it a secret (especially when gym class is involved), and secrets quickly turn into lies. When Truth's crush entrusts her with a big secret of his own, it leads to even more lying. Add to that a fight with her best friend, a looming school-wide presentation, and mean rumors, and it's a recipe for disaster. As Truth navigates the ups and downs of middle school, can she learn to accept her true self, curvy spine and all?
“Sleeplessness gets the Susan Sontag illness-as-metaphor treatment in this pensive, compact, lyrical inquiry into the author’s nighttime demons.” —Kirkus Reviews In 2016, Samantha Harvey began to lose sleep. She tried everything to appease her wakefulness: from medication to therapy, changes in her diet to changes in her living arrangements. Nothing seemed to help. The Shapeless Unease is Harvey’s darkly funny and deeply intelligent anatomy of her insomnia, an immersive interior monologue of a year without one of the most basic human needs. Original and profound, and narrated with a lucid breathlessness, this is a startlingly insightful exploration of memory, writing and influence, death and the will to survive, from “this generation’s Virginia Woolf” (Telegraph). “Captures the essence of fractious emotions—anxiety, fear, grief, rage—in prose so elegant, so luminous, it practically shines from the page. Harvey is a hugely talented writer, and this is a book to relish.” —Sarah Waters, New York Times–bestselling author “Harvey writes with hypnotic power and poetic precision about—well, about everything: grief, pain, memory, family, the night sky, a lake at sunset, what it means to dream and what it means to suffer and survive . . . The big surprise is that this book about ‘shapeless unease’ is, in the end, a glittering, playful and, yes, joyful celebration of that glorious gift of glorious life.” —Daily Mail “What a spectacularly good book. It is so controlled and yet so wild . . . easily one of the truest and best books I’ve read about what it’s like to be alive now, in this country.” —Max Porter, award-winning author of Lanny
A collection of extraordinary letters expressing the joys, sorrows, and surprises of ordinary lives. We've all missed the chance to say something important. Friends fall out of touch, loved ones pass away, or sometimes the courage required is simply lacking -- and thank-yous, regrets, feelings, and secrets are left unshared. In 2009, Jackie Hooper came up with a way to help people recapture a moment that had once passed them by -- she began asking them to write letters. Based on the popular blog The Things You Would Have Said, this extraordinary collection of letters brings together the moving, surprising, and inspiring stories of ordinary people. By turns heartwarming, funny, sad, and wise, the letters showcase a remarkable range of voices and subjects. From the indignant young boy urging his bully to become "a better man," to the woman apologizing to the girl she picked on in high school, to a man thanking the woman who protected his family from Nazis, the letters bring together an outpouring of emotion that is as compelling as it is cathartic.
Poetry. Women's Studies. Samantha Zighelboim's debut collection conducts a radical re-examination of what we mean by body. In these poems, body is noun, verb and adverb; body is dearly beloved and fiercely rejected; it is by turns a singularly beautiful process and a frightening object. Zighelboim takes the sonnet form as a loose premise, a la Bernadette Mayer, but then explodes, expands, defies and otherwise grows out of supposed formal limits, making language into a living embodiment of the refusal of (institutional, patriarchal, cultural) control. The poet's refusal of the social invisibility of fat bodies is essential. "I am a perfect fucking blossom," Zighelboim writes, and also "I am entitled to the loneliness of my interminable appetite." Offering felt registers as subtle as "The oblique / correspondence between / a soft body / and a thin / layer of / pulp," this is the writing of a sharp and observant world-eater: a cosmophage in the truest sense.
A gorgeous debut about family, friendship, first romance, and how to be true to one person you love without betraying another The Garretts are everything the Reeds are not. Loud, numerous, messy, affectionate. And every day from her balcony perch, seventeen-year-old Samantha Reed wishes she was one of them . . . until one summer evening, Jase Garrett climbs her terrace and changes everything. As the two fall fiercely in love, Jase's family makes Samantha one of their own. Then in an instant, the bottom drops out of her world and she is suddenly faced with an impossible decision. Which perfect family will save her? Or is it time she saved herself? A dreamy summer read, full of characters who stay with you long after the story is over. "A summer romance with depth." —The Boston Sunday Globe "Fitzpatrick's excellent first novel movingly captures the intensity of first love." —Publishers Weekly, starred review "An almost perfect summer romance." —Kirkus Reviews "On par with authors such as Sarah Dessen and Deb Caletti." —SLJ
National Bestseller "The Seas took me back to how I felt as a kid, when you’re newly falling in love with literature, newly shocked by its capacity to cast a spell..." ?Maggie Nelson (from the Introduction) A Most Anticipated Book of Summer at BuzzFeed, NYLON, and more. Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She’s often the subject of cruel local gossip. Her father, a sailor, walked into the ocean eleven years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid. True to myth, she finds herself in hard love with a land-bound man, an Iraq War veteran thirteen years her senior.The mesmerizing, fevered coming-of-age tale that follows will land her in jail. Her otherworldly escape will become the stuff of legend. With the inventive brilliance and psychological insight that have earned her international acclaim, Samantha Hunt pulls readers into an undertow of impossible love and intoxication, blurring the lines between reality and fairy tale, hope and delusion, sanity and madness.
Lucy is a young woman with an uncommon voice and an unusual way of looking at the world. She doesn't understand why her mother has sent her to live with old Mister and Missus on their farm, but she knows she must never leave or her mother won't be able to find her again. Also living at the farm is a pregnant teenager named Samantha who tells conflicting stories about her past and quickly becomes Lucy's only friend. When Samantha gives birth and her baby disappears, Lucy arms herself with Samantha's diary--as well as a pet chicken named Jennifer--and embarks on a dangerous and exhilarating journey to reunite mother and child.