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The author was a college student in California during the '60s, heyday of psychedelia, then moved on to Swinging London and photographed such supergroups as the Beatles, the Rolling Stones and the Who. His sensitive memoir of those years evokes vividlythe essence of a generation that "welcomed Mr. Fantasy into our lives with a sense of joy and celebration.'' Although Russell acknowledges that many people were burned out by the '60s (indeed, he knew some of the famous casualties), he nevertheless believes that the personal and social changes spawned by that turbulent decade were necessary. ``In retrospect, people often seem embarrassed by that time,'' he writes. "But, really, so much was accomplished.'' Russell tells many entertaining stories about working with the artistocracy of rock; his anecdotes unite with more than 300 of his splendid photographs to create a detailed history of an extraordinary period in popular musicand to pay eloquent tribute to "the spirit that moved us all.'' October 29 -Publishers Weekly.
Dear Mister Fantasy is all about card tricks. It contains nineteen card tricks with unprepared cards, most completely impromptu.
Parker, I never meant for any of this to happen, to fall for you. It doesn't matter that we're both adults, or how much we want this to work. The college policy is clear. I can't see a way around this without one of us getting hurt. If I would've known who you were when we met online, I would have never pursued a relationship. I'm new to all of this, and besides my daughter, getting to know you has been the best thing to ever happen to me. But I can't make you hide again. I won't. It's not fair to either of us. Deepest regrets, Donovan **** Dear Mr. Brody, You're right, we are adults. I'm twenty-four years old, and I think I can decide for myself what's best for me. If this is about you losing your job, I'll walk away. But if this is you trying to protect me, then you're an idiot. I want you. I care about you. My past isn't an issue. What we're doing... it isn't the same thing. If we have to hide, so be it. I'm not ready to let you go. Your Lost Boy, Parker Dear Mr. Brody is a 93,000-word interconnected standalone, contemporary, MM slow burn romance that is light on angst and features, dating app shenanigans, student/professor fraternization, single dad swoonery, waffles, "Peter Pan" references, and a fish named Tony. TW: Brief mention of a past assault on page without graphic detail.
This book "renders the singular arc of a woman's life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted"--
Newbery Medal Winner * Teachers’ Top 100 Books for Children * ALA Notable Children’s Book Beverly Cleary’s timeless Newbery Medal-winning book explores difficult topics like divorce, insecurity, and bullying through the thoughts and emotions of a sixth-grade boy as he writes to his favorite author, Boyd Henshaw. After his parents separate, Leigh Botts moves to a new town with his mother. Struggling to make friends and deal with his anger toward his absent father, Leigh loses himself in a class assignment in which he must write to his favorite author. When Mr. Henshaw responds, the two form an unexpected friendship that will change Leigh’s life forever. From the beloved author of the Henry Huggins, Ramona Quimby, and Ralph S. Mouse series comes an epistolary novel about how to navigate and heal from life’s growing pains.
"Hadi and Sama are a young Syrian couple in the throes of new love, building a life in the country that brought them together. They'd met in Cambridge, Massachusetts: he, a shell-shocked refugee of a bloody civil war; she, a passionate dreamer who'd come to America years earlier in search of new horizons. Now, they giddily await the birth of their son, a boy whose native language would be freedom and belonging. When Sama is five months pregnant, Hadi's father dies, in Amman, the night before the embassy interview that would finally reunite Hadi with his parents and deliver them from a country in crisis. Hadi flies back to the Middle East for the funeral, promising he'll be gone only a few days. On the day his flight is due to arrive in Boston, Sama decides to surprise him at the airport, eager to scoop him up and bring him back home. She waits, and waits. There are protests at Logan airport, and Hadi never shows up. What Sama doesn't yet know is that Hadi has been stopped at the border. That he's been taken away for questioning, detained in a windowless, timeless, nightmarish limbo. She does not know about the travel ban, that his legal status in the U.S., which yesterday seemed rock solid, is now in jeopardy - and with it, the chance that he'll ever step foot on U.S. soil again. Amid the protests, Sama goes into premature labor; their son, Naseem, is born, too soon, his father nowhere to be found, the future they could almost taste wrenched from their grasp in a matter of hours. Worlds apart, suspended between hope and disillusion as hours become days become weeks, Sama and Hadi yearn for a way back to each other, and to the life they'd dreamed up together. But does that life exist anymore? Was it only ever an illusion? Achingly intimate yet poignantly universal, No Land to Light On is the story of a family caught on either side of a border, fighting for freedom and home, finding both in each other, and in the tenacious faith of creatures who take flight"--
“The Devil Wears Prada meets Wall Street” (TheSkimm) in this sizzling debut about a banking analyst who plans to finally pursue her yoga career full-time after her bonus hits, but until then she’ll have to keep her sanity intact (and her chakras aligned). Allegra Cobb’s resume: straight-A Princeton grad, second-year analyst at a top-tier bank, one-time American Yoga National Competition Champion. Allegra Cobb’s reality: Spending twenty-four hours a day changing the colors on bar charts, overusing the word “team,” and daydreaming about quitting the minute her year-end bonus hits her account. She no longer has no interest in the cutthroat banking world—she’s determined to launch her very own yoga practice. But her plan isn’t quite as perfect as the beachfront yoga pictures she double-taps on Instagram. On top of the 100 emails an hour and coworkers already suspicious of her escape plan, Allegra’s hard-driving single father has always fiercely valued high achievement above all else. That his daughter works on Wall Street means everything to him. But after a) unknowingly sleeping with the man now leading her banking cohort on one of their biggest deals to date and b) meeting the #blessed yoga guru who might just be her ticket to the life she’s always wanted, she realizes her happy-ever-after might be harder to manifest than she thought. Fast-paced, laugh-out-loud funny, and totally irresistible, Breathe In, Cash Out “is a modern fairytale, a romance that’s not about finding the right guy, but finding yourself” (Eliza Kennedy, author of I Take You).
For more than a decade, Derek Philpott and his son, Dave, have been writing to pop stars from the 1960s to the 90s to take issue with the lyrics of some of their best-known songs. But then, to their great surprise, the pop stars started writing back... Dear Mr Pop Star contains 100 of Derek and Dave's greatest hits, including correspondence with Katrina and the Waves, Tears for Fears, Squeeze, The Housemartins, Suzi Quatro, Devo, Deep Purple, Nik Kershaw, T’Pau, Human League, Eurythmics, Wang Chung, EMF, Mott the Hoople, Heaven 17, Jesus Jones, Johnny Hates Jazz, Carter the Unstoppable Sex Machine, Chesney Hawkes and many, many more.
'An absolute page-turner' Mail on Sunday Dear Mr. M, I'd like to start by telling you that I'm doing better now. I do so because you probably have no idea that I was ever doing worse. Much worse, in fact, but I'll get to that later on. Mr. M is being watched. As a famous writer, he is no stranger to the limelight, although interest in his work has been dwindling of late. His print runs are smaller than they used to be, as are the crowds at his bookshop signings . . . Our narrator clearly takes a keen interest in M.'s work, and indeed in every aspect of his life. But what exactly are his intentions? And to what does Mr. M owe the honour of his undivided attention? Our narrator seems to be no stranger to murder, while his own story appears to bear more than a passing resemblance to the plot of Mr. M's most famous novel: a teacher has an affair with a student, only to be brutally murdered by the girl and her teenage boyfriend. The body is never found. That's the problem with fiction: in real life, bodies have an awkward habit of turning up. Mr. M has used some artistic licence, and our narrator is not pleased, not pleased at all. And just before he fades into obscurity, he's prepared to give Mr. M one last review. And it's unlikely to be a rave. Dear Mr. M is an unsettling and irresistibly readable literary thriller, set in the world of writing and bookselling, by Herman Koch, the author of the international bestseller, The Dinner.