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A father offers his advice, opinions, and the many useful stories gleaned from his past experiences in order to help his beloved daughter not only survive, but thrive in the dangerous and unpredictable world of young adulthood. From the pen of a former abused child, drug addict, womanizing frat boy, and suicidal depressive, comes forth the emotionally stirring account of a young man's battle with crippling inner demons and his eventual road to enlightenment. Peter Greyson calls upon his wisdom as both father and school teacher to gently lead teenage girls through a maze of truth, deception, and adolescent uncertainty. Greyson's literary style sparkles with a youthful enthusiasm that will capture your heart and provide boundless inspiration. Dear Lilly is a survival guide that offers the brutally honest male perspective to young women struggling for answers to life's deepest questions. Topics include: Boys lie What every guy wants from his girlfriend Tales from the drug world Everybody hurts High school exposed
A dramatic journey that takes place between youthful aspirations and the brink of despair and terrible death Love, war, and remembering are all powerful themes in this moving story. The difficulties my family faced between the First and Second World Wars are the basis of this unusual book that I, a Holocaust survivor's son, have written. It is a heartbreaking tale of the journey from youthful hopes and dreams to the edge of despair and eventual death. The story is about burning love, the futility of war, and the extermination of innocent people because of different beliefs. Based on a true story, it took me three years of research and uncounted travel to Poland. It is not an easy book to read and is geared toward adult readers.
Lillys Faith was written to bring to light how bullying can affect the victim as well as the bully. When Lilly (the bully) realizes what she has done to her victims, she begins to take a good look at herself, and rediscovers who she really is on the inside. The story is written in a kid friendly tone with a serious message.
Nearly fifty years old and widowed for the last ten, Lilly Larsen understands that Roger Hartec could be a heartbreaker. First, theres his age. Roger is more than ten years younger than she. And the rumor mill in Ashland Falls, Minnesota, says he might have a penchant for violence, which she witnesses him exercise. At the local museum, Roger, a Vietnam War veteran, throws a park bench through a plate-glass window that had been protecting a display of the American flag being desecrated. In spite of his violent action, Lilly finds herself attracted to this tall, strong man because of the tenderness he displays with the crying Cub Scout in her charge. With the help of two close friends, Lilly is determined to make a new life with this enigmatic and troubled veteran. Together Lilly and Roger embark on a journey of creating a diverse family of rejected individuals. Surmounting one obstacle after another, with the help of an ever-growing circle of friends, this loving couple has no idea of the far-reaching impact their union has made on their community. A story of confession and redemption, A Lost Generation showcases the struggle for survival of a Vietnam combat veteran as he reenters society.
Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work were marked by restless travel and steadfast social protest. McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as "If We Must Die." After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine "violent sonnets" were giving way to confessional lyrics informed by his newfound Catholicism. McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry.
"You are in danger as well...Please heed my warning..." So begins the diary written by Catherine Morgan as she describes the events of a Monday in 1810 Regency England. When another Catherine Morgan, who lives in present-day New York City, receives the diary, she is drawn into the mystery as the present Monday begins to resemble the Monday in 1810. Writing in the diary, Catherine pleads for help by hinting this particular Monday can be changed as long as the day doesn't end the same way. Catherine and her brother XJ desperately try to unravel the clues from 1810, but this is complicated since the chapters of the diary become visible only when the same events have taken place in the present. When a betrayal endangers the lives of those in 1810, present-day Catherine and XJ have less than 24 hours to uncover the mystery before the past repeats. Unfortunately, they think someone close to them might be conspiring to keep the mystery unsolved. If their Monday ends the same way as the diary of 1810, the events of the past will be forever repeated.
A Pulitzer Prize--winning playwright, an Emmy-winning television writer, and an Oscar-winning screenwriter of such notable films as To Kill a Mockingbird, Tender Mercies, and A Trip to Bountiful, the amazingly versatile Horton Foote has been a force on the American cultural scene for more than fifty years. By critical consensus, Foote's foremost achievement is The Orphans' Home Cycle -- a course of nine independent yet interlocking plays that traces the transformation over twenty-six years of a small-town southern orphan, Horace Robedaux, into a husband, father, and patriarch. Drawing on a wide range of sources, including interviews with Foote, Laurin Porter demonstrates why the author's masterpiece is a unique accomplishment not only in his personal oeuvre but also in the canon of American drama. Set in and near Harrison, Texas, the fictitious counterpart to Foote's native Wharton, and based partly on his father's childhood and his parents' courtship and marriage, the plays introduce two extended families -- those of Horace and his wife, Eliazbeth -- across three generations, as well as numerous townspeople whose lives intertwine with theirs. The result is a wide-ranging, intricate work of interconnected stories reminiscent of William Faulkner's Yoknapatawpha saga. Porter shows how the small-town southern culture speaks through Horace while she examines the functions of family and community in identity formation. She explains that Foote's signature style -- which replaces stage directions, poetic language, and suspense-driven narratives with sparse, restrained dialogue and seemingly actionless plots -- creates a simmering power by stressing subtext over text, a strategy more often associated with the novel than drama. Similarly, Foote uses recurring character types and motifs, interrelated images and symbols, and parallel and inverted events that reverberate within and among the plays, employing language and structure in innovative ways. In comparing the cycle with the works of William Faulkner and Eugene O'Neill, Porter positions Foote at the intersection of southern literature and American drama. Foote's emphasis, Porter concludes, is not so much on returning home as on leaving it and building a new family, contending that for Foote home is not a place but a geography of the heart. Her definitive Orphans' Home shines much-needed light on an understudied talent and proves Foote's to be a vital American voice.