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Reprint of the original, first published in 1863.
Detailed examination of the letters of Edward I reveals them to be powerful and sophisticated political tools.
These fifteen volumes offer a detailed account of case-law in the reign of Edward III.
The Vita Edwardi Secundi is the best and most readable of the chronicles of the reign of Edward II, and throws a fascinating light on the world of high politics. The anonymous author was close to the centre of politics, probably a royal clerk, and possibly John Walwayn (or someone with a similar career). His focus is largely on domestic politics and the relationship of the king and his barons, and he records the clashes and reconciliations of the period 1311-22 in valuabledetail. He also has much to say on the Scottish war, the appointment of bishops, and the outbreak of the French war. The work ends in the winter of 1325/6 with Queen Isabella's refusal to return from France while Despenser remained with the king.The work is much more than a simple chronicle. The author consciously wrote history and so commented extensively on personalities, and also on causation, motivation, and the vices of his age. He was generous to Gaveston despite his pride, more condemning of the Despensers' greed, and lamented Lancaster's wasted gifts. His reports on the arguments of both sides in the clashes between the king and his opponents are particularly enlightening, and show how serious were the threats to the king'sauthority, especially those voiced in 1321. The author's fear of civil war and attempts to define the fine line dividing resistance and treason probably reflect the concerns of many close to the court at that time.Recent research has emphasized that the Vita should be seen as a 'journal' rather than a 'memoir', and this enhances its value further, allowing historians to chart the changing views of a well-placed observer during the dramatic events of Edward's reign.The Vita has been edited three times before, once in each century since its discovery in 1728, but the last edition of 1957 has long been out of print. This new edition revises the Latin text and translation, provides a completely new introduction and historical notes to take account of recent scholarship, and includes a new and full apparatus and indices.
Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized – and largely mythical – notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of the great English king, Edward I. The lives of these sisters – Eleanora, Joanna, Margaret, Mary and Elizabeth – ran the full gamut of experiences open to royal women in the Middle Ages. Living as they did in a courtly culture founded on romantic longing and brilliant pageantry, they knew that a princess was to be chaste yet a mother to many children, preferably sons, meek yet able to influence a recalcitrant husband or even command a host of men-at-arms. Edward’s daughters were of course expected to cement alliances and secure lands and territory by making great dynastic marriages, or endow religious houses with royal favour. But they also skilfully managed enormous households, navigated choppy diplomatic waters and promoted their family’s cause throughout Europe – and had the courage to defy their royal father. They might never wear the crown in their own right, but they were utterly confident of their crucial role in the spectacle of medieval kingship. Drawing on a wide range of contemporary sources, Daughters of Chivalry offers a rich portrait of these spirited Plantagenet women. With their libraries of beautifully illustrated psalters and tales of romance, their rich silks and gleaming jewels, we follow these formidable women throughout their lives and see them – at long last – shine from out of the shadows, revealing what it was to be a princess in the Age of Chivalry.