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After Dan and Joey have left the community they had been staying, we find out that the community was over-run by the zombies with few survivors. Meanwhile Wayne provides a service of cleaning out houses of zombies for ammo and food in a small village. And Kirk finds an ingenious way to escape a group of nearby zombies.
"A world that has suffered the unleashing of a supernatural holocaust as the dead have risen to walk the earth ... Isolated pockets of humanity struggle to survive against the mindless hordes of zombies and something far more sinister and evil ... Is the darkness that sweeps over the world too heavy to keep man from plunging into extinction, or will the persistance and ingenuity of mankind win out in the end?"--P. [4] of cover.
A mysterious man rose from the ashes of a Deadworld. He was a killer, a hunter... and his prey is the undead's leader, the intelligent zombie known as King Zombie. Only one will survive.
A relentless thrill ride. . . Break out the popcorn, you're in for a real treat. --Harry Shannon, author of Dead and Gone Texas? Toast. Battered by five cataclysmic hurricanes in three weeks, the Texas Gulf Coast and half of the Lone Star State is reeling from the worst devastation in history. Thousands are dead or dying--but the worst is only beginning. Amid the wreckage, something unimaginable is happening: a deadly virus has broken out, returning the dead to life--with an insatiable hunger for human flesh. . . The Nightmare Begins Within hours, the plague has spread all over Texas. San Antonio police officer Eddie Hudson finds his city overrun by a voracious army of the living dead. Along with a small group of survivors, Eddie must fight off the savage horde in a race to save his family. . . Hell On Earth There's no place to run. No place to hide. The zombie horde is growing as the virus runs rampant. Eddie knows he has to find a way to destroy these walking horrors. . .but he doesn't know the price he will have to pay. . . "Hair-raising. Do yourself a favor and snag a copy. . . thank me later." --Gene O'Neill, author of Deathflash "A merciless, fast-paced and genuinely scary read that will leave you absolutely breathless." --Brian Keene
"New Beginnings and Dead Ends" The survival group hold up in Michigan has disbanded upon the death of their leader John and Albert is captured by King Zombie. King Zombie wishes for him to become his chronicler...something to pass on to posperity. King Zombie must deal with the Demon Lord who is powerless and must continue the search of his mysterious life forces to complete his transformation in this dimension. Dan and Joey come across a motorcycle gang and to their surprise, find out Donna is with them. Bowker is on a rendezvous mission in a city and comes across Reyna, but can she be trusted...this time. All that and more in this first issue to kick off the second volume of Deadworld. Includes a zombie pin-up gallery drawn by various comic artists. See why The Tomb Magazine called Deadworld "amongst the most essential horror titles of the last twenty years" and Tom Sniegoski (Hellboy, Bone) says its "The best, in my humble opinion, of the zombie comics."
In this innovative book Dr Morris seeks to show the many ways in which the excavated remains of burials can and should be a major source of evidence for social historians of the ancient Graeco-Roman world. Burials have a far wider geographical and social range than the surviving literary texts, which were mainly written for a small elite. They provide us with unique insights into how Greeks and Romans constituted and interpreted their own communities. In particular, burials enable the historian to study social change. Ian Morris illustrates the great potential of the material in these respects with examples drawn from societies as diverse in time, space and political context as archaic Rhodes, classical Athens, early imperial Rome and the last days of the western Roman empire.
THE WALKING DEAD DELUXE hits its one-year anniversary! Something has happened to drive Rick over the edge, and there's no turning back now. This deluxe presentation in STUNNING FULL COLOR also features another installment of Cutting Room Floor and creator commentary.
This book offers an uncompromising and unapologetic phenomenological study of altered states of consciousness in an attempt to understand the structure of human consciousness. Drawing on the philosophy of Merleau-Ponty, it sets out to decipher the inextricable link between consciousness, body, and world. This link will be established through the presentation of in-depth phenomenological research conducted with former prisoners of war (POWs) and senior meditators. Focusing on two such disparate groups improves our understanding of the nature of the subjective experience in extreme situations – when our sense of boundary is rigid and we are disconnected both from the body and the world (POWs); and when our sense of boundary is fluid and we feel unified with the world (meditators). Based on empirical-phenomenological research, this book will explain how the body that is from the outset thrown into the intersubjective world shapes the structure of consciousness.
This book radically re-examines Europe’s imaginaries of its origin in the ancient Greek world. Extracting central concepts of critical theory in its widest sense - beyond the Frankfurt School - like the human, force, spirit and domination, it allies them to characters, mythologies and motifs in ancient thought. Just as the stories of Achilles, Helen and Odysseus have become central to our modes of self-understanding, so we can also examine the roots and routes of the concepts of social theory out of the ancient earth and its myths. An important book for scholars and students of critical theory, social theory, aesthetic theory and the history of the human sciences, it alerts us to the catastrophe that we are facing in the 21st century - a catastrophe of domination and ecological collapse that has its origins in the ancient world and the ways in which it began to define a certain sense of humanness. Considering the artistic production of the ancient world in relation to the thought of Adorno, Critical Theory and the Classical World argues that it is only by understanding the persistence of the haunted motifs of the past into the present that we can begin to re-forge our critical theory of society and re-found our social formations on a new basis.