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Fantasy-roman.
Unmarked graves are found on the grounds of an old orphanage in this “riveting” British crime thriller by an Edgar Award finalist (Publishers Weekly, starred review). With profiler Tony Hill behind bars and Carol Jordan no longer with the police, he’s finding unexpected outlets for his talents in jail and she’s joined forces with a group of lawyers and forensics experts looking into suspected miscarriages of justice. But they’re doing it without each other; being in the same room at visiting hour is too painful to contemplate. Meanwhile, construction is suddenly halted on the redevelopment of an orphanage after dozens of skeletons are found buried at the site. Forensic examination reveals they date from between twenty and forty years ago, when the nuns were running their repressive regime. But then a different set of skeletons is discovered in a far corner—young men from as recent as ten years ago. When newly promoted DI Paula McIntyre discovers that one of the male skeletons is that of a killer who is supposedly alive and behind bars—and the subject of one of Carol’s miscarriage investigations—it brings Tony and Carol irresistibly into each other’s orbit once again in this masterfully plotted novel by “the queen of psychological thrillers” (Irish Independent).
"Casey is a true craftswoman, a writer who beguiles one through the most twisted of plots with a confident and seductive hand. Let The Dead Speak is sharp, complex and gripping to the very end" Alex Marwood, bestselling author of Wicked Girls and The Killer Next Door When eighteen-year-old Chloe Emery returns to her West London home she finds her mother missing, the house covered in blood. Everything points to murder, except for one thing: there’s no sign of the body. London detective Maeve Kerrigan and the homicide team turn their attention to the neighbours. The ultra-religious Norrises are acting suspiciously; their teenage daughter and Chloe Emery definitely have something to hide. Then there’s William Turner, once accused of stabbing a schoolmate and the neighborhood’s favorite criminal. Is he merely a scapegoat, or is there more behind the charismatic façade? As a body fails to materialize, Maeve must piece together a patchwork of testimonies and accusations. Who is lying, and who is not? And soon Maeve starts to realize that not only will the answer lead to Kate Emery, but more lives may hang in the balance. With Let the Dead Speak, Jane Casey returns with another taut, richly drawn novel that will grip readers from the opening pages to the stunning conclusion.
Necroscope is one of the most popular vampire novels of the past twenty years, spawning more than a dozen sequels, and establishing Brian Lumley as a master of edge of your seat, fast-paced horror.
"Think Buffy the Vampire Slayer meets Harry Potter, with bug-filled corpses. Fans of comic-book heroes and video games will not be disappointed, and will be eager for further adventures. Fast paced and surprisingly moving."—School Library Journal Twelve-year-old Will Ritter and his rag-tag army of teenage resistance fighters may have triumphed over the Zombies (alien-possessed corpses) last time...but that's the thing about the dead—they keep coming back. A new Corpse leader has crossed the rift and taken command of the invasion: The Queen of the Dead is even more brilliant and ruthless than her predecessor, and her ambitions are even deadlier. Will and the crew must somehow rescue his mother, prevent an assassination, and show FBI Agent Ramirez the truth about the Corpses—and the danger the world faces. But how do a bunch of kids prove to a grown-up that monsters are real?
A collection of interviews—some vintage, some recent, and some brand-new—Conversations with the Dead is the first (and only) book in which the Grateful Dead speak in their own words about their music and their lives. David Gans, a self-professed Deadhead and host of "The Grateful Dead Hour," asked Jerry Garcia, Bob Weir, and the rest of the band the questions their fans would have asked if given the chance. And Gans reaches far beyond the musicians, talking with such often-overlooked key players as the recording engineer, sound man, and road crew—those who have had the coveted opportunity to witness the Dead's decades of music-making. This updated and expanded edition includes a rare, never-before-published interview with Seastones composer Ned Lagin and a new introduction by the author. With a readable combination of intensity, inquisitiveness, and candor, Gans has created an unprecedented portrait of a band who, after more than thirty years of music-making, has earned a unique place in American culture.
Fifth-century Greek tragedy contains some of the most fascinating and important stage-ghosts in Western literature, whether the talkative Persian king Darius, who is evoked from the Underworld in Aeschylus’ Persians, or the murdered Trojan prince Polydorus, who seeks burial for his exposed corpse in Euripides’ Hecuba. These manifest figures can tell us a vast amount about the abilities of the tragic dead, particularly in relation to the nature, extent and limitations of their interaction with the living through, for example, ghost-raising ceremonies and dreams. Beyond these manifest dead, tragedy presents a wealth of invisible dead whose anger and desire for revenge bubble up from the Underworld, and whose honour and dishonour occupy the minds and influence the actions of the living. Combining both these manifest and invisible dead, this book examines harmful interaction between the living and the dead, i.e. how the living can harm the dead, and how the dead can harm the living. This includes discussions on the extent to which the dead are aware of and can react to honourable or dishonourable treatment by the living, the social stratification of the Underworld, the consequences of corpse exposure and mutilation for both the living and the dead, and how the dead can use and collaborate with avenging agents, such as the gods, the living and the Erinyes.
Dearest, Darling.... Dead. Case three Murray Barber is a private investigator with a difference. He can hear the dead speak. Along with his 'late' friends, Alistair and Rita, and Jeff, his friend from C.I.D., Murray solves a variety of cases. Annette Castle believes her late husband's business partner is trying to drive her mad. Murray's Aunt Pam has something old buried in her fireplace. Can Murray solve one haunting problem and uncover a forty year old secret...'
"Dealings With The Dead Vol. I" is a metaphysical and non-secular exploration penned by means of Lucius Manlius Sargent. This work delves into the area of the afterlife, inspecting the nature of the human soul, its ability trips, and the concept of transmigration. Sargent's writing reflects the intellectual and spiritual weather of the early 19th century, drawing on spiritual and philosophical views customary at some stage in that era. The book contemplates questions surrounding life after dying, the future of the human soul, and the opportunities of its transmigration from one country to some other. As a piece of metaphysics and religious inquiry, " Dealings With The Dead Vol. I " engages with topics that were of tremendous hobby for the duration of the Romantic period, presenting a blend of non-secular, philosophical, and speculative thoughts. Lucius M. Sargent's exploration of those issues contributes to a broader information of the cultural and intellectual currents of his time, making the book a substantial piece inside the context of nineteenth-century religious literature.