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Deadshot, the assassin for hire who never misses, faces new and deadly challenges in this new collection. Spinning out of the hit 1980s series SUICIDE SQUAD, this bullet-ridden tale sends Deadshot on a solo missing to kill a crime boss known as El Jefe - only to learn that the men who sent him on this mission have ulterior motives. And while Deadshot stalks his prey, his therapist is trying to uncover what drives him to kill. Collects DEADSHOT #1-4, BATMAN #369 and DETECTIVE COMICS #474 and518.
Deadshot...once he sets his sights on a target, they're as good as dead. You may have been following Deadshot's story in the pages of SUICIDE SQUAD, but now he takes a leave of absence from his monthly appearances for his own 4-issue mini-series. What's the story behind the world's deadliest shot? Where did he come from to take on Batman and become part of the Suicide Squad? And does he really have a death wish of his own? The answers are here as Deadshot confronts his past...but the jury's still out on whether he's got a future.
One of the stars of this yearÕs highly anticipated action blockbuster takes aim at a shocking solo adventure in SUICIDE SQUAD MOST WANTED: DEADSHOT, from writer Brian Buccellato (THE FLASH) and artist Viktor Bogdanovic (BATMAN: ARKHAM KNIGHT) Ña high-octane thriller that will blow you away! SHOOT TO THRILL! Floyd Lawton is the deadliest marksman in the worldÑbut there are targets even the legendary mercenary known as Deadshot hasnÕt been able to hit. As a longtime member of the Suicide Squad, he does the bidding of his ruthless supervisor Amanda Waller, killing whomever she says needs killing before heading back to Belle Reve Penitentiary to reload. And when the Squad saddles him with a new partner, the time to take the safety off has come. Now DeadshotÕs on his most personal mission of all: heÕs going to kill the parents who made him the manÑand the murdererÑhe is today. But FloydÕs far too valuable an asset to let loose, and the Suicide Squad will stop at nothing to put this lone gunman back in their arsenalÑincluding threaten the one person he truly cares about. DeadshotÕs about to learn the hard way that when it comes to weapons, thereÕs always a bigger gunÉ Collects stories from SUICIDE SQUAD MOST WANTED: DEADSHOT 1-6.
McKenzie is a soldier and her girlfriend, Katie, is a contractor with the United Nations peacekeeping force. McKenzie's squad has named her Dead Shot for her uncanny ability with weapons. When her unit is ambushed, will her skills be enough? McKenzie and Katie meet at a bar while McKenzie is on leave from a Central African Katie must watch helplessly from ops as her girlfriend's unit gets ambushed. Katie's world ends while watching a satellite feed of McKenzie going down in a hailstorm of bullets. Sometimes love can be a bitch.
Creators John Ostrander, Luke McDonnell, Bob Lewis, and Karl Kesel continue their legendary run in SUICIDE SQUAD: ROGUES, collecting issues #17-25 and ANNUAL #1 of the celebrated 1980s series. The Squad will go on… Or will it? Forget the terrorists occupying American soil, the guerrilla factions killing each other off, or the aliens invading Earth. It’s the war at home that may spell the end of Director Amanda Waller and Task Force X. Waller’s “Suicide Squad” of incarcerated super-villains and troubled agents has worked effectively under the radar-until now. No one, not even her staff in the Belle Reve metahuman prison facility, trusts “The Wall.” Plus, rising tensions among ever-changing Squad members mean that they’ve become a bigger threat to each other than to their opponents. And when government officials with presidential aspirations discover the existence of Task Force X, Waller is forced to do whatever it takes to keep her team from being exposed to the world-even if it means crossing the thin moral line that separates her from the disposable villains recruited for her impossible assignments.
Amanda “the Wall” Waller has fought tooth and nail to keep her Suicide Squad of metahuman black ops agents in operation. Together with Checkmate, a covert government spy agency, these two teams make up Waller’s Task Force X, taking on the missions that the United States government deems too dangerous for anyone else. But the members of Task Force X aren’t the only ones doing the government’s dirty work. When Waller uncovers a conspiracy code named the “Janus Directive,” it becomes clear that another government agency intends to wipe out Task Force X, and body count is not a consideration. Is this the beginning of an all-out secret war between the country’s most dangerous operatives, or is someone else pulling the strings to further their own endgame? And if that’s the case, has someone finally done the impossible and outsmarted the Wall? From an array of classic comics creators including John Ostrander, Paul Kupperberg, Kim Yale, John K. Snyder III, Steve Erwin, and many more, SUICIDE SQUAD: THE JANUS DIRECTIVE presents the classic crossover event in its entirety for the first time! Collects SUICIDE SQUAD #26-30, CHECKMATE #15-18, MANHUNTER #14, FIRESTORM #86 and CAPTAIN ATOM #30.
Some of Doctor Doom's dialogue is paraphrased from David Cameron's speeches. Lex Luthor's first name wasn't revealed for 20 years. Doctor Octopus was the first supervillain to unmask Spider-Man. Harley Quinn originated from Batman: The Animated Series, not the comics. Mystique had a son with Sabretooth. Ra's Al Ghul is over 600 years old. Despite what many people believe, Apocalypse is not the first mutant. 20 years after Two-Face debuted, he only appeared five times in the comics. Bullseye killed somebody by throwing a poodle at them. Doomsday has killed millions of Green Lanterns. The Red Skull used to be a bellhop. The Riddler has a mental illness than renders him incapable of lying. Elektra's name was misspelt upon her debut. The Joker was nearly killed after one issue. Ultron used to be called the Crimson Cowl. Zod was a member of the Suicide Squad. Venom was originally called The Alien Costume. The Penguin is sometimes modelled off Donald Trump.
Nostalgic Generations and Media: Perception of Time and Available Meaning argues that the cultural rise in nostalgic media has the multi-generational impact of making the subjective experience of time speed up for those who are nostalgic, as well as create a surrogate nostalgic identity for younger generations by continually feeding them the content of their elders. This book is recommended for scholars interested in communication, media studies, and memory/nostalgia studies.