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Wolfgang Schmitt, ex-underwear model, self-proclaimed wisecrack, and cynical copywriter turned undercover agent, is biding his time, unsure how to spend the millions he scored after his recent undercover mission for the FBI. Complicating matters is the fact that he might be called in for a new mission; if it’s off the books and calls for a touch of seduction, Wolf is the man for the job. But, in Wolf’s words, shit-storms come in threes. On the same day Wolf is visiting his mother in a nursing home, he makes three troubling discoveries: the place is going under and he may need to step in; the stash in his offshore account has completely vanished; and the promising new woman in his life is actually a Fed, vetting him for another undercover gig. His mission: to entrap a casino-owning couple suspected of involvement with the organized crime factions piping untold amounts of money through the gambling mecca’s glamorous underworld. All of this seems nearly impossible to pull off, probably illegal as hell, and if this is anything like his last gig, nothing is as it seems. Full of crime, passion, and betrayal, Deadly Faux finds Wolf cornered in a dangerous undercover mission in Sin City, forced to use his wits, charm, and gambler’s luck to survive in the dark underbelly of Las Vegas.
A pleasant evening dinner boat ride on the Seine is destroyed by a shocking murder—and a kidnapping. This time, there is no question who the perpetrator is. Even his master plan is revealed in stunning clarity to anybody paying attention—which Claire Baskerville certainly is. But for Claire—expat American and private investigator living in Paris—and her daughter, that knowledge may come too late. As Claire desperately searches for her daughter in a Paris whose borders have been briefly sealed due to a threatening viral pandemic, she knows the clock is ticking. The lockdown is only meant to give the hospitals a head start and protect the rest of the country. Will she find Catherine before the lockdown lifts? And her daughter is lost forever into the endless, mysterious mist of the Middle East—where Claire has no doubt her only child is bound for.
The man: Wolfgang Schmitt: former model, newly single, habitual wiseass. It’s a profile only his ailing mother could love—but it makes him perfect for one thing . . . The bait: Billionaire Nelson Scott wants Schmitt to seduce his wife—setting off a prenuptial clause that will keep her hands off his money. The job pays a million bucks just for trying. Another four if Schmitt pulls it off. All he has to do is say yes . . . The switch: Next thing he knows, he’s dealing with a lot more than he bargained for. Like Scott’s gorgeous, stiletto-sharp lawyer. A couple of shady suits who may or may not be Feds. And a few more dead bodies than he’s used to. But in the big leagues of money and power, Schmitt happens.
The game is a weeklong retreat. It’s located in a remote region of northern California. It’s designed to build teamwork, establish trust, and increase awareness. The players are three ambitious executives—one woman and two men, each prepared to put his physical, mental, and moral limits to the test. They never dreamed how far they could go. The rules are simple. First you run. Then you hide. Don’t appear weak, don’t admit to the fear, and don’t react to the pain. The prize is staying alive. Let the game begin.
A twisting thriller that taps into a deep well of erotic obsession, sexual betrayal, madness, and murder, Darkness Bound goes to fearless extremes to become an authentic and shocking suspense novel. In Darkness . . . Two strangers meet. A woman without inhibitions . . . a man without limits . . . for a private game between two consenting adults. In Darkness . . . They indulge in every secret fantasy, cross every boundary of sexual deviation. But one of them has a secret yet to be shared, a desire yet to be explored . . . In Darkness . . . Fear will become the ultimate pleasure. Revenge, the ultimate reward—and reality, the deadliest fantasy of all. Now the real games are about to begin.
FIND HIM. Bernadette Kane never believed that her sister committed suicide. And what she heard about her sister’s mysterious—and sadistic—lover, Wesley Edwards, made her suspect the worst. With his good looks, private jet, and successful career, he could turn a girl’s head. And get away with murder. SEDUCE HIM. Bernadette’s plan: use her body to seduce Wesley, use her wits to gain his confidence, and use the evidence she finds to bring him down. First, Bernadette will have to submit to whatever Wesley wants and become a willing pawn in his twisted games. MAKE HIM PAY. But buried inside the millionaire’s inner sanctum are secrets that go farther than Bernadette ever imagined. They’re plunging her into the same nightmare that trapped her sister. And now the choice between revenge and survival will decide the outcome of Bernadette’s final—and most dangerous—game.
Murder strikes close to home when an altercation between two dog owners in the famous Parc Monceau triggers a brutal murder in an alley behind the Paris apartment building of expat and private eye Claire Baskerville. Already struggling with the unexpected and rancorous visit of her daughter Catherine—as well as the desperate hunt for one of her missing grandbabies—Claire is reluctant to take the case of the murder of Madame Lavigne until she is brutally shown how vital it is that the elderly dog lover gets justice. Not just for her, and the building they all live in, but for Claire too—and as it turns out, the safety of her whole family.
When committed agnostic Gabriel Stone’s wife dies in an unlikely airline disaster, he pours himself into the writing of a story that has haunted him since his youth—a novel his devout wife had warned him never to finish. Inspired by a visit to the island of Patmos, he is fascinated with the visions beheld there by St. John The Divine while in political exile for his beliefs. Those visions included terrifying events delivered by what John described as “seven thunders,” which he was instructed to withhold, to seal up and “write them not” (Revelation 10:4). As Stone becomes entrenched in his speculative interpretation of what those visions might have been, an embedded code within the Book of Revelation itself reveals startling connections to covert operations that are about to tear the world’s political landscape to shreds, perhaps signaling the beginning of the prophesied end of times. As Stone’s novel nears publication, he finds himself the pawn in a war between superpowers and supernatural forces, each hoping to control the book, each driven by hidden agendas beyond Stone’s comprehension. Facing choices that are at once spiritual and life-dependent, with global stakes pivoting on his ability to accept the unbelievable and stop the unthinkable, The Seventh Thunder is a secular thriller that stops at nothing short of our very souls hanging in the balance, while ringing frighteningly relevant to today’s headlines. Winner of the 2010 Next Generation Indie Book Award for best novel in the SUSPENSE/THRILLER category.
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
This book takes you further into the sleepy little village of St-Buvard where Maggie and Laurent discover not one but four murders to spice up their tenure in Provence. A year spent living in the south of France is not all it’s cracked up to be—especially when you have no job, a prickly first year of marriage, and your new best friend is murdered virtually before your eyes. Maggie Newberry is determined to help the investigations into the murders even if the incredibly sexy and too available French police detective on the case can only complicate her life in every possible way. Murder in Provence is set in the ancient city of Arles and, like all the books in the series, showcases the sights and mouthwatering cuisine of Provence—with a spicy dash of murder.