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Daring resort manager Elizabeth Grady will need to think fast to bring a killer into the limelight in this charming 1950s set cozy mystery series. Famous director Elias Theropodous has chosen Haggerman’s Catskills Resort as a shooting location for his next film. It sounds glamorous to much of the staff, but resort manager Elizabeth Grady is less satisfied. Dealing with the ridiculous demands of the antagonistic director is bad enough, and his attempts to walk all over Elizabeth are making her feel like her position at the resort has been changed into a bit part. But when Elias is poisoned during a dinner at the resort, the future of the film and the resort itself are on the line. Between an aging movie star, a harried producer, and former victims of the deceased director’s wrath, Elizabeth has a full cast of suspects to examine, and she’ll need to investigate every lead to catch a killer.
Daring resort manager Elizabeth Grady will need to think fast to bring a killer into the limelight in this charming 1950s set cozy mystery series. Famous director Elias Theropodous has chosen Haggerman’s Catskills Resort as a shooting location for his next film. It sounds glamorous to much of the staff, but resort manager Elizabeth Grady is less satisfied. Dealing with the ridiculous demands of the antagonistic director is bad enough, and his attempts to walk all over Elizabeth are making her feel like her position at the resort has been changed into a bit part. But when Elias is poisoned during a dinner at the resort, the future of the film and the resort itself are on the line. Between an aging movie star, a harried producer, and former victims of the deceased director’s wrath, Elizabeth has a full cast of suspects to examine, and she’ll need to investigate every lead to catch a killer.
The slay bells are ringing in this festive seventh installment of national bestselling author Vicki Delany’s Year-Round Christmas mystery series, perfect for fans of Amanda Flower and Donna Andrews. Rudolph, New York, shop owner Merry Wilkinson’s best friend Vicky Casey is newly engaged to Chef Mark Grosse and is moving into the historic Cole House–a home surrounded by drama, intrigue, and a possible haunting that is in desperate need of renovation. The wedding is just three weeks away, but all is not bliss for the newly engaged couple as estranged relatives of the late owner fight over her will. Then, late one night, Vicky and Merry come across a dead body in the garden of Cole House–and Mark is the one standing over the corpse. As Detective Diane Simmonds focuses on Mark as the prime suspect, Vicky asks for Merry’s help to clear her fiancé’s name in time for the wedding. As they dig deeper into the connection between the house, Cole relatives, and town residents, past and present, it becomes clear that plenty of people wanted the victim dead. With a bakery to run, the busy Easter weekend fast approaching, a house to renovate, and a fiancé to clear of a murder accusation, Vicky’s wedding may end up on the chopping block. It’s up to Merry to put aside the chocolate bunnies and stuffed rabbits and help her best friend save her wedding–and her life.
People hunting people for sport--an idea both shocking and fascinating. In 1924 Richard Connell published a short story that introduced this concept to the world, where it has remained ever since--as evidenced by the many big- and small-screen adaptations and inspirations. Since its publication, Connell's award-winning "The Most Dangerous Game" has been continuously anthologized and studied in classrooms throughout America. Raising questions about the nature of violence and cruelty, and the ethics of hunting for sport, the thrilling story spawned a new cinematic subgenre, beginning with RKO's 1932 production of The Most Dangerous Game, and continuing right up to today. This book examines in-depth all the cinematic adaptations of the iconic short story. Each film chapter has a synopsis, a "How Dangerous Is It?" critique, an overall analysis, a production history, and credits. Five additional chapters address direct to video, television, game shows, and almost "dangerous" productions. Photographs, extensive notes, bibliography and index are included.
In Skipping Towards Gomorrah, Dan Savage eviscerates the right-wing conservatives as he commits each of the Seven Deadly Sins himself (or tries to) and finds those everyday Americans who take particular delight in their sinful pursuits. Among them: Greed: Gamblers reveal secrets behind outrageous fortune. Lust: "We're swingers!"-you won't believe who's doing it. Anger: Texans shoot off some rounds and then listen to Dan fire off on his own about guns, gun control, and the Second Amendment. Combine a unique history of the Seven Deadly Sins, a new interpretation of the biblical stories of Sodom and Gomorrah, and enough Bill Bennett, Robert Bork, Pat Buchanan, Dr. Laura, and Bill O'Reilly bashing to more than make up for their incessant carping, and you've got the most provocative book of the fall.
"The acting career of legendary star Ida Lupino is well known, but there has been little analysis of her directorial career. She was one of the few female directors in Classical Hollywood and the only one with membership in the Directors Guild of America between 1948 and 1971. Like Orson Welles, her career was notable in transitioning from acting to directing first in film and then in television, in addition to helping to create and run the production company The Filmakers [sic]. Her films were notably about women navigating difficult positions in society, dealing with controversial issues such as rape and bigamy. Nevertheless, she was the first female director of a noir film, The Hitch-Hiker, which is a suspenseful tale of two motorists taken hostage by a serial killer in the Southwest. Alexandra Seros, a filmmaker herself, examines Lupino's career with a focus on her directorial roles and how she navigated this as a woman, as well as a wife and mother, in male-dominated Hollywood. She explains how Lupino began directing and formed The Filmakers before providing a close analysis of three of her films (Not Wanted, Never Fear, and the aforementioned The Hitch-Hiker) and examining how she navigated the shooting and negotiated with the censors to be able to tell the stories she wanted to tell. Seros then details Lupino's transition to television and her taking the director's reins in that medium as well. Lupino directed episodes in a wide variety of genres, but specialized in Westerns and thrillers. Even as the press and the studios tried to focus on her femininity as a dutiful wife and loving mother, she often refused to play along and be coded as feminine in this way. Seros analyzes three of Lupino's directed episodes, comparing them with similar work done by noted male directors Nicholas Ray, Robert Aldrich, and Alfred Hitchcock, stressing Lupino's efficient, effective work in finishing the shows on time and within budget. She finishes by arguing that Lupino was a new kind or auteur, whose collaborative "family" approach to filmmaking was far ahead of its time"--
Part of Brady Games Signature Series, this essential guide combines high quality design with exclusive content to provide a truly satisfying gaming experience and provides complete coverage of every mission, detailed maps of Vice City, important items and weapons, game secrets, tips and cheat codes.
Essays cover Hamlet, Romeo and Juliet, The Tempest, The Merchant of Venice, The Winter's Tale, Macbeth, King Lear and The Taming of the Shrew.