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A notable archaeologist, close to finding a priceless artifact, meets his untimely demise— Matthew Shane vows to find his murderer Matthew Shane is a law professor in Salem, Massachusetts, where he enjoys a rewarding mentorship with Professor Barrington Holmes, a well-known archaeologist. So when Professor Holmes is found dead in his office and the police rule it a suicide, something doesn' t sit right with Matthew. He becomes determined to find the true cause of Holmes' death and bring closure to his widow. Matthew soon learns that Professor Holmes belonged to a group of notable archaeologists dubbed “ The Monkey' s Paw,” who were all entangled in an expedition to find an unknown object of unprecedented historical and financial value. Each member had been given one piece of the instructions to find the object, but some of the men had encountered horrific twists of fate before the group could reunite to continue in their search. Joining forces with the remaining members, Matthew' s quest for the cause of the apparent curse of The Monkey' s Paw leads him on a global wild goose chase that culminates in a turn of events not even Professor Holmes could have predicted. Perfect for fans of Michael Crichton and Dan Brown
The gripping true story of treasure hunting and terrible tragedy encountered by divers exploring the world's most dangerous sunken shipwreck.
Project X CODE Extra introduces more exciting adventure stories and stimulating non-fiction texts into the Project X CODE series. What is the most deadly living thing in the sea? Come for a dive and find out in this Shark Dive non-fiction book. In line with the phonic, vocabulary and comprehension progression in Project X CODE, this book is ideal for additional practice outside of the core intervention sessions and for introducing children to non-fiction texts.
When an accident claims the life of an oil-rig worker on the first drilling platform off the North Carolina coast, Coast Guard investigators Rissi Dawson and Mason Rogers are sent to take the case. Tensions surrounding the oil rig are high and the death has everyone on edge. Environmental activists are threatening to do whatever it takes to stop the structure from being completed, while rumors are being whispered about ancient curses surrounding this part of the ocean. Mounting evidence shows the death may not have been an accident at all. Was he killed by one of the activists or, perhaps more frighteningly, a member of his own crew? Rissi and Mason have to sort through not only a plethora of suspects, but also their own past and attraction to each other. Just as the case seems like it'll break open, worse news arrives. A tropical storm has turned their way and soon they're cut off from any rescue--and right where the killer wants them. It's a race to discover his identity before he eliminates the threat they pose.
An AI cannot lie. An AI must obey human commands. An AI cannot kill. These are the laws SCARAB has broken, and only Mary knows. The Tantalus 13 survey expedition went off the rails as soon as Mary Ketch and the crew of the Diamelen learned that the thing beneath their feet wasn’t a planet. An impossibly vast and ancient artificial structure lies below, hidden from the universe under a façade of cratered stone. SCARAB arrived on Tantalus 13 two years ago. An artificially intelligent, self-constructing factory, it was supposed to aid the crew in their mission, to meet their every need. But when erratic behavior in the AI coincides with a series of deadly accidents among the crew, Mary faces the horrifying possibility that SCARAB has gone rogue. With the AI watching her every move, any attempt to warn the crew could be disastrous. But SCARAB knows far more about the Tantalus 13 enigma than it lets on, and the secrets it’s willing to kill for may have dire implications for all humankind.
A forbidden treasure awakens a centuries-old curse. An unexpected tropical threat. An ally hiding in plain sight. To celebrate Bradley’s high school graduation, O’Connor takes the Detest-A-Pest crew to Club Niho‘gula on the remote and beautiful Hawaiian island of Lanai. But trouble tends to follow O’Connor everywhere she goes... Strange creatures attack guests in broad daylight. The locals blame the attacks on the Legend of Pepehi Waapa – the boat killer. Someone or some thing has unleashed the curse behind it. Ignoring all warnings, O’Connor vows to find the culprit at any cost. But unseen by most, a clue lies just below the surface. When Sam disappears without a trace, it becomes clear that something larger – more nefarious – is at work. The Detest-A-Pest crew and their new Hawaiian friends realize that they must work together – and fast – if they want any chance of finding Sam alive. Because the evil forces at work could easily send them all to watery graves... Tentacle 2.0 is a fast-paced creature feature horror novel, book four of the popular Detest-A-Pest series. It can be read as a standalone novel.
In this incisive and highly readable study, Rachel Buxton offers a much-needed assessment of Frost's significance for Northern Irish poetry of the past half-century. Drawing upon a diverse range of previously unpublished archival sources, including juvenilia, correspondence, and drafts of poems, Robert Frost and Northern Irish Poetry takes as its particular focus the triangular dynamic of Frost, Seamus Heaney, and Paul Muldoon. Buxton explores the differing strengths which each Irish poet finds in Frost's work: while Heaney is drawn primarily to the Frost persona and to the "sound of sense", it is the studied slyness and wryness of the American's poetry, the complicating undertow, which Muldoon values. This appraisal of Frost in a non-American context not only enables a fuller appreciation of Heaney's and Muldoon's poetry but also provides valuable insight into the nature of trans-national and trans-generational poetic influence. Engaging with the politics of Irish-American literary connections, while providing a subtle analysis of the intertextual relationships between these three key twentieth-century poets, Robert Frost and Northern Irish Poetry is a pioneering work.
Close Up was the first English-language journal of film theory. Published between 1927 and 1933, it billed itself as "the only magazine devoted to film as an art," promising readers "theory and analysis: no gossip." The journal was edited by the writer and filmmaker Kenneth Macpherson, the novelist Winifred Bryher, and the poet H. D., and it attracted contributions from such major figures as Dorothy Richardson, Sergei Eisenstein, and Man Ray. This anthology presents some of the liveliest and most important articles from the publication's short but influential history. The writing in Close Up was theoretically astute, politically incisive, open to emerging ideas from psychoanalysis, passionately committed to "pure cinema," and deeply critical of Hollywood and its European imitators. The articles collected here cover such subjects as women and film, "The Negro in Cinema," Russian and working-class cinema, and developments in film technology, including the much debated addition of sound. The contributors are a cosmopolitan cast, reflecting the journal's commitment to internationalism; Close Up was published from Switzerland, printed in England and France, and distributed in Paris, Berlin, London, New York, and Los Angeles. The editors of this volume present a substantial introduction and commentaries on the articles that set Close Up in historical and intellectual context. This is crucial reading for anyone interested in the origins of film theory and the relationship between cinema and modernism.