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Collective Collaboration from start to publish of thousands of stories by the Grateful Dead Fans. "For the Fans from the Fans" proceeds will be donated back to Rex Foundation, Sweet Relief Music Foundation and WhyHunger.
Deadhead Social Science is a collection of papers examining various aspects of the complex subculture surrounding the rock band, the Grateful Dead. Deadheads, as Grateful Dead fans are called, followed the band from venue to venue until the band announced their dissolution in December of 1995 and have continued to follow bands including various surviving members of the Grateful Dead since then. Deadhead Social Science addresses the questions: What is a Deadhead? How does a Deadhead identity evolve? Why would a person choose an identity that would be viewed negatively by a larger society? Why are Deadheads viewed negatively by the larger society? Is the Deadhead community a popular religion? How did a rock band develop a religious following? The book also examines the music, the role of vendors, and the reaction by "host" communities to the Grateful Dead and its following. One key theme in Deadhead Social Science is the interconnections among teaching, research, and personal interests written from a variety of social science disciplinary traditions.
If every American flower grower wrote a book like Deadhead, you’d have a complete, inside view of flower farming. Deadhead’s contents, one slice of that view, will assist both those interested in flower farming and those already in the business—no matter if they live in cold areas like short-summer Idaho or in warm southern climes. Several years ago an employee made shirts for Bindweed Farm that read “The Bindweed Way: 9104 experiments, 0 mistakes”, referring to Bindweed’s philosophy of shrugging off errors and turning them into sources of success. We move fast on Bindweed Farm so mistakes happen, sometimes with surprising results—often the wrong way of doing something works out better. We’ve learned a lot from our experiments, and we hope those shared in this book inspire you to make some of your own, so you can be deadheading home from your sales route with an empty truck, full of satisfaction. You can visit the authors at bindweedfarm.com.
Told against the backdrop of the American landscape of the late '80s to the mid-'90s, Growing Up Dead is the story of Peter Conners's journey from straight-laced suburban kid to touring Deadhead. Peter discovered the Grateful Dead in 1985, at the age of 15, through friends who exchanged bootleg tapes of live Grateful Dead concerts. A teenager living in the suburbs of Rochester, New York, he became exposed to an entirely new way of life, and friends who were enjoying more freedom and less parental guidance. At the age of 16, he attended his first Grateful Dead concert on June 30, 1987 - he was hooked. Between 1987 and 1995, Conners would attend Dead 'shows' all over the United States. He traveled with a makeshift 'family' of other Deadheads in a Volkswagen camper, selling drugs and whatever else would provide gas money to the next concert. His hair was a wild, unkempt bush and baths were infrequent. In short, he had progressed from suburban kid, to Grateful Dead fan, to full-blown Deadhead. Chronicling this progression, which culminates with the 1995 death of Jerry Garcia, Conners reveals the truth behind Deadhead culture and history. The result is a riveting insight into the obsessive fandom that made The Grateful Dead the most successful touring band of all time, as well as a cultural phenomenon.
The Grateful Dead rose out of San Francisco's '60s underground rock scene with an unprecedented sound and image. Its members, steeped in rock, folk, classical, and blues; their instrumental prowess; and their refusal to bow to commercial conventions helped originate jam band music. Unapologetic in its advocacy of drug use as a means toward mind expansion, the Dead helped catapult psychedelic music. After performing at the Monterey International Pop Festival and Woodstock, the group became iconic without ever scoring a hit single. A large, devoted fan base – “Deadheads” – began to follow the band everywhere. The group suffered a tragedy when bandleader Jerry Garcia slipped into a coma in 1986, but returned the next year with a top-selling album and surprise hit single, “Touch of Grey.” By 1993, the Dead was the top-grossing live act in the United States. The band ended when Garcia died in 1995, but the music lives on with a stream of live releases. In Grateful Dead FAQ, Tony Sclafani examines the band's impact and influence on rock music and pop culture. This book ventures into unexplored areas and features a host of rare images, making it a must-have for both Deadheads and casual fans.
"This volume collects issues #1 through #4 of Dark Horse Comics' series The Ghost Fleet."--Title page verso.
Douglas Coupland takes his sparkling literary talent in a new direction with this crackling collection of takes on life and death in North America -- from his sweeping portrait of Grateful Dead culture to the deaths of Kurt Cobain, Marilyn Monroe and the middle class. For years, Coupland's razor-sharp insights into what it means to be human in an age of technology have garnered the highest praise from fans and critics alike.At last, Coupland has assembled a wide variety of stories and personal "postcards" about pivotal people and places that have defined our modern lives.Polaroids from the Dead is a skillful combination of stories, fact and fiction -- keen outtakes on life in the late 20th century, exploring the recent past and a society obsessed with celebrity, crime and death.Princess Diana, Nicole Brown Simpson and Madonna are but some of the people scrutinized.
A portrait of the Grateful Dead depicts the popular rock band in concert and includes correspondence from fans and classic photographs of the group in performance
City girl Poppy desperately wants to pay off her debts, quit her dead-end job, find her father... oh, and keep a plant alive. Poppy might not know her pansies from her petunias, but that doesn't stop her digging for clues. The only problem is that she could be digging her own grave too...
The untold story of life on the road with the Grateful Dead, written by an insider who lived it from the early days to today. Steve Parish was never one to walk the straight-and-narrow, even during his childhood growing up in Flushing Meadow, Queens. Busted as a teenager for selling acid in the summer of 1968, Parish landed in Riker's Island. The experience changed him and after getting out he did his best to stay out of trouble, securing a job moving music equipment at the New York State Pavilion. The first show he worked was a Grateful Dead concert in July of 1969 and Parish was captivated by the music. A life seemingly headed nowhere had suddenly found its calling as he fell in quickly with a band of likeminded misfits who formed the nucleus of what would be the greatest road crew in rock 'n' roll history. Parish traveled to California where his apprenticeship began. Working for the band for free and learning his craft, Parish got to know Jerry, Bobby, Phil, Billy and Mickey and through the years their relationships forged an unbreakable bond. He became very close with Garcia in particular, acting as his personal roadie and later manager for his solo performances and Garcia Band shows. He was there during times of trouble (like when a pimp held Garcia hostage at gunpoint in a New York hotel room), spending hours by his bedside when Garcia was in a coma in 1986, and performing the duties of best man at his wedding. He was also the last friend to see Garcia alive. Throughout the Dead's historic run, there were parties of biblical proportion and celebrity run-ins with everybody from Bob Dylan to Frank Sinatra--but there was a dark side to life on the road and tragedy didn't just strike the musicians. But Home Before Daylight is a story of friendship, of music and redemption. It is a piece of music history, one that reflects the American spirit of adventure and brotherhood. Seen through Steve Parish's eyes and experiences, The Grateful Dead's wild ride has never been so revealing.