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DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickcock and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.
A comprehensive overview of wood-inhabiting fungi, insects and vertebrates, discussing habitat requirements along with strategies for maintaining biodiversity.
After just two seasons, the HBO drama Deadwood has become one of cable's highest rated series, a symbol of how great television can be when pushed to its limits. From the masterful acting to the surprisingly credible re-creation of a Western gold-rush town to the provocative dialogue, Deadwood is television made at the highest level of craft. Now, through the eyes of series creator David Milch, the Emmy and Golden Globe Award-winning drama comes to life like never before. Imaginatively rendered and lavishly illustrated, Deadwood- Stories of the Black Hills is an unprecedented look at the people, places, and history of Deadwood, as seen and imagined by the show's creator, chief writer, and executive producer David Milch. Through in-depth discussions of the themes and motivations that run throughout Deadwood - from violence to gold to profane language - Milch sheds light on the characters and events of Deadwood. Fresh interviews with the Deadwood cast, never before seen photographs of the show, and dozens of historical photographs and objects vividly bring the most dangerous settlement in the West to life. Much more than a companion to the series, this book is an integral part of the show's storied mythology, as it examines, in great detail, the fascinating intersection of historical fact and inventive fiction - from Custer's opening of the Black Hills (and defeat by the Sioux), to the compelling story of the frontier Chinese, who endured years of racism in order to survive in the West. Entertaining and illuminating, Deadwood
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .
In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.
After learning that the Spirit Tree is cursed, Martin Cruz teams up with Hannah Vaughan to try to break the curse in order to stop unexplainable accidents from occurring in Lower Brynwood.
Things that Go Bump at High Noon! Tales of the Weird Wild West from Charlaine Harris, Mike Resnick, D.J. Butler, Stephen Graham Jones, and more. Baen’s Bestselling Western Fantasy and Horror Anthology Returns for Another Showdown! Once again, we return to the Old West with a new posse of top authors spin tales of horror, fantasy, and science fiction. We take no prisoners as they explore what really was, and mix in what might have been. Charlaine Harris [The Sookie Stackhouse Series, Midnight, Texas] shows us a glimpse inside her new series as a tormented gunfighter faces a true demon of her past. Mike Resnick [The Buntline Special] reveals what Doc Holiday thought was so funny on his last day. Jeffrey Mariotte [Desperados, Graveslingers] introduces us to a man who specializes in pictures of the dead who won’t stay dead. Jane Lindskold [The Firekeeper Saga, The Star Kingdom Series (with David Weber)] teaches us not to underestimate a schoolmarm when her students are in jeopardy. And Shane Hensley [Deadlands] cooks up a stew that threatens to send every famous lawman in history to their graves! Plus, a dozen more stories of how the west was wilder than any history book could contain, such as a new Native American legend by Stephen Graham Jones and a Mormon troubleshooter straddling the line between his faith and the supernatural by D.J. Butler. The west that was rides again with west that could have been in this follow-up to Straight Outta Tombstone! Contributors: Mike Resnick D.J. Butler Jane Lindskold Shane Hensely Jeffrey J. Mariotte Steve Ransic Tem Stephen Graham Jones Derrick Ferguson Frog and Esther Jones Cliff Winnig Jennifer Campbell-Hicks Alex Acks Marsheilla Rockwell Mario Acevedo Betsy Dornbusch Travis Heermann At the publisher's request, this title is sold without DRM (Digital Rights Management). About Straight Outta Deadwood: "Cross-genre fans will find this anthology enjoyable . . ."—Publishers Weekly About Sequel Straight Outta Tombstone: “The authors were having fun. Even when they are not playing the stories for laughs, they are taking an opportunity to enjoy an opportunity to tell a story with a fresh twist, and expand out of their expected boundaries. Straight Outta Tombstone is a change-up pitch, which will leave readers laughing on occasion, spooked at times, and entertained throughout.”—Daily News of Galveston County
"In August 2004, the city of Brisbane, Australia, was host to one of the largest recent gatherings of the world's entomologists. Several thousand delegates attended the 22nd International Congress of Entomology, which featured a multitude of symposia that together covered a wide range of entomology-related topics. This special General Technical Report is based on papers presented in a symposium entitled 'Insect Biodiversity and Dead Wood.' It features contributions by scientists from around the world, and these contributions clearly illustrate our growing understanding of the entomological importance of dead wood.
Chronicles Deadwood, South Dakota, a typical American frontier and gold rush town, especially the volatile years 1875-1925.
Considers the HBO series Deadwood in the context of the television Western genre and the intersection of capital and violence in American history. By dramatizing the intersection of self-interested capitalism and foundational violence in a mining camp in 1870s South Dakota, the HBO series Deadwood reinvented the television Western. In this volume, Ina Rae Hark examines the groundbreaking series from a variety of angles: its relationship to past iterations of the genre on the small screen; its production context, both within the HBO paradigm and as part of the oeuvre of its creator and showrunner David Milch; and its thematics. Hark’s comprehensive analysis also takes into account the series’ trademark use of language: both its unrelenting and ferocious obscenity and the brilliant complexity of its dialogue. Hark argues that Deadwood dissolves several traditional binaries of the Western genre. She demonstrates that while the show appears to pit individuality, savagery, lawlessness, social regulation, and civilization against each other, its narrative shows that apparent opposites are often analogues, and these forces can morph into allies very quickly. Indeed, perhaps the show’s biggest paradox and most profound revelation is that self-interest and communitarianism cannot survive without each other. Hark closely analyzes Al Swearengen (as played by Ian McShane), the character who most embodies this paradox. A brutal cutthroat and purveyor of any vice that can turn him a profit, Swearengen nevertheless becomes the figure who forges connections among the camp’s disparate individuals and shepherds their growth into a community. Deadwood is quintessentially, if unflatteringly, American in what it reveals about the dark underpinnings of national success rooted not in some renewed Eden but in a town that is, in the apt words of one of its promotional taglines, "a hell of a place to make your fortune." Fans of the show and scholars of television history will enjoy Hark’s analysis of Deadwood.