Download Free Dead Mans Point Book in PDF and EPUB Free Download. You can read online Dead Mans Point and write the review.

The first book in a gripping adventure series about eleven-year-old ace detective, Laura Marlin, from award-winning author Lauren St John, perfect for fans of Enid Blyton.
The third novel starring Montana's fly fisherman-cum-detective Sean Stranahan, for fans of C. J. Box and Craig Johnson Wolves howl as a riderless horse returns at sunset to the Culpepper Dude Ranch in the Madison Valley. The missing woman, Nanika Martinelli, is better known as the Fly Fishing Venus, a red-haired river guide who lures clients the way dry flies draw trout. As Sheriff Martha Ettinger follows hoof tracks in the snow, she finds one of the men who has fallen under the temptress’s spell impaled on the antler tine of a giant bull elk, a kill that’s been claimed by a wolf pack. An accident? If not, is the killer human or animal? With painter, fly fisherman, and sometimes private detective Sean Stranahan’s help, Ettinger will follow clues that point to an animal rights group called the Clan of the Three-Clawed Wolf and to their svengali master, whose eyes blaze with pagan fire. In their most dangerous adventure yet, Stranahan and Ettinger find themselves in the crossfire of wolf lovers, wolf haters, and a sister bent on revenge, and on the trail of an alpha male gone terribly wrong.
Jan Berry, leader of the music duo Jan & Dean from the late 1950s to mid-1960s, was an intense character who experienced more in his first 25 years than many do in a lifetime. As an architect of the West Coast sound, he was one of rock 'n' roll's original rebels--brilliant, charismatic, reckless, and flawed. As a songwriter, music arranger, and record producer for Nevin-Kirshner Associates and Screen Gems-Columbia Music, Berry was one of the pioneering self-produced artists of his era in Hollywood. He lived a dual life, reaching the top of the charts with Jan & Dean while transitioning from college student to medical student, until an automobile accident in 1966 changed his trajectory forever. Suffering from brain damage and partial paralysis, Jan spent the rest of his life trying to come back from Dead Man's Curve. His story is told here in-depth for the first time, based on extensive primary source documentation and supplemented by the stories and memories of Jan's family members, friends, music industry colleagues, and contemporaries. From the birth of rock to the bitter end, Berry's life story is thrilling, humorous, unsettling, and disturbing, yet ultimately uplifting.
“A sassy heroine . . . [Henrie O] says what she thinks (when it serves her purposes) and pulls no punches.”—Chicago Sun-Times When arrogant media magnate Chase Prescott is nearly killed by a box of cyanide-laced candy, he dials his long-ago lover, retired newshound Henrietta O’Dwyer Collins, with a simple request: He’ll assemble all the suspects if Henrie O will kindly point out the would-be murderer. It’s a case—her first—that fills Henrie O with grave misgivings, especially when she arrives on Chase’s private island off the South Carolina coast to meet the players in this deadly drama. Among Prescott’s unstable young wife, his sullen stepson, and his toady of a secretary, she has trouble narrowing the field of suspects—even when a second attempt is made on Chase’s life. As Henrie O unearths a will and fascinating new evidence, a killer hurricane sweeps up from Cuba, threatening to maroon them in this vacation hell . . . where the trappings of luxury are put to lethal use and the secrets of the past have the power to engulf them all.
Chicago, 1928. In the stifling summer heat, three disturbing events take place: A clique of city leaders is poisoned in a fancy hotel; a white gangster is found mutilated in an alleyway in the Blackbelt; and a famous heiress vanishes without a trace. Pinkerton detectives Michael Talbot and Ida Davis are hired to find the missing heiress by the girl’s troubled mother. But it soon proves harder than expected to find a face that is known across the city, and Ida must elicit the help of her friend, Louis Armstrong. While the police take little interest in the Blackbelt murder, Jacob Russo—crime scene photographer—can’t get the dead man’s image out of his head, leading him to embark on his own investigation. And Dante Sanfelippo—rum-runner and fixer—is back in Chicago on the orders of Al Capone, who suspects there’s a traitor in the ranks and wants Dante to investigate. But Dante is struggling with his own problems, as he is forced to return to the city he thought he’d never see again . . .
It’s All Just a Show...Right? “This is an authentic old west ghost town, son. Around these parts the dead don’t stay dead.” Nick Caden’s vacation at Deadwood Canyon Ghost Town takes a deadly turn toward trouble when the fifteen-year-old finds himself trapped in a livery stable with the infamous outlaw Jesse James. The shooter whirls, aims and... vanishes. Great theatrics, Nick thinks, except now he’s alone in the hayloft with the bullet-riddled body of Billy the Kid. And by the time the sheriff arrives, the body disappears. Soon Nick is caught in a deadly chase—from an abandoned gold mine, through forbidden buffalo hunting grounds, and across Rattlesnake Gulch. Around every turn he finds another suspect. Will Nick solve the murder? Will his parents have him committed? Or will the town's infatuation with Hollywood theatrics conceal the real truth about souls, spirits and the destiny that awaits those who die.
Mechele is young, attractive, and looking to cash in on her aesthetic assets when she moves from New Orleans to Alaska in 1994 to earn money for college tuition. Her charms ensnare the affections of three men, and the combined effects of jealously, lust, and greed take a deadly turn in this true crime story. Before a murder in the woods shatters her contented life, Mechele works as an exotic dancer at the Alaska Bush Company, where she spends her days pleasing a procession of hard-working men. John, Scott, and Kent are simultaneously smitten with Mechele, and offer affection in the form of lavish gifts and ultimately engagement rings. While the three men begin their affairs on the same path, violent murder blasts apart their parallel lives. One of the trio is shot in the back; another is accused of the murder. Dead Man's Dancer follows this murder case from 1996 throughout Mechele's tumultuous trial in 2006 that becomes a nationwide sensation. Shocking in its detailed portrayal of murder and convoluted love affairs, Dead Man's Dancer excites horror in readers that lingers far after the last page is turned.
An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.
Some paths lead only to the grave . . . Strangefields Farm is notorious for its sinister history ever since artist Jackson Temples lured young women there to model for disturbing works of art. Some of those girls never left the house alive. Now, decades later, Strangefields is to be transformed into a holiday village, but the developer's hopes of its dark history being forgotten are dashed when a skull is found on the site. And when a local florist is found murdered in an echo of Temples' crimes, DI Wesley Peterson fears that a copy-cat killer is at large. Especially when another brutal murder in a nearby village appears to be linked. As Wesley's friend, archaeologist Dr Neil Watson, uncovers the secrets of Strangefields' grisly past, it seems that an ancient tale of the dead returning to torment the living might not be as fantastical as it seems. And Wesley must work fast to discover who's behind the recent murders . . . before someone close to him is put in danger. The latest gripping mystery in the DI Wesley Peterson crime series from Kate Ellis, the award-winning author of the 2019 CWA Dagger in the Library. What readers are saying about Kate Ellis: 'A beguiling author who interweaves past and present' The Times 'Kate Ellis has got to be one of my favourite authors' Reader review, 5 stars 'I loved this novel . . . a powerful story of loss, malice and deception' Ann Cleeves 'The chilling plot will keep you spooked and thrilled to the end' Closer 'Another brilliant book that keeps you gripped' Reader review, 5 stars 'Haunting' Independent 'Kate has you spellbound' Reader review, 5 stars 'A fine storyteller, weaving the past and present in a way that makes you want to read on' Peterborough Evening Telegraph 'Unputdownable' Bookseller