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The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Urbane, irreverent satire—four of Aubrey Menen’s best novels The novels in this omnibus edition are classic Aubrey Menen—brilliant and inventive, displaying his characteristic wit while laying bare people’s idiosyncrasies. Menen attacks affectation and hypocrisy with his crisp prose and true-to-life characters. Classic Aubrey Menen is an abiding testimony to a master craftsman. The Prevalence of Witches, A Conspiracy of Women, A Fig Tree, The Abode of Love
This compelling book offers a fresh perspective on how the natural world has been imagined, built on, and transformed by human beings throughout history and around the globe. Coverage ranges from the earliest societies to preindustrial China and India, from the emergence in Europe of the modern world to the contemporary global economy. The focus is on what the places we have created say about us: our belief systems and the ways we make a living. Also explored are the social and environmental consequences of human activities, and how conflicts over the meaning of progress are reflected in today's urban, rural, and suburban landscapes. Written in a highly engaging style, this ideal undergraduate-level human geography text is illustrated with over 25 maps and 70 photographs. Note: Many additional photographs related to the themes addressed in the book are available at the author's website (www.greatmirror.com.)
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals
On publication Arundhati Roy's first novel The God of Small Things (1997) rapidly became an international bestseller, winning the Booker Prize and creating a new space for Indian literature and culture within the arts, even as it courted controversy and divided critical opinion. This guide to Roy’s ground-breaking novel offers: an accessible introduction to the text and contexts of The God of Small Things a critical history, surveying the many interpretations of the text from publication to the present a selection of new essays and reprinted critical essays by Padmini Mongia, Aijaz Ahmad, Brinda Bose, Anna Clarke, Émilienne Baneth-Nouailhetas and Alex Tickell on The God of Small Things, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of The God of Small Things and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Roy's text.
Dead Man's Chest is a classic pirate yarn that begins with long John Silver's escape from the merchantman Hispaniola at Peurta Plata and culminates with the American Revolution more than a decade later. It describes in rich detail the unholy alliance formed between this soft-hearted cut-throut, his teenage nephew, David Noble, and the slaver-turned-merchant captain, John Paul Jones to retrieve a king's ransom of Spanish gold and jewels from Dead Man's Chest; the other two-thirds of the treasure described in Stevenson's novel, and the inspiration for the sailor's ballad by the same name. Dead Man's Chest explains how the Scottish fugitive John Paul Jones earned a naval commission. More importantly, the novel illuminates a hitherto unknown thirty-month period in John Paul's career. From November 1773 when he killed a mutineer to June 1775 when he received his naval commission in Philadelphia from Thomas Jefferson. Learn how the contract that he and John Silver made with the American founding fathers impacted the lives of the Colonists and ultimately helped win America's freedom from Mother England.