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Explores the variety of bonds that are formed between writers and the figure of the dead lover
Zombies, ghouls, vampires, gangsters; pursuit, betrayal, death—it's a globalized manga turned literature. Dead Love is Twilight with teeth.
This is a historical novel set in seventeenth-century Hanover. It revolves around the doomed romance between Philip Christoph von Königsmarck and Sophia Dorothea of Celle, the wife of the Elector of Hanover. Sophie marries Prince George Louis of Hanover at the age of sixteen. Both parties are not happy about the union. Prince George Louis wants nothing to do with her when he later becomes King George I of Great Britain. Then Sophie finds solace in the hands of a dashing Count, Philip Konigsmark. Will the Prince now King George I of Great Britain condone this?
“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.
"Always surprises and always entertains." - Jonathan Maberry, Patient Zero "He has entered a literary shadowland between Ray Bradbury and Neil Gaiman." - Sharyn McCrumb THE DEAD LOVE LONGER Private investigator Richard Steele must solve his most difficult case ever—his own murder—while caught between women on both sides of the grave. His lover Lee is tangled up in the mess he left behind, and his dead ex-wife Diana has been waiting on the other side for her chance at revenge. In a race against time as his spirit slips away, Richard confronts his many, many failings and faces a power beyond his understanding--love. His only weapon is faith, and he's running out of bullets. It's going to be a hell of a final showdown. DRM-free. About 22,000 words, equivalent of about 110 book pages. Includes the bonus ghost story "She Climbs a Winding Stair." ------------------ keywords: ghost story, dead detective, supernatural mystery book, paranormal thriller, paranormal romance, suspense, Dean Koontz, J.R. Rain, paranormal ebook, ghost fiction, Peter Straub, Joe Lansdale, Robert McCammon, horror ebook,
She's alive but he's dead...Living Dead Lovers follows the life and times of famed psychic-medium half-Romani gypsy Valentina 'Cabbage' Moone, from her mute infancy trawling the roads of Europe to a fiery-tongued, hard-drinking, speed-loving clairvoyant with a complete disregard for human life, including her own of late...Psychic medium Cabbage brings forth more than she can chew with a womanizing dead racing-car driver, Marty 'Magma' Molloy, who doesn't want to give up the chase. Unfortunately, Cabbage has always possessed a sick fascination for deviants and perverts which she blames on her unconventional bohemian quasi-gypsy upbringing.A twisted love-affair never meant to be. Necrophilia: that's what the skeptical call it. Romantics call it the yin-yang love between being and human being, light and oh so very dark.And her guardian angel Mr. Brick Shithouse makes it even more complicated...
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Maddy Swift is just a normal high school girl—until she’s struck by lighting and reanimated as a zombie. Great. Like Barracuda Bay High wasn’t cold-blooded enough already! Navigating the perils of cliques and hot guys was bad enough. Now Maddy has to learn to survive as the undead. She quickly discovers she’s not the only one walking dead in class, and soon she’s thrown into an epic battle surrounding everyone she’s ever loved. Avoiding detection by curious Normals while fighting vengeful Zerkers and equally lethal Sentinels, Maddy discovers life as a zombie is no picnic. Turns out there’s a lot more to it than shuffling around 24/7 growling, “Brains!”
Just when everything seems to be going wrong, hope—and love—can appear in the most unexpected places. Summer has begun, the beach beckons—and Francesca Schnell is going nowhere. Four years ago, Francesca’s little brother, Simon, drowned, and Francesca’s the one who should have been watching. Now Francesca is about to turn sixteen, but guilt keeps her stuck in the past. Meanwhile, her best friend, Lisette, is moving on—most recently with the boy Francesca wants but can’t have. At loose ends, Francesca trails her father, who may be having an affair, to the local country club. There she meets four-year-old Frankie Sky, a little boy who bears an almost eerie resemblance to Simon, and Francesca begins to wonder if it’s possible Frankie could be his reincarnation. Knowing Frankie leads Francesca to places she thought she’d never dare to go—and it begins to seem possible to forgive herself, grow up, and even fall in love, whether or not she solves the riddle of Frankie Sky.
A queer poet documents depression and grief in this autobiographical novel-in-verse.