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A sparkling red shoe and a bloody handprint define a man's death. Sometimes it seems like murder and mayhem follow Jeff Resnick, challenging his psychic "sixth sense" to solve crimes. Since the vicious mugging that changed his life, he's tried to keep his unwanted gift in check. But when a bartender at his favorite watering hole is murdered, visions of a sparkling red woman's high-heeled shoe and a pair of bloody hands linger in his mind--and hit too close to home. When Jeff's older brother, Richard, last helped him with an investigation, it nearly cost him his life. Still, Richard is determined to tag along as Jeff is drawn into the seamy world of fetishes and drag queens to find a murderer before another life is taken.
Gina Santiago is a member of an elite tactical team in charge of protecting the world. She’s devoted her life to apprehending the most heinous criminals that prey on society—and now she’s after the worst one yet. On her own, with no backup, the trail takes her to a dusty, tight-knit town on the fringes of society, where everyone’s a suspect. Even the sexy sheriff, Morgan Hunter, isn’t telling her everything. Gina knows he’s trouble, but she’s inexorably drawn to him. The closer Gina comes to finding out the secret of this sleepy little town and its big bad sheriff; the closer she comes to catching the predator, the more scared she gets—because she’s beginning to realize that she has a secret too. A secret that will change Gina’s life… and make her the killer’s prey.
A New York Times Editors' Choice "[T]he stuff of great literature." —The New York Times | "Red or Dead is a winner." —The Washington Post The place where the swinging sixties started – Liverpool, England, birthplace of the Beatles – wasn’t so swinging. Amid industrial blight and a bad economy, the port town’s shipping industry was going bust and there was widespread unemployment, with no assistance from a government tightening its belt. Even the Beatles moved to London. Into these hard times walked Bill Shankly, a former Scottish coal miner who took over the city’s perpetually last-place soccer team. He had a straightforward work ethic and a favorite song – a silly pop song done by a local band, “You’ll Never Walk Alone.” Soon he would have entire stadiums singing along, tens of thousands of people all dressed in the team color red . . . as Liverpool began to win . . . And soon, too, there was something else those thousands of people would chant as one: Shank-lee, Shank-lee . . . In Red or Dead, the acclaimed writer David Peace tells the stirring story of the real-life working-class hero who lifted the spirits of an entire city in turbulent times. But Red or Dead is more than a fictional biography of a real man, and more than a thrilling novel about sports. It is an epic novel that transcends those categories, until there’s nothing left to call it but – as many of the world’s leading newspapers already have – a masterpiece.
Title and statement of responsibility from cover.
A nostalgic look at the golden years of Russiaphobia, red-baiting, and other Commie madness. Both amusing and a sobering reminder of the way we were, this book showcases America reveling in the golden age of Russiaphobia, an age in which our patriotic passions -- and naivet} -- were never stronger. But a unique kind of national fear also ran high -- in ways that now seem nearly unbelievable, but which forever altered attitudes and lives. An enlightening, startling, and often hilarious selection of the day's magazines, editorials, films, ads, paperback novels, comic books, TV shows, and even bubble gum cards, exemplifying America's xenophobia at its greatest excess.
Filled with the kinds of unexpected twists that make for the best crime fiction and with secrets that run far deeper than loyalties, Dead Red is the most thrilling mystery yet in Tim O'Mara's widely acclaimed series. New York City school teacher Raymond Donne had no idea how bad his night was going to get when he picked up the phone. Ricky Torres, his old friend from his days as a cop, needs Ray's help, and he needs it right now in the middle of the night. Ricky picks Ray up in the taxi he has been driving since returning from serving as a Marine in Iraq, but before Ricky can tell Ray what's going on the windows of the taxi explode under a hail of bullets, killing Ricky and knocking Ray unconscious as he dives to pull Ricky out of harm's way. Ray would've done anything to help Ricky out while he was alive. Now that he's dead, he'll go to the same lengths to find out who did it and why. All he has to go on is that Ricky was working with Jack Knight, another ex-cop turned PI. They were investigating the disappearance of a PR giant's daughter who had ties to the same Brooklyn streets that all three of them used to work. Is that what got Ricky killed or was he into something even more dangerous? Was there anything that Ray could've done for him while he was alive? Is there anything he can do for him now?
Bill Hughes recounts the quirky, humorous stories of his life in I'd Rather be Dead Than Red on the Head. From the intimidating rides on the Greyhound bus to visit his college-age daughter, to nearly capsizing in a canoe with his less than capable canoe mates, Hughes shows us that it is during the difficult and memorable times of our lives that we must remember that God is the one in control, no matter how hard we try to claim it ourselves.
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
Provides a detailed, harrowing account of the D-Day assault on Omaha Beach from the perspective of the soldiers of the 1st Infantry Division as well as from the Gap Assault Team engineers who dealt with mines and other dangerous obstacles.
Detective Peter Copeland wakes up on the beach one morning with a killer headache and no clue how he came to be there. Before long, he discovers that the exotic redheaded stranger he met at a party the night before is washed up on the beach, dead. What's this?Another detective mystery? But finally, here's one that departs from the mold. "Dead Red" is based on first-hand knowledge of solving mysterious deaths, thanks to author Nelson Andreu's twenty-two years in Miami's Homicide Unit. Readers who are curious about the workings behind crime investigations finally get what they want: insight on the inner workings of homicide (Extracting answers from a reluctant witness, capturing an elusive fingerprint, distilling evidence from a mutilated victim) woven within an intriguing plot. Of course, Detective Copeland uncovers the answer--but that answer is what every cop dreads.