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In this brilliant sequel to actor Luke Arnold's debut The Last Smile in Sunder City, a former soldier turned PI solves crime in a world that's lost its magic. The name's Fetch Phillips -- what do you need? Cover a Gnome with a crossbow while he does a dodgy deal? Sure. Find out who killed Lance Niles, the big-shot businessman who just arrived in town? I'll give it shot. Help an old-lady Elf track down her husband's murderer? That's right up my alley. What I don't do, because it's impossible, is search for a way to bring the goddamn magic back. Rumors got out about what happened with the Professor, so now people keep asking me to fix the world. But there's no magic in this story. Just dead friends, twisted miracles, and a secret machine made to deliver a single shot of murder. Welcome back to the streets of Sunder City, a darkly imagined world perfect for readers of Ben Aaronovitch and Jim Butcher. Praise for Dead Man in a Ditch: "Superb... With a lead who would be at home in the pages of a Raymond Chandler or James Ellory novel and a nicely twisty plot, this installment makes a strong case for Arnold's series to enjoy a long run." ―Publishers Weekly "Arnold's universe has everything, including the angst of being human. The perfect story for adult fantasy fans—a tough PI and a murder mystery wrapped around the mysticism of Hogwarts, sprinkled with faerie dust." ―Library Journal (starred review) Fetch Phillips Novels The Last Smile in Sunder City Dead Man in a Ditch One Foot in the Fade
"This is a memoir, of sorts; essays to chew on and ponder."
We've always been told "winners never quit," but TV personality and motivational speaker Josh Shipp knows it isn't true. Smart people quit the right things at the right time. But how do you know if you're in the wrong career? What is the right thing for you? And when's the best time to jump ship? Jump Ship is a step-by-step guide through one of life's most difficult—and most important—transitions. Leaving behind an unsatisfying job and embarking upon a new career can open up a world of fulfillment, but it isn't easy. As a role model and mentor to tens of thousands of young professionals, Shipp has seen the impact that a new career can have on a person's life. In Jump Ship, he offers you the time-tested tools to get there. This book will help you discover your truest priorities and provide you the resources you need to succeed, drawing inspiration from the countless people whose lives he has improved. Filled with powerful stories and practical guidance, this is a book designed to help you face down your fears—and take the plunge.
Often in personal or professional development the sole focus is how to get more of something. Mike turns this idea on its head and asks, what could we potentially get rid of to make our lives lighter, freer and more meaningful? Practical, plain-speaking, humorous and inspiring, Mike is an incredibly engaging narrator and a great role model for people of all ages. Mike Rolls was a sports-mad teenager when he contracted a deadly disease on a football trip. Overnight he was fighting for his life. When Mike regained consciousness, he had lost his right leg, half his left foot, two fingers and part of his nose, and had extensive internal injuries. His parents were told he had a five per cent chance of survival. After a painfully slow recovery and eight years of living with a leg that would never heal, Mike made the extraordinarily difficult decision to have his remaining leg amputated. More than just a triumph-over-adversity story, Mike's Ditch the Dead Weight combines personal experience with proven scientific research and a practical methodology for letting go of anything that no longer serves you.An inspirational speaker and ambassador for Interplast Australia and Limbs 4 Life, Mike works as a mentor and counsellor to young people after illness or injury. He also represents Australia as a golfer.
A darkly comic foray into the world of men and women who fake their own deaths, the consultants who help them disappear, and the private investigators who’ll stop at nothing to bring them back to life. “A delightful read for anyone tantalized by the prospect of disappearing without a trace.” —Erik Larson, New York Times bestselling author of Dead Wake “Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you’re hoping for.” —NPR “A lively romp.” —The Boston Globe “Grim fun.” —The New York Times “Brilliant topic, absorbing book.” —The Seattle Times “The most literally escapist summer read you could hope for.” —The Paris Review Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he’s not dead—or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you’ll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives—and their families—to start again.
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert. Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted (literally) by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old—the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. Gloriously funny and wonderfully serious, The Quick and the Dead limns the vagaries of love, the thirst for meaning, and the peculiar paths by which all creatures are led to their destiny. A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career. Joy Williams belongs, James Salter has written, "in the company of Céline, Flannery O'Connor, and Margaret Atwood."
In poetry that is at once accessible and finely crafted, Todd Davis maps the mysterious arc between birth and death, celebrating the beauty and pain of our varied entrances and exits, while taking his readers into the deep forests and waterways of the northeastern United States. With an acute sensibility for language unlike any other working poet, Davis captures the smallest nuances in the flowers, trees, and animals he encounters through a daily life spent in the field. Davis draws upon stories and myths from Christian, Transcendental, and Buddhist traditions to explore the intricacies of the spiritual and physical world we too often overlook. In celebrating the abundant life he finds in a ditch—replete with Queen Anne’s lace and milkweed, raspberries and blackberries, goldenrod and daisies—Davis suggests that life is consistently transformed, resurrected by what grows out of the fecundity of our dying bodies. In his fourth collection the poet, praised by The Bloomsbury Review, Arts & Letters, and many others, provides not only a taxonomy of the flora and fauna of his native Pennsylvania but also a new way of speaking about the sacred walk we make with those we love toward the ultimate mystery of death.
"Alafair Tucker deserves to stand beside Ma Joad in literature's gallery of heroic ladies." —TONY HILLERMAN, New York Times bestselling author 1916: Alafair Tucker had not wanted to come to Arizona, but because of her young daughter Blanche's lung ailment, she and her husband Shaw bundled Blanche onto the train and made the nightmare trip from Oklahoma to Alafair's sister in Tempe, Arizona, hoping the dry desert air would help their daughter. As soon as they arrive, Blanche begins to improve, and Alafair is overjoyed to see her witty, beautiful sister Elizabeth again. For added excitement, a Hollywood motion picture company is shooting their movie right in Tempe. But Alafair and Shaw soon discover that all is not well. Elizabeth's marriage is in tatters; tensions are high between the Anglo and Latino communities following Pancho Villa's murderous raid on Columbus, New Mexico; and Alafair suspects her sister is involved in an illegal operation to smuggle war refugees out of Mexico and into the U.S. And now here there's Bernie Arruda, dead on his back in a ditch. The night before he had been singing Mexican love songs at the party in Elizabeth's backyard. Can Alafair connect all the pieces and discover a murderer before it is too late?
“A touching and provocative exploration of the latest research on animal minds and animal emotions” from the renowned anthropologist and author (The Washington Post). Scientists have long cautioned against anthropomorphizing animals, arguing that it limits our ability to truly comprehend the lives of other creatures. Recently, however, things have begun to shift in the other direction, and anthropologist Barbara J. King is at the forefront of that movement, arguing strenuously that we can—and should—attend to animal emotions. With How Animals Grieve, she draws our attention to the specific case of grief, and relates story after story—from fieldsites, farms, homes, and more—of animals mourning lost companions, mates, or friends. King tells of elephants surrounding their matriarch as she weakens and dies, and, in the following days, attending to her corpse as if holding a vigil. A housecat loses her sister, from whom she’s never before been parted, and spends weeks pacing the apartment, wailing plaintively. A baboon loses her daughter to a predator and sinks into grief. In each case, King uses her anthropological training to interpret and try to explain what we see—to help us understand this animal grief properly, as something neither the same as nor wholly different from the human experience of loss. The resulting book is both daring and down-to-earth, strikingly ambitious even as it’s careful to acknowledge the limits of our understanding. Through the moving stories she chronicles and analyzes so beautifully, King brings us closer to the animals with whom we share a planet, and helps us see our own experiences, attachments, and emotions as part of a larger web of life, death, love, and loss.