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Poetry. Women's Studies. Populated by the quotidian events and things that punctuate our days (air travel, medical exams, bathrooms, phones, etc.), the poems in Niina Pollari's DEAD HORSE are anything but common. Hyperaware, the speaker in these poems "watch es] you watch me." She is mercurial, monstrous "a vampire in a grayly coughing dawn," a lover who wants to put her "thigh meat next to yours," to sit with swan's blood inside her mouth and smile but also tender in her grotesqueness: "I'm nothing / But a massive garbage mountain / Wiggling abundantly / And all I want to know is / Do you love me? / Now that I can dance." And then there it is, that word love. That is the force that ultimately animates the poems, their vulnerability & bravery: "If you say you love me / I will open my mouth and you can live in it." "These poems are so rhythmic you can almost ride them. Moving through the daily deaths of the earth, the questions of what to hold together and what to let, Niina Pollari writes from a place where emotion meets bone, exploring what it means to be a blood container. You will see your own skull." Melissa Broder "Niina Pollari's poems unfold with a phrasal clarity I didn't know I needed, and which disturbs me: 'like an animal / enjoying the warm sunshine with blood in my mouth.' Her poems deploy the vatic informality of Tytti Heikkinen or Hiromi It, indubitably of the present yet of a material insoluble to the present, a voice that issues from a Grecian urn or can of Coors. This is resolved, odd, clear-complicated stuff, lovely 'like a fakey arcade.'" Joyelle McSweeney"
William Pike, a reclusive shut in, comes into possession of a powerful key and becomes the target of an evil industrialist.
When Elijah Blanco said his last words, he didn't realize he was about to be thrown into a competition to become one of the Four Horsemen of the Apocalypse. But now the game is on, and Elijah and thousands of other dead riders soon learn there's much more to dying than any preacher could have guessed. Heaven has released a herd of unearthly ponies into the world of the living and beyond, and it's up to the dead riders to capture them if they want to save their souls from Hell. As the game heats up, Elijah and his horse Delilah find themselves joined by a futuristic woman with a computer-powered horse; an easy-going English biker in black leather; and a Roman soldier as bred for war as the horse he rides. Together they uncover a Divine conspiracy that puts the riders' immortal souls in greater danger than ever before. And when the dead start dying, Elijah begins to think the Apocalypse should be brought to Heaven instead.
Does this sound familiar? You’ve been in the same job for fifteen years, you’re on your sixth administration (but, hey, who’s counting?), and it looks like it’s going to take a stick of dynamite to get you to jump ship. You know there’s something missing from your marriage and you have a feeling what’s missing is you, but you can’t bear to rock that comfortable old boat. You’re stuck. And, as bestselling author Judith Sills would say, you know the horse is dead. Get off! We all have our comfort zones—yourcoffee bar, yourpreference for half hazelnut/half decaf very light no sugar, yourseat on the 8:24, yoursame old fight over the holidays with your parents—and, indeed, they’re what make life possible. But the time comes when your comfort zone isn’t so comfortable anymore—when it’s keeping you from having a happier, more meaningful, and fulfilling life. If the Horse Is Dead, Get Off!is for anyone whose life has temporarily run aground, whether you’re stuck in a dead-end relationship, in a soul-killing job, or when your life just seems to have become one long summer rerun. The rewards for escaping your comfort zone are enormous. And Sills—who has helped thousands with her sage advice, dispensed in her signature go-get-’em style—has come up with a brilliant, excuse-busting seven-step plan that points a clear, inspiring way out.
"Barking Up a Dead Horse" aims to: Challenge mental assumptions and build a radically honest, yet common language for engaging new prospects and existing clients. The end result being... -Finding more of the right prospects & making them clients faster. -Creating a fundamental, radical shift in the traditional buyer-seller dynamic. -Increasing retention & maximizing the human potential of your people. Tom Batchelder specializes in coaching progressive business leaders in the areas of sales excellence and life success. He has over 17 years experience in sales, management, entrepreneurship, and coaching. Working with Fortune 500(R) organizations and emerging small businesses, tom helps clients control their sales process, shorten selling cycles and effectively increase profit margins.
Traces some of the metaphors and colloquialisms commonly used in contemporary English speech to their nautical origins, documenting the history and meaning of words and phrases from A1 (the best) to wishy-washy (inconstant).
THE STORY: The play begins with a man alone in a desert landscape digging a grave. Hobart Struther's horse has just dropped dead. He stands there in the vast open desert trying to figure out what to do about his predicament. Every once in a while,
The tribal wisdom of the Dakota people which has been passed on from generation to generation, states that when you discover that you are riding a dead horse, the best strategy is to dismount. According to the Dead Horse Theory, in modern business, education, and government, it is common to use advanced strategies in an attempt to revive dead horses. This book illustrates over 60 strategies, as well as tips on how to identify a dead horse.
A thrilling tale of snow-bound crime and suspense from the bestselling author of Charlotte Pass and Crackenback. When a light plane crashes at night in the midst of the New South Wales Snowy Mountains, Sydney Homicide's Detective Sergeant Pierce Ryder and Detective Constable Mitchell Flowers are sent to investigate what immediately looks like foul play. As Ryder and Flowers investigate the crash they uncover a generations-old feud between two local families. Could the bitterness that has been carried through the years have anything to do with the death of the pilot? Meanwhile, Detective Constable Nerida Sterling is already deep undercover in the Snowies, her assignment to infiltrate a drug ring operating in the mountains and to ultimately hunt down a murderer. As her cover becomes more and more tenuous, what lengths will Sterling go to in order to get the information that she needs? 'Lee Christine is certainly making her mark in crime fiction with memorable characters involved in cracking good plots set in the stark beauty of the Snowy Mountains.' Blue Wolf Reviews on Crackenback