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From Canada's premier author of historical mysteries, Maureen Jennings, comes the haunting fourth novel in the DI Tom Tyler series. Set in Britain during the darkest days of World War II, this is a must-read for fans of Foyle's War, Jacqueline Winspear's Maisie Dobbs series, and wartime dramas. It's late 1942; the war is still raging and the upcoming Christmas season looks bleak. Detective Inspector Tom Tyler is settling into his placement in Ludlow, Shropshire, a small town jammed with people sent there by the conflict. On the outskirts is an Italian PoW camp and many PoWs work on local farms where manpower is sorely needed. Fraternizing is forbidden but, as Tyler knows only too well, the human heart has a way of crossing boundaries. Tyler's job is both to keep the peace and to enforce wartime regulations. Magistrate's court is busy. Then a troubled old man goes missing in a winter storm. The next day his body is discovered in a secret hideout supposedly known to very few. It soon becomes clear that a crime has been committed, and there is no shortage of suspects. Tyler senses that the two evacuee children who found the body are not telling the entire truth, but when he goes to question them further, he learns they have taken off from their foster home. It becomes imperative that he find them. Showcasing her characteristic masterful storytelling and deep empathy for her characters -- from the bravest and most blameless to the profoundly troubled -- Jennings has created another outstanding novel that is both a page-turning mystery and a rich, satisfying reading experience.
It's late 1942; the war is still raging and DI Tom Tyler is settling into his placement in Ludlow, Shropshire, a small town full of Italian PoWs from a nearby internment camp, brought to work the land. Fraternizing is forbidden but, as Tyler knows only too well, the human heart has a way of crossing boundaries. Then a old man is found murdered, and Tyler suspects that the two evacuee children who found the body are not telling him the whole truth...
Winner of the prestigious CWA IAN FLEMING STEEL DAGGER AWARD 2022 Longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022 'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker 'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series 'M. W. Craven is one of the best crime writers working today. Dead Ground is a cracking puzzle, beautifully written, with characters you'll be behind every step of the way. It's his best yet.' Stuart Turton 'Fantastic' Martina Cole 'Dark, sharp and compelling' Peter James 'You can taste the authenticity' Daily Mail Detective Sergeant Washington Poe is in court, fighting eviction from his beloved and isolated croft, when he is summoned to a backstreet brothel in Carlisle where a man has been beaten to death with a baseball bat. Poe is confused - he hunts serial killers and this appears to be a straightforward murder-by-pimp - but his attendance was requested personally, by the kind of people who prefer to remain in the shadows. As Poe and the socially awkward programmer Tilly Bradshaw delve deeper into the case, they are faced with seemingly unanswerable questions: despite being heavily vetted for a high-profile job, why does nothing in the victim's background check out? Why was a small ornament left at the murder scene - and why did someone on the investigation team steal it? And what is the connection to a flawlessly executed bank heist three years earlier, a heist where nothing was taken . . . Praise for Dead Ground: 'Unmissable' Sunday Express 'I've been following M.W. Craven's Poe/Tilly series from the very beginning, and it just gets better and better. Dead Ground is a fast-paced crime novel with as many twists and turns as a country lane. I can't wait for the next one.' Peter Robinson 'Dead Ground is both entertaining and engaging with great characters and storyline. I loved this first dip into the world of Tilly and Poe!' BA Paris Praise for M W Craven: 'A brutal and thrilling page turner' Natasha Harding, The Sun 'A thrilling curtain raiser for what looks set to be a great new series' Mick Herron 'One of the most engaging teams in crime fiction' Daily Mail 'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!' David Mark 'A gripping start to a much anticipated new series' Vaseem Khan 'Satisfyingly twisty and clever and the flashes of humour work well to offer the reader respite from the thrill of the read.' Michael J. Malone 'Nothing you've ever read will prepare you for the utterly unique Washington Poe' Keith Nixon 'Beware if you pick up a book by M.W. Craven. Your life will no longer belong to you. He will hold you spellbound.' Linda's Book Bag 'Craven's understanding of the criminal world is obvious in this cracking read' Woman's Weekly 'Breath-taking' Random Things Through My Letterbox '5 Stars... another fantastic literary experience and a welcome addition to the already brilliant Poe and Tilly series' Female First 'An explosive plot, slippery twists and my fave new crime-busting duo...Fantastic!' Peterborough Telegraph
In a small town in East Germany in the winter of 1988 Stasi officer Dieter Krause captured and murdered Hans Becker, a spy. Ten years later the Berlin wall has come down and Krause has managed to overcome his past, making himself indispensable to the British Military by spying on the Russians. But, when Corporal Tracy Barnes recognises him as the murderer of Becker, her lover, she knows the time has finally come for Krause to pay. But, even in the new Germany, still at war with itself, there is always somebody watching . . . For Tracy, the waiting time is finally over. But if she fails in her quest for justice, a quiet death will be her only reward.
Stolen. Missing. Dead... Forensic psychologist Paul Maguire is up against the clock to stop a merciless killer in THE DEAD GROUND, the second novel in the highly acclaimed Paula Maguire series and the gripping follow up to The Lost. Claire McGowan's thrillers are sure to enthral readers of Michael Connelly and Karin Slaughter 'Fresh and accessible without ever compromising on grit or suspense' - Erin Kelly Forensic psychologist Paula Maguire, already wrestling with the hardest decision of her life, is forced to put her own problems on hold when she's asked to help find a baby taken from a local hospital. Then the brutal, ritualistic murder of a woman found lying on a remote stone circle indicates a connection to the kidnapping and Paula knows that they will have to move fast if they are to find the person responsible. When another child is taken and a pregnant woman goes missing, Paula finds herself caught up in a deadly hunt for a killer determined to leave no trace, and discovers every decision she makes really is a matter of life and death... What readers are saying about The Dead Ground: 'Another gripping page-turner from a fabulous writer!' 'Every time you think you've got it all worked out there will be another twist to it. Definitely worth reading' 'A powerful read that touched nicely on women's rights and pro-choice in an Irish context. Cleverly done; I felt a great deal of empathy for all concerned. An excellent read'
After September 11, with New Yorkers reeling from the World Trade Center attack, Chief Medical Examiner Charles Hirsch proclaimed that his staff would do more than confirm the identity of the individuals who were killed. They would attempt to identify and return to families every human body part recovered from the site that was larger than a thumbnail. As Jay D. Aronson shows, delivering on that promise proved to be a monumentally difficult task. Only 293 bodies were found intact. The rest would be painstakingly collected in 21,900 bits and pieces scattered throughout the skyscrapers’ debris. This massive effort—the most costly forensic investigation in U.S. history—was intended to provide families conclusive knowledge about the deaths of loved ones. But it was also undertaken to demonstrate that Americans were dramatically different from the terrorists who so callously disregarded the value of human life. Bringing a new perspective to the worst terrorist attack in U.S. history, Who Owns the Dead? tells the story of the recovery, identification, and memorialization of the 2,753 people killed in Manhattan on 9/11. For a host of cultural and political reasons that Aronson unpacks, this process has generated endless debate, from contestation of the commercial redevelopment of the site to lingering controversies over the storage of unclaimed remains at the National 9/11 Memorial and Museum. The memory of the victims has also been used to justify military activities in the Middle East that have led to the deaths of an untold number of innocent civilians.
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert. Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted (literally) by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old—the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. Gloriously funny and wonderfully serious, The Quick and the Dead limns the vagaries of love, the thirst for meaning, and the peculiar paths by which all creatures are led to their destiny. A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career. Joy Williams belongs, James Salter has written, "in the company of Céline, Flannery O'Connor, and Margaret Atwood."
When the body of a radical environmentalist is discovered in a golf course sandtrap, J. W. Jackson finds himself named a prime suspect and sets about identifying the killer from among a horde of developers, golfers, and other potential culprits.
Evangeline Stone, a rogue bounty hunter, never asked for a world divided between darkness and light . . . . . . or the power to die and live again in someone else’s borrowed body. After a murder plot meant to take her out leaves an entire race of shapeshifters nearly extinct, Evy is gnawed by guilt. So when one of the few survivors of the slaughter enlists her aid, she feels duty-bound to help—even though protecting a frail, pregnant shifter is the last thing Evy needs, especially with the world going to hell around her. Amid weres, Halfies, gremlins, vamps—and increasingly outgunned humans—a war for supremacy is brewing. With shifters demanding justice, her superiors desperate to control her, and an assassin on her trail, Evy discovers a horrifying conspiracy. And she may be the only person in the world who can stop it—unless, of course, her own side gets her first.
A powerful doomsday weapon originally designed by the Soviets falls into the hands of nationalist fanatic General Likatchev, who threatens to unleash a global holocaust in order to topple the current Russian regime.