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Angelito Diaz is afraid of walking among the Living on the Day of the Dead, especially with his older sister, Estrellita, teasing him, but once in the Land of the Living, he quickly makes a new friend.
A fresh, funny take on the Day of the Dead that's packed with kid appeal! Every skeleton in the Land of the Dead is excited to celebrate el Día de los Muertos with the Living. But not Angelito. His big sister has told him all about their horrifying bulgy eyes and squishy skin. So when Angelito is separated from his family in the Land of the Living, he's petrified—until he makes a new friend who is just as terrified of THEM as Angelito is. Then his new buddy turns out to be (gulp!) a living boy! Angelito runs as fast as his bony feet can carry him. Fortunately the traditions of the Day of the Dead reunite the two boys, just in time for some holiday fun. Full of wild, Tim Burton-esque art, this clever tale is sure to become un libro favorito for the Day of the Dead, Halloween season, and beyond. “A colorful story about facing fears and accepting differences . . . lush and vibrantly hued . . . The ending satisfies, and the story as a whole addresses many issues pertinent to primary- grade children.”—School Library Journal
PURA BELPRÉ HONOR BOOK ALA NOTABLE BOOK “An important, must-have addition to the growing body of literature with immigrant themes.” —School Library Journal (starred review) Twelve-year-old Jaime makes the treacherous and life-changing journey from his home in Guatemala to live with his older brother in the United States in this “powerful and timely” (Booklist, starred review) middle grade novel. Jaime is sitting on his bed drawing when he hears a scream. Instantly, he knows: Miguel, his cousin and best friend, is dead. Everyone in Jaime’s small town in Guatemala knows someone who has been killed by the Alphas, a powerful gang that’s known for violence and drug trafficking. Anyone who refuses to work for them is hurt or killed—like Miguel. With Miguel gone, Jaime fears that he is next. There’s only one choice: accompanied by his cousin Ángela, Jaime must flee his home to live with his older brother in New Mexico. Inspired by true events, The Only Road is an individual story of a boy who feels that leaving his home and risking everything is his only chance for a better life. The story is “told with heartbreaking honesty,” Booklist raved, and “will bring readers face to face with the harsh realities immigrants go through in the hope of finding a better, safer life, and it will likely cause them to reflect on what it means to be human.”
"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.
The 2022 Edgar Award Winner for Best Juvenline Mystery! What if you had no name, no past, and no home? Ivette. Joanna. And now: Katrina Whatever her name is, it won’t last long. Katrina doesn’t know any of the details about her past, but she does know that she and her parents are part of the Witness Protection Program. Whenever her parents say they have to move on and start over, she takes on a new identity. A new name, a new hair color, a new story. Until their location leaks and her parents disappear. Forced to embark on a dangerous rescue mission, Katrina and her new friend Parker set out to save her parents—and find out the truth about her secret past and the people that want her family dead. But every new discovery reveals that Katrina’s entire life has been built around secrets covered up with lies and that her parents were actually the ones keeping the biggest secret of all. Katrina must now decide if learning the whole truth is worth the price of losing everything she has ever believed about herself and her family.
Get ready for a colorfully entertaining Day of the Dead celebration! Graveyard skeletons shake, rattle, and roll as a Mexican family marks the annual Day of the Dead holiday. At dusk on the holiday known as Day of the Dead, a Mexican family has set out fiesta offerings in the graveyard in hopes that departed loved ones may return to visit. The playful skeletons rise from their graves to celebrate with gusto. All night long, they sing, dance, dine, tell stories, and play games. As morning approaches, they give thanks to the stars for their night of fun, tidy up after themselves, and leave no trace of their "clatter bash" behind as they return to their coffins until next year's Day of the Dead. Author-illustrator Richard Keep's rollicking rhyme―sprinkled with Spanish words―captures the bone-rattling sounds and fun of the evening. An illustrated afterword gives information about the customs associated with el Día de los Muertos, a Mexican celebration of honoring relatives who have passed on.
Presents a collection of stories that explores the heartbreak and radiance of love as it is shaped by passion, betrayal, and the echoes of intimacy.
Three starred reviews! “Harrowing but deeply illuminating.” —School Library Journal A young boy gets detained by ICE while crossing the border from Mexico to the United States in this timely and unflinching novel by award-winning author Alexandra Diaz. The bed creaks under Santiago’s shivering body. They say a person’s life flashes by before dying. But it’s not his whole life. Just the events that led to this. The important ones, and the ones Santiago would rather forget. The coins in Santiago’s hand are meant for the bus fare back to his abusive abuela’s house. Except he refuses to return; he won’t be missed. His future is uncertain until he meets the kind, maternal María Dolores and her young daughter, Alegría, who help Santiago decide what comes next: He will accompany them to el otro lado, the United States of America. They embark with little, just backpacks with water and a bit of food. To travel together will require trust from all parties, and Santiago is used to going it alone. None of the three travelers realizes that the journey through Mexico to the border is just the beginning of their story.
When the monarch butterflies return to the Mexican countryside where Lupita lives, she knows Da de Muertos, the Day of the Dead, is near. Lupita's uncle reminds her that she should never capture or hurt a monarch because they are believed to be the souls of the departed. Full color.
A trans boy determined to prove his gender to his traditional Latinx family summons a ghost who refuses to leave in Aiden Thomas's New York Times-bestselling paranormal YA debut Cemetery Boys, described by Entertainment Weekly as "groundbreaking." Yadriel has summoned a ghost, and now he can't get rid of him. When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave. Praise for Cemetery Boys: Longlisted for the National Book Award "The novel perfectly balances the vibrant, energetic Latinx culture while delving into heavy topics like LGBTQ+ acceptance, deportation, colonization, and racism within authoritative establishments." —TeenVogue.com "This stunning debut novel from Thomas is detailed, heart-rending, and immensely romantic. I was bawling by the end of it, but not from sadness: I just felt so incredibly happy that this queer Latinx adventure will get to be read by other kids. Cemetery Boys is necessary: for trans kids, for queer kids, for those in the Latinx community who need to see themselves on the page. Don’t miss this book." —Mark Oshiro, author of Anger is a Gift