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The dead are rising -- but they aren't your garden-variety zombies. Dr. John Requin becomes the center of a cultural zeitgeist, the unwilling eye of a social hurricane in a book that redefines the undead in a bizarre cocktail of black humor, political satire, and family drama.
The book tells the story of two different men. One story involves Rick Stanton, an air traffic controller who also works part time as a flight instructor and charter pilot. When Ricks best friend is killed in an airline training accident, he is outraged when the NTSB rules the crash a result of, pilot error. He sets out to prove the NTSB wrong and encounters opposition at every turn. Not only is he driven to find the truth, but he must also battle the demons from within. The second story is told first person, is a story about a man who works in the Department of Defense as a, not your typical spy. He frequently finds himself in over his head dodging death and bullets. These two men share a past. Although they each lead separate lives, they are both searching for the same things: happiness and meaning. Events outside their control will bringthe two together. In a strange twist of fate, while they each pursue a vendetta, they find they have quite a bit in common. Not the least of which is; they are both looking for the same person.
When a middle-aged alcoholic is found brutally battered to death on a roadside in West London, the case is assigned to a nameless detective sergeant, a tough-talking cynic and fearless loner from the Department of Unexplained Deaths at the Factory police station. Working from cassette tapes left behind in the dead man's property, our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn't expect is that digging for the truth will demand plenty of lying, and that the most terrible of villains will also prove to be the most attractive. In the first of six police procedurals that comprise the Factory series, Derek Raymond spins a riveting, and vividly human crime drama. Relentlessly pursuing justice for the dispossessed, his detective narrator treads where few others dare: in the darkest corners of London, a city of sin plagued by unemployment, racism and vice, and peopled by a cast of low-lifes, all utterly convincing and brought to life by Raymond's pitch-perfect dialogue.
Dennis Glenn was a shy, socially awkward teenager when he met Elise Pinera, the daughter of a funeral home owner. His family struggled in life. Her family was well-healed. They came from different social classes. Still, they fell in love with each other. Her family tried to keep them apart, but their love was too strong. They married despite her family’s wishes. With time, her family came to terms with their marriage. They even paid for Dennis to attend mortuary school. When he graduated, Anthony Pinera offered him a job in the family crematorium. The crematorium only operated between 11pm and 7am. The hours suited Dennis well. He didn’t especially like being around people. He was a loner. The graveyard shift provided him solitude, quiet and the opportunity to work alone. He enjoyed his time in the crematorium. That was until bodies began piling up in the refrigeration room. There was something unusual about those bodies. Their eyes were open. They would not close. They looked up at him every night. He believed that they were trying to tell him something. Sometimes, he thought that he heard their screams as he dropped the corpses into the cremation furnace. A series of tragedies struck the Pinera family. First, Gloria Booker, the ex-stepmother of Elise, died in a car accident. Then, Elise’s parents were killed in a gas explosion at their house. All three of the bodies were cremated by Dennis. But, that was just the beginning of a series of events that made Dennis realize that something evil was happening in the Pinera Family Funeral Home. His questions resulted in threats. The threats materialized into action. Dennis had no way out. He couldn’t go to the police. They owned the police. He was driving down a dead-end road that could only end in death. His family was in danger. In one final attempt to save himself and his family, Dennis searched for the evidence that would bring down the funeral home owners. His efforts that night resulted in a fire at the funeral home that killed five people. It also resulted in several murders at the crematorium. But did any of this really happen?
When Tess Callahan, new owner of Dead End Pawn, meets her grandmother the banshee, life is about to get complicated. When Tess’s partner Jack Shepherd, tiger shapeshifter and P.I., gets involved to help them investigate a banshee-kidnapping spree, life is about to get deadly. Because nothing is ever simple in Dead End, Florida, and sometimes it takes a tiger’s eye to see the truth. Warning: This book contains magic, shapeshifters, humor, banshees, magical ballerinas, deputies,, a taxidermied alligator, smugglers, goats, thugs, assassins, witches, gunshots, bad singing, terrible parking, the FBI, swamp commandos, tigers, special agents, flirting, belly laughs, comedy, and a pawn shop. From Private Eye: The tiny bell over the door jingled and Jack walked in, carrying a bakery bag that normally would have had me drooling in anticipation of hot, sugary goodness. But right then I wasn’t in the mood. “Jack, this isn’t a good time. I have a problem I need to deal with.” His eyes narrowed, and he gave Leona an unfriendly look, which made her take a quick step back. Nobody can give unfriendly looks like a tiger. “Do I need to kill somebody for you?” I smiled in spite of the situation, because he was totally serious. It’s nice to know that somebody’s got your back. Especially when that somebody is an unbelievably hot, six-foot, four-inch, bronze-haired, green-eyed hunk of deadly shapeshifter. Real Reviews from Real Readers warn you to beware: No reader I know will be able to resist this follow-up featuring the new owner of Dead End Pawn and her grandmother the banshee. When Dead End is hit with a banshee kidnapping spree, Tess’ partner Jack gets his first case as a P.I. How fabulously offbeat!" -- Kathy Altman for USA Today, on PRIVATE EYE 5 STARS: I laughed so hard I almost peed a little. 5 STARS: I fell out of bed laughing... 5 STARS: Fans of Charlaine Harris and Janet Evanovich will enjoy Dead Eye. Alyssa Day has done it again! She's written a story that's so much fun to read that you don't want to put it down Other Books by Alyssa: POSEIDON’S WARRIORS SERIES: Halloween in Atlantis Christmas in Atlantis January in Atlantis February in Atlantis March in Atlantis April in Atlantis May in Atlantis June in Atlantis July in Atlantis August in Atlantis September in Atlantis October in Atlantis November in Atlantis December in Atlantis THE TIGER’S EYE MYSTERY SERIES: Dead Eye Private Eye Travelling Eye (a short story) Evil Eye THE CARDINAL WITCHES SERIES: : Alejandro’s Sorceress (a novella) William’s Witch (a short story) Damon’s Enchantress (a novella) Jake’s Djinn (a short story in the Second Chances anthology, later to be available as a stand-alone) THE WARRIORS OF POSEIDON SERIES: Atlantis Rising Wild Hearts in Atlantis (a novella; originally in the WILD THING anthology) Atlantis Awakening Shifter’s Lady (a novella; originally in the SHIFTER anthology) Atlantis Unleashed Atlantis Unmasked Atlantis Redeemed Atlantis Betrayed Vampire in Atlantis Heart of Atlantis Alejandro’s Sorceress (a related novella; begins the Cardinal Witches spinoff series) THE LEAGUE OF THE BLACK SWAN SERIES: The Cursed The Curse of the Black Swan (a novella; coming later as standalone, originally in the ENTHRALLED anthology) The Treasured (coming as a free gift to newsletter subscribers) SHORT STORY COLLECTION: Random Second Chances NONFICTION: Email to the Front
Arthur Kneely, also known as Deadeyes, is a brain damaged former boxer, collegiate wrestler and debt collector in his early forties who lives in the town of River Ridge, New Jersey in 1973. He survives on disability, money he makes from bareknuckle fights, and a stipend from the local Catholic diocese. Because of his head injury, and the lack of control it has left him with, Arthur has killed several men. He is protected though by the local mob and police mainly because he has relatives in both organizations. Arthur lives on one side of a house that he shares with a mentally ill cannibalistic former nun named Marie. His Uncle Kevin is a New York City police captain, and he enlists Arthur's aid in solving the brutal murder of one of Arthur's associates from years ago. Although Arthur's injury has left him with a speech impediment and cognitive difficulties, his intuition proves invaluable in locating the murderer. When the two meet, all Hell breaks loose.
Thirty long and grueling years have passed since humanity started rebuilding the world after the outbreak of an unknown virus that reanimates the dead into unintelligent cannibalistic creatures. During the thirty-year time frame, mankind has bounced back from the brink of extinction and started reforming the world in their image. The undead, known as betas, were still a common occurrence but were far less prevalent than before. This outcome was all thanks to the synthesis of a cure to stop further infections that was freely administered to the populace. Many thought this would finally be the start of things returning to how they were before the beta apocalypse. Many were incorrect. The multitude of societies and power centers that arose wanted to retain and grow their own power, and very few worked together. Now is an age where these pseudo-nations either make their own way and rise to greatness or perish in the new world. In the city-state of New Bethlehem lives Jayden Thrattis, a twenty-two-year-old male who, along with his friends, lives his life as best as he can until, one day, war finds its way to the walls of their settlement. Now Jayden must help defend his home from all enemies, whether they be humans from an imperialistic kingdom or from himself and the person he chooses to become as he juggles self-sacrifice and his own self-worth.
“Raw kinetic energy and blistering pace . . . a thriller for the new millennium.”—James Rollins, author of Map of Bones and The Judas Strain For decades, Echelon forced peace on the world. Freedom was a sham: Echelon wielded total, if secret, control. In the end, two bioengineered Echelon agents, Ryan Laing and Sarah Peters, brought the conspiracy down. But there is no happily ever after for the liberators, or for humanity. With Echelon’s fall, a power vacuum is opened—and all hell breaks loose. Now an outsider in the world he created, Ryan retreats into the wastelands of Antarctica and a life of isolation. But when Sarah is blamed for a series of terrorist attacks, Ryan must return to a world he wanted to forget. Could Sarah be responsible for these atrocities, or is she a pawn in a much larger game? The answer lies with EMPYRE, a shadow organization at the center of the chaos gripping the globe. Ryan’ s only hope is to uncover EMPYRE’s devastating secrets. The battle will drive Ryan and Sarah to the dark corners of the earth, to a floating, guarded city where the ultimate evil—and the ultimate plot against humanity—await. Praise for Empyre “Empyre is edgy, entertaining, and frightening. We can only hope the scary technology Conviser proposes is the purest fiction!” —Kevin J. Anderson, co-author of Hunters of Dune “Josh Conviser’s near future is fascinating to imagine—and terrifying, because we might just be heading for it.”—John Scalzi, author of The Ghost Brigades
A queer poet documents depression and grief in this autobiographical novel-in-verse.
"If the dying body makes us flinch and look away, struggling not to see what we have seen, the lost body disappears from cultural view, buried along with the sensory traces of its corporeal presence."—from the Introduction American popular culture conducts a passionate love affair with the healthy, fit, preferably beautiful body, and in recent years theories of embodiment have assumed importance in various scholarly disciplines. But what of the dying or dead body? Why do we avert our gaze, speak of it only as absence? This thoughtful and beautifully written book—illustrated with photographs by Shellburne Thurber and other remarkable images—finds a place for the dying and lost body in the material, intellectual, and imaginary spaces of contemporary American culture. Laura E. Tanner focuses her keen attention on photographs of AIDS patients and abandoned living spaces; newspaper accounts of September 11; literary works by Don DeLillo, Donald Hall, Sharon Olds, Marilynne Robinson, and others; and material objects, including the AIDS Quilt. She analyzes the way in which these representations of the body reflect current cultural assumptions, revealing how Americans read, imagine, and view the dynamics of illness and loss. The disavowal of bodily dimensions of death and grief, she asserts, deepens rather than mitigates the isolation of the dying and the bereaved. Lost Bodies will speak to anyone imperiled by the threat of loss.