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The latest book in the phenomenal series with more than 19 million copies in print. Natalie and her friends share a terrible secret: they were all in the car that foggy night--the night someone died at the dead end. Now someone is trying to make sure that nobody ever learns this terrible secret--and will kill to keep it quiet.
Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.
Dru and Gina are young, in love, and can’t wait to get out of Marshall, Nebraska, a town where bloodline means everything and whoever has the money makes the rules. But all their dreams are shattered when Gina has a monstrous run-in with the son of the richest man in Marshall—an incident that leaves her broken, battered, and violated. Driven by rage, Dru and Gina take matters into their own hands, and quickly find themselves in over their heads. Without any other options, Dru and Gina are on the run. But there’s more chasing them than they think, and love might not be enough to save them.
The realities of the high-tech global economy for women and families in the United States. The idea that technology will pave the road to prosperity has been promoted through both boom and bust. Today we are told that universal broadband access, high-tech jobs, and cutting-edge science will pull us out of our current economic downturn and move us toward social and economic equality. In Digital Dead End, Virginia Eubanks argues that to believe this is to engage in a kind of magical thinking: a technological utopia will come about simply because we want it to. This vision of the miraculous power of high-tech development is driven by flawed assumptions about race, class, and gender. The realities of the information age are more complicated, particularly for poor and working-class women and families. For them, information technology can be both a tool of liberation and a means of oppression. But despite the inequities of the high-tech global economy, optimism and innovation flourished when Eubanks worked with a community of resourceful women living at her local YWCA. Eubanks describes a new approach to creating a broadly inclusive and empowering “technology for people,” popular technology, which entails shifting the focus from teaching technical skill to nurturing critical technological citizenship, building resources for learning, and fostering social movement. Important Notice: The digital edition of this book is missing some of the images found in the physical edition.
'Fresh, original, authentic and gritty' Lee Child A gritty crime thriller set in Newcastle about a veteran suffering from PTSD who turns sleuth in the face of local villainy. A group of vigilantes are carrying out a campaign of harassment against the homeless, hounding them both verbally and physically to get them off the streets. Jimmy Mullen is approached by his friend Gadge, who wants to confront the people behind it but Jimmy has finally got his life back on track. He's working at a hostel for 18 to 25-year-olds and he's reluctant to get involved in anything dodgy. Gadge decides to go it alone but is attacked by two of the vigilantes. The police find him unconscious in an alley, covered in blood. Problem is, there's a dead body in the alley too and it's his blood that Gadge is covered in. He's also got the murder weapon in his hand. Convinced that Gadge has been set up, and feeling guilty that he didn't back him up in the first place, Jimmy returns to the streets to try and find out who's behind his friend's difficulties. Unfortunately, he's about to discover that Gadge has a lot of enemies to choose from. ******************************** Praise for Dead End Street 'A brilliant character' Harriet Tyce 'An unforgettable ride, filled with twists that will make your head spin' Sun 'Just try it, you won't be disappointed' 5* Reader Review 'Fast-paced and intense' Patricia Gibney 'Authentic . . . raw and riveting' Sunday Independent 'I highly recommend it' 5* Reader Review 'A fantastic story' Nikki Smith
Colby Buzzell has always been a loner. An autodidact who never went to college, he was dubbed “the voice of a generation” by Robert Kurson for his daring and critically acclaimed book, My War: Killing Time in Iraq. Half a decade later, overwhelmed by the birth of his son and the death of his mother, Buzzell finds himself rudderless. Desperate to escape the constraints of his postwar existence, he packs his things, gets in the car, and, for five months, drives across America—no map, no destination. In his 1965 Mercury Comet, Buzzell travels through the bowels of a country steeped in economic turmoil and political malaise. With a bottle of whisky in one hand and a pack of cigarettes in the other, he takes us on a tour of big-box stores, grimy gas stations, abandoned warehouses, strip clubs, and flophouses. He captures the distinct voices and vivid stories of a forgotten America—Cheyenne, Omaha, Salt Lake City, Des Moines, Detroit, and San Francisco’s Tenderloin. Buzzell unearths America’s bones in all their beauty and starkness. And like the veterans of Hemingway’s Lost Generation, he struggles to reconcile his wanderlust with his responsibilities as a man and a father. Lost in America is a stunning account of the ravages of war on one individual. It also reveals deep truths about a more universal journey: the struggle to find our place in the world—without a map.
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity
Late one night, two brothers learn that their sister has died in the worst way imaginable. She's found strangled, hundreds of miles from home. Ruben is the smarter of the two, with a gift for getting into other people's hearts. Cole doesn't care if he lives or dies. Together they set out to find their own answers and retrace Rachel's final journey.
Debunking the current model of international aid promoted by both Hollywood celebrities and policy makers, Moyo offers a bold new road map for financing development of the world's poorest countries.
Self-pity is best defined as the preoccupation with yourself because your hopes, desires, or expectations have not been realized. It is unproductive and destructive to all relationships. Perhaps you know self-pity firsthand. Your circumstances seem overwhelming. Negative thoughts consume your thinking. Feeling sorry for yourself has become a way of life. While you used to battle temptation, lately you can't find the energy to try. You compare yourself to others and come up short. No matter where you start, all roads seem to lead to self-pity's dead-end. This booklet was written with you in mind. It is intended to get you off a road that leads nowhere and to put you back on the road God wants for you. Three simple truths will serve as your signposts: think like God thinks, do what Jesus did, and follow where the Spirit leads.