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Establishing and maintaining a meaningful, satisfying, and enduring intimate relationship can be elusive for many people. Time and again, they are drawn to lovers with whom the relationship is futile, ending with hurt feelings and regrets. In this work, Nina Brown shares her longtime experience as a professional counselor to help those who ask: Why do I keep picking unsuitable lovers? Brown calls them dead-end lovers, and in this work she shows us, not only how to spot them early and avoid them, but also what it is—what psychological needs we have —that attracts us to them. Guided by decades of counseling those with relationship problems, Brown includes 17 clear signals of unsuitability, and tells us how to spot the five types of unsuitable lovers: Hurting and Needy, Risk-Taking and Rebellious, Charming and Manipulative, Self-absorbed, or Exotic and Different. To help us understand why we are drawn to them, she explains the personal psychological lures and attractions we may have—from Being a Saver, to Searching for Excitement, Craving Attention and Admiration, Finding a Mirror, and Rebellion against Convention. She also explains why entering into a relationship expecting to change another person is most often just an exercise in futility. Perhaps most important, Brown details how we can move ahead and find true intimacy by pinpointing the components of a satisfying and meaningful intimate relationship, increasing interpersonal effectiveness, strengthening our psychological boundaries, resisting lures, managing emotions, and becoming aware of potential personal romantic illusions.
Explores the variety of bonds that are formed between writers and the figure of the dead lover
Star signs and one minute towards a dead-end relationship, attempts to address all the signals that usually tell us that a relationship will not be successful any time we meet a potential lover. This will help us know when to apply the breaks. He or she who acquires this book will be in the position to embrace some of the notable signs which will expose possible love rats,wrong partners, wrong marriages, a treasure hunter, gold diggers or people who are out there to settle some scores towards the opposite sex due to a number of failed relationships. The relationship game is a cut and throat business which must be taken seriously. Ignorance of some of the signs uncovered by the author can possibly lead us towards a lot f failed relationships which will subsequently affect our future happiness. The obvious consequences of failed relationships are heart breaks, nervous break down, difficulty to love again, hatred of the opposite sex, loneliness , suicidal tendency and so on. Wouldn't it make more sense for us to trade carefully in this relationship game and avoid making the same mistake all over again. The signs of a possible dead-end or unhealthy relationship tend to manifest during the initial meetings with possible lovers, however these signs are usually overlooked. We must task our self during our initial encounters with potential lovers to avoid falling in love with the wrong person. The probability of a relationship failing when we meet a potential lover is a lot higher than the relationship becoming successful and this means that we must trade cautiously to avoid being the victim. Some of the signs uncovered by the author will be of immense benefit in helping some of the readers in making the right decision, particularly ensuring that the probability of success will be a lot higher than failure.
#ReadWithJenna Book Club Pick as Featured on Today Emma Roberts Belletrist Book Club Pick A New York Times Book Review’s Group Text Selection "I loved this book not just from the first chapter or the first page but from the first paragraph... The voice is just so honest and riveting and insightful about creativity and life." —Curtis Sittenfeld An extraordinary new novel of art, love, and ambition from Lily King, the New York Times bestselling author of Euphoria Following the breakout success of her critically acclaimed and award-winning novel Euphoria, Lily King returns with another instant New York Times bestseller: an unforgettable portrait of an artist as a young woman. Blindsided by her mother’s sudden death, and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she’s been writing for six years. At thirty-one, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life. When she falls for two very different men at the same time, her world fractures even more. Casey’s fight to fulfill her creative ambitions and balance the conflicting demands of art and life is challenged in ways that push her to the brink. Writers & Lovers follows Casey—a smart and achingly vulnerable protagonist—in the last days of a long youth, a time when every element of her life comes to a crisis. Written with King’s trademark humor, heart, and intelligence, Writers & Lovers is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another.
“One of my favorite authors.”—Colleen Hoover An insightful, delightful, instant #1 New York Times bestseller from the author of Beach Read and People We Meet on Vacation. Named a Most Anticipated Book of 2022 by Oprah Daily ∙ Today ∙ Parade ∙ Marie Claire ∙ Bustle ∙ PopSugar ∙ Katie Couric Media ∙ Book Bub ∙ SheReads ∙ Medium ∙ The Washington Post ∙ and more! One summer. Two rivals. A plot twist they didn't see coming... Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
The present book provides a detailed criticism of experientialist semantics, focusing both on philosophical issues connected with experientialism and on cognitive approaches to metaphor and metonymy. Particular emphasis is placed on the works of George Lakoff and Mark Johnson, but other cognitivists are also taken into consideration. Verena Haser proposes a new approach to the distinction between metaphor and metonymy, which contrasts with familiar cognitivist models, but also builds on some insights gained in cognitivist research. She also offers an account of metaphorical transfer which dispenses with the notion of conceptual metaphors in the sense of Lakoff and Johnson. She argues that conceptual metaphors are not a useful construct for explaining metaphorical transfer, and that the clustering of metaphorical expressions is better accounted for in terms of family resemblances between metaphorical expressions. Another major goal of this work is a reassessment of the relationship between experientialism and traditional Western philosophy (often subsumed under the vague term "objectivism"). This book contrasts with most other critical approaches to experientialism by providing close readings of key passages from the works of Lakoff and Johnson, which enables the author to pinpoint theory-internal inconsistencies and other shortcomings not noted in previous publications. This book will be relevant to students and scholars interested in semantics and cognitive linguistics, and also in psychology and philosophy of language.
How Not to Stay Single After 40 is a step-by-step program full of helpful hints, explicit goal-setting instructions, eye-opening anecdotes, and motivational thoughts specifically geared toward women over forty who want to find lasting love. As relationship expert Nita Tucker explains, "Women over forty think that dating is a very different experience--well, it is! What most women don't realize is that having a relationship at this point in their lives can be richer, happier, and more fulfilling." This results-oriented book teaches you that wanting a relationship is nothing to be ashamed of, that staying in a dead-end relationship will keep you from finding a thriving one, that there are simple and effective ways to increase the odds of meeting the right kind of people, and that you're a good catch and shouldn't hide it. How Not to Stay Single After 40 presents a unique plan of action for finding that elusive, emotionally fulfilling relationship. It shows you how to stop waiting and how to start making the connection happen. Unlike other relationship books, this one is about changing what you're doing, not about changing you. From the Trade Paperback edition.
“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.
Her body is broken. Wrapped in plastic. Dumped on the side of the road. She is the first. There will be more. The serial killer thriller that "refuses to let go until you've read the last sentence." The most recent body was discovered in the grease dumpster behind a Burger King. Dismembered. Shoved into two garbage bags and lowered into the murky oil. Now rookie agent Violet Darger gets the most important assignment of her career. She travels to the Midwest to face a killer unlike anything she's seen. Aggressive. Territorial. Deranged and driven. Another mutilated corpse was found next to a roller rink. A third in the gutter in a residential neighborhood. These bold displays of violence shock the rural community and rattle local law enforcement. Who could carry out such brutality? And why? Unfortunately for Agent Darger, there's little physical evidence to work with, and the only witnesses prove to be unreliable. The case seems hopeless. If she fails, more will die. He will kill again and again. The victims harbor dark secrets. The clues twist and writhe and refuse to keep still. And the killer watches the investigation on the nightly news, gleeful to relive the violence, knowing that he can't be stopped.
An exuberant, expansive cataloging of the intimate physical relationship between a reader and a book A way to leave a trace of us, who we were or wanted to be, what we read and could imagine, what we did and what we left for you. Readers of physical books leave traces: marginalia, slips of paper, fingerprints, highlighting, inscriptions. All books have histories, and libraries are not just collections of books and databases but a medium of long-distance communication with other writers and readers. Letter to a Future Lover collects several dozen brief pieces written in response to library ephemera—with "library" defined broadly, ranging from university institutions to friends' shelves, from a seed library to a KGB prison library—and addressed to readers past, present, and future. Through these witty, idiosyncratic essays, Ander Monson reflects on the human need to catalog, preserve, and annotate; the private and public pleasures of reading; the nature of libraries; and how the self can be formed through reading and writing.