Download Free Dead Doubles Book in PDF and EPUB Free Download. You can read online Dead Doubles and write the review.

The third novel starring Montana's fly fisherman-cum-detective Sean Stranahan, for fans of C. J. Box and Craig Johnson Wolves howl as a riderless horse returns at sunset to the Culpepper Dude Ranch in the Madison Valley. The missing woman, Nanika Martinelli, is better known as the Fly Fishing Venus, a red-haired river guide who lures clients the way dry flies draw trout. As Sheriff Martha Ettinger follows hoof tracks in the snow, she finds one of the men who has fallen under the temptress’s spell impaled on the antler tine of a giant bull elk, a kill that’s been claimed by a wolf pack. An accident? If not, is the killer human or animal? With painter, fly fisherman, and sometimes private detective Sean Stranahan’s help, Ettinger will follow clues that point to an animal rights group called the Clan of the Three-Clawed Wolf and to their svengali master, whose eyes blaze with pagan fire. In their most dangerous adventure yet, Stranahan and Ettinger find themselves in the crossfire of wolf lovers, wolf haters, and a sister bent on revenge, and on the trail of an alpha male gone terribly wrong.
One hundred years ago, in July 1916, an act of terrorism in New York Harbor changed the world. The attack in New York Harbor was so explosive that people as far away as Maryland felt the ground shake. Windows were blown out uptown at the New York Public Library; the main building at Ellis Island was nearly destroyed; Statue of Liberty was torn into by shrapnel from the explosion, which would have measured 5.5 on the Richter scale. Chaos overtook Manhattan as the midnight sky turned to fire, lit up with exploding ammunition. The year was 1916. And it had been shockingly easy. While war raged in Europe, Americans watched from afar, unthreatened by the danger overseas. Yet the United States was riddled with networks of German spies hiding in plain sight. The attack on New York Harbor was only one part of their plans: secret anthrax facilities were located just ten miles from the White House; bombs were planted on ships, hidden in buildings, and mailed to the country's civic and business leaders; and an underground syndicate helped potential terrorists obtain fake IDs, housing, and money. President Woodrow Wilson knew an attack of this magnitude was possible, and yet nothing was done to stop it. Americans, feeling buffered by miles of ocean and burgeoning prosperity, had ignored the mounting threat. That all changed on a warm summer evening in late July, when the island in New York Harbor called Black Tom exploded, setting alight a vast store of munitions destined for the front. Three American lawyers -- John McCloy, Amos Peaslee, and Harold Martin -- made it their mission to solve the Black Tom mystery. Their hunt for justice would take them undercover to Europe, deep into the shadowy world of secret agents and double-crosses, through the halls of Washington and the capitals of Europe. It would challenge their beliefs in right and wrong. And they would discover a sinister plot so vast it could hardly have been imagined -- a conspiracy that stretched from downtown Manhattan to the very heart of Berlin. The Detonators is the first full accounting of a crime and a cover-up that resonate strongly in a post-9/11 America. And much of the atmosphere and rhetoric in play 100 years ago remains eerily similar to discussions surrounding national security and immigration today. As Millman deftly illustrates in The Detonators, an island may have disappeared, but the resulting lessons have only grown stronger and more urgent, and history has a persistent way of stirring up its ghosts. This is their story. "A gripping account of conspiracy." -- New York Times "A ready-made suspense thriller." -- Boston Globe "Exhaustively researched... fascinating." -- Entertainment Weekly, 50 Hot Summer Books
The astonishing but true story of one of the most notorious spy cases from the Cold War—and the international manhunt that seized global attention as it revealed the shadowy world of deep cover KGB operatives. The dramatic arrest in London on January 7, 1961 of five Soviet spies made headlines worldwide and had repercussions around the globe. Alerted by the CIA, Britain's security service, MI5, had discovered two British spies stealing invaluable secrets from the highly sensitive submarine research center at Portland, UK. Their controller, Gordon Lonsdale, was a Canadian who frequently visited a middle-aged couple, the Krogers, in their sleepy London suburb. But the seemingly unassuming Krogers were revealed to be deep cover American KGB spies—infamous undercover agents the FBI had been hunting for years—and they were just one part of an extensive network of Soviet operatives in the UK. In the wake of the spies' sensational trial, the FBI uncovered the true identity of the enigmatic Lonsdale—Konon Molody, a Russian who had lived in California before being recruited by the KGB. Molody opened secret talks with MI5 to betray Russia, but before he had the chance, the KGB blackmailed Britain into spy swaps for him and the Krogers. Based on revelatory, newly-released archival material and inside sources from around the world, Dead Doubles follows the hunt for the highly damaging Portland Spy Ring. As gripping as a le Carré novel, this incredible narrative, layered with false identities, deceptions, and betrayal, crisscrosses from the UK to the USSR to the US, Canada, Europe and New Zealand, and brings to life one of the most extraordinary spy stories of the Cold War.
The dramatic story of how the superpowers collected secrets and used intelligence to build an advantage during the Cold War, the longest and most dangerous confrontation of the twentieth century. The Cold War, which lasted from the end of the Second World War to the collapse of the Soviet Union in 1991, was fought mostly in the shadows, with the superpowers maneuvering for strategic advantage in an anticipated global armed confrontation that thankfully never happened. How did the intelligence organizations of the major world powers go about their work? What advantages were they looking for? Did they succeed? By examining some of the famous, infamous, or lesser-known intelligence operations from both sides of the Iron Curtain, this book explains how the superpowers went about gathering intelligence on each other, examines the type of information they were looking for, what they did with it, and how it enabled them to stay one step ahead of the opposition. Possession of these secrets threatened a Third World War, but also helped keep the peace for more than four decades. With access to previously unreleased material, the author explores how the intelligence organizations, both civilian and military, took advantage of rapid developments in technology, and how they adapted to the changing threat. The book describes the epic scale of some of these operations, the surprising connections between them, and how they contributed to a complex multi-layered intelligence jigsaw which drove decision making at the highest level. On top of all the tradecraft, gadgets and ‘cloak and dagger’, the book also looks at the human side of espionage: their ideologies and motivations, the winners and losers, and the immense courage and frequent betrayal of those whose lives were touched by the Secrets of the Cold War.
How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare's English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead things—technologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning. By situating Shakespeare's historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological order. Working from an eclectic body of theories, pictures, and machines that transcend time and media, Dailey composes a searching exploration of how the living use the dead to think back and look forward, to rule, to love, to wish and create.
The author, one of the most highly respected scholars of historical anthropology, has undertaken extensive research on folk beliefs related to communication with the supernatural sphere. In this book, she examines the systems of such communication known by early modern Hungarians, and the role these systems played in the everyday life of the village. New types of mediators are identified such as "the neighborhood witch, " the healing witch, and the demons seen in dreams. Representing a major contribution to the most up-to-date international research, Eva Pocs draws on significant East European material and literature not previously coordinated with that from the West. In so doing, she makes a valuable contribution to a subject that has recently attracted the attention of several leading scholars.
This second edition of Historical Dictionary of Russian and Soviet Intelligence is the only volume that lays out how Russian and Soviet intelligence works and how its operations have impacted Russian history. It covers Russian intelligence from the imperial period to the present focusing in greatest detail on Cold War espionage cases and the Putin-era intelligence community. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on espionage techniques, categories of agents, crucial operations spies, defectors, moles, and double and triple agents. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Russian Intelligence.
Traumatic Affect examines the intersection of trauma theory and affect theory, two areas of crucial relevance to contemporary thought. While both fields continue to offer insights into individual and collective experience, exploring their nexus offers timely and necessary critiques of film, literature, art, culture and politics. This collection of essays by established and emerging thinkers considers the dynamic relations within and between affect and trauma. Varied in style and approach, this volume asks how the relational subject conceived by affect theory might bring into question certain presuppositions common to trauma theory and how the ethical imperatives of trauma might require a rethinking of aspects of affect theory. Thus the contributors reimagine the unrepresentability of trauma, reveal its affective economies, and chart innovative understandings of experiences, embodiments, and events. From the silence into which Walter Benjamin fell after the suicide of his closest friend to the trauma of becoming the emblematic media figure of the London bombings, Traumatic Affect traverses diverse terrain: gesture and the everyday, cinema and torture, art and writing, civility and specters, media representation and Indigenous Australian film. Featuring essays by Shoshana Felman, Karyn Ball, Jennifer L. Biddle, Anna Gibbs, Ben O’Loughlin, Anne Rutherford, Magdalena Zolkos, Aaron Kerner, Ricardo Mbarkho, Jonathan L. Knapp, Michael Richardson and Meera Atkinson, Traumatic Affect ventures into bold new territories at the juncture between trauma and affect, illuminating pressing realities that demand engagement.
For six acclaimed seasons, FBI paranormal detectives Mulder and Scully have been chasing monsters and little green men and exposing government conspiracies, while espousing the mantras "trust no one" and "the truth is out there." This work takes a close look at the popular television series and shows how its style, character and narrative structure have continued to tease and please a wide viewing audience every week for six years. The first section examines the text of the series and the progression of its mythic story arc. This part also looks at the show's use of expressionistic techniques in both its visual and sound effects; the related tropes of self-reflexive humor, irony and the grotesque; and its ability to give the audience an occasional strong sensory jolt. The second section explores the context that has given rise to The X-Files phenomenon in the 1990s. The show's gothic horror tradition is established, and its contribution to the Zeitgeist of the 90s is also acknowledged.