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Julio Cabrera aúna en este libro sus dos grandes pasiones: el cine y la filosofía. En cada capítulo de este libro Cabrera analiza una o más películas elegidas cuidadosamente para reflexionar sobre una cuestión filosófica central. Aristóteles y los ladrones de bicicletas; Bacon y Steven Spielberg; Descartes y los fotógrafos indiscretos, Schopenhauer, Buñuel y Frank Capra; Nietzsche, Clint Eastwood y los asesinos por naturaleza; o Wittgenstein y el cine mudo son algunos de los ejercicios filocinematrográficos propuestos. Los comentarios de películas que el lector encontrará destacan aquellos puntos del filme que deben contribuir a la instauración de la experiencia vivida de un problema filosófico. Esta experiencia en sí es insustituible y nadie podrá tenerla por uno. Tan sólo señalo los lugares en donde el filme duele, en donde puede aprenderse alguna cosa padeciéndolo. Estamos ante el encuentro no programado y mutuamente esclarecedor entre una actividad milenaria del ser humano y uno de los más fascinantes lenguajes emergentes de los últimos tiempos: 100 años de imágenes tratando de representar 2.500 años de reflexión
This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks ‘into’ script development from a theoretical perspective, and second looks ‘out from’ the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrain of script development, providing rich foundations for both study and practice.
La medicina y el cine son parte de nuestro día a día. Acudimos a la consulta o a la sala en busca de algún tipo de alivio y de puertas a otros mundos. Y la consulta y la sala, la medicina y el cine, se miran de reojo. La medicina quiere al cine para mirar, explorar y estudiar, diagnosticar y operar; también como herramienta publicitaria y de propaganda, para construir su autoridad. Y el cine cuenta muy a menudo con la medicina porque trabaja con experiencias rutinarias de salud y enfermedad, sus miedos y sus osadías, sus servidumbres y sus rebeldías. La medicina y el cine caminan de la mano con la experiencia cotidiana de la muerte y de la vida. Y la medicina es cine porque es soñar, cuestionar y luchar, como lo es sufrir, morir y amar. Y es por esto mismo que también, en nuestro día a día, el cine es medicina.
"Passing the GED: Reading / Apruebe el GED: Lectura" is a bilingual (English / Spanish) test prep book produced in pdf format for those who expect to take the exam in Spanish or who prefer to study in Spanish and take the exam in English.
Donkey Ollie es uno de los personajes de dibujos animados más queridos de todos los tiempos. Disfruta de estas grandes historias en inglés y español. Te reirás y te divertirás también.
This volume brings together new interdisciplinary perspectives on the Spanish Civil War, its victims, its contentious ending, and its aftermath. In exploring the slow demise of the Spanish Republic and the course of the Civil War, the authors have chosen to range in turn over cinematic, literary and historical depictions of the era. In addition, reactions elsewhere in Europe to the Spanish conflict are examined; the role of the International Brigades is looked at afresh; the fate of children displaced during the Civil War is explored; and the Spanish anarcho-syndicalist movement is revisited. The volume shows that to be any kind of soldier in the armies of the Republic, or even to be seen as a Republican sympathiser, was to become a "non-person" in the new order in Spain under Franco, and sets what supporters of the Republic had to endure within the wider European and international context of the period. This book offers timely fresh insights into the failure of the Spanish Republic and into a society that tried in vain to unite its divided people during what was a seismic era in Spain’s history. This book was originally published as a special issue of Bulletin of Spanish Studies.
The long road to Hollywood success was never easy for Mexican-born beauty Salma Hayek-but it was never dull either! Starting out in her late teens starring in the Mexican hit soap opera Teresa, Salma lived a comfortable life, but she wanted more. So she packed her bags and headed to Hollywood. A Mexican woman with a heavy accent who barely spoke a word of English, Salma had hurdle after hurdle to overcome. Plenty of times she came close to giving up, but she was determined to make it big in America, and after a lot of bit parts and hard work, she did it. After landing a role in Desperado, alongside heart-throb Antonio Banderas, the movie parts finally started coming in, including From Dusk Till Dawn with George Clooney, and Fools Rush In with Matthew Perry. Now, gracing the style pages of all the major magazines and working as a Revlon spokesperson, Salma is the most sought-after Latina actress in Hollywood. And that's just the beginning. She has several huge movie projects on the horizon, and continues to fight for Mexican rights as an outspoken member of the NAFTA generation. Find out all about this talented Latina actress, from her love life, to the formula of her success, to her fabulous fashion and beauty secrets.