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Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion or interpolation, subtraction or deletion, adjustments in the ordering of folios or quires, amendments of image or text. Although our primary interest is in printed books and print series bound like books, we also consider selected manuscripts since meaningful alterations made to incunabula and early printed books often followed the patterns such changes took in late fourteenth- and fifteenth-century codices. Throughout Customised Books the emphasis falls on the hermeneutic functions of the modifications made by makers and users to their manuscripts and books. Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.
This volume focuses on the interdisciplinary investigation of Portuguese humanism, especially as a noteworthy player in the international network of early modern scholars, writers and intellectuals. During the Renaissance, Portugal became a centre for the dissemination of information concerning the new geographical and cultural horizons opened up by voyages of discovery, as well as a meeting place for humanist scholars and intellectuals coming from elsewhere in Europe. Papers in this volume situate Portuguese scholarship within the international humanistic network and examine its connection to other aspects of contemporary cultural production. Contributors include Onésimo Almeida, Jens Baumgarten, Liam Brockey, Sylvie Deswarte-Rosa, Thomas Earle, Karl Enenkel, Catarina Fouto, Noël Golvers, Alejandra Guzmán, Tobias Leuker, Giuseppe Marcocci, Cristóvão Marinheiro, Ricarda Musser, and Marília dos Santos Lopes.
"The museum's distinguished director in the 1930s and 1940s, Chick Austin, acquired notable works by Strozzi, Luca Giordano, Claude, and the first authentic Caravaggio in an American museum. Today the Atheneum can present an exhibition beginning with such renaissance masters as Piero di Cosimo and Sebastiano del Piombo, continuing with the finest examples of Baroque painting, and culminating in a blaze of rococo splendor with Tiepolo, Canaletto, Guardi, Melendez, Greuze, and Goya. This catalogue includes a history of the collection by Eric Zafran and entries on the individual paintings by distinguished scholars."--BOOK JACKET.