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On Engines,dated 1433, is an early and previously unknown treatise on engineering which was prepared for King Sigismund's arrival in Siena as he traveled to Rome for rites of coronation. Mariano Taccola has been described as a designer of military devices, but the drawings and texts of De ingeneisshow his interest in the field of technology to encompass far more than the machines of attack and defense. He deals actively, at times creatively, with bridges and their foundations, with harbors, harbor equipment for the loading of freight, aqueducts both above and below ground, equipment for operating the wells at the end of an aqueduct, mill houses, and the machines and power plants associated with them. The numerous figures and landscapes that accompany his texts also reveal Taccola to be an interesting and original Sienese artist. He portrays human figures in situations that seldom appear in the major arts, and the nature studies among the vignettes beside his texts are distinctive to his art. As in a previous study of Brunelleschi's technology and inventions (MIT Press 1970), the authors represent different viewpoints in their analysis—Frank Prager, the history of technology, and Gustina Scaglia, the history of art. Together they have transcribed and translated the Latin texts and indicated the original form of De ingeneisfrom manuscripts in two libraries. They have summarized as much as is known about Taccola, whose work earned him the name of "the Sienese Archimedes," and have evaluated his achievements as writer, graphic artist, and engineer. The drawings and descriptions of the four books of De ingeneisare presented clearly and concisely, to inform and to teach. For it was about Taccola's time, and with his help, that the long stagnation of many technical practices of the Middle Ages came to an end, and De ingeneisbecame the starting point for a long line of copybooks. Taccola, unlike his predecessors, was particularly interested in describing or suggesting classes of machines, their common parts and basic functions or general rules. He was moved to experiment with different forms of cross-reference between chapters and to develop various means of illustration, using at times a distinct and original method of balancing drawings, texts, and the marginal vignettes used to identify each illustration. Although Mariano Taccola's work was soon surpassed, his manuscripts were copied throughout the fifteenth century as textbooks, and their rediscovery provides invaluable source material for studying the early, transitional history of mechanical technology and adds a new dimension to the history of Quattrocento art.
The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine. When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs. Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table. The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.
Why do smokers claim that the first cigarette of the day is the best? What is the biological basis behind some heavy drinkers' belief that the "hair-of-the-dog" method alleviates the effects of a hangover? Why does marijuana seem to affect ones problem-solving capacity? Intoxicating Minds is, in the author's words, "a grand excavation of drug myth." Neither extolling nor condemning drug use, it is a story of scientific and artistic achievement, war and greed, empires and religions, and lessons for the future. Ciaran Regan looks at each class of drugs, describing the historical evolution of their use, explaining how they work within the brain's neurophysiology, and outlining the basic pharmacology of those substances. From a consideration of the effect of stimulants, such as caffeine and nicotine, and the reasons and consequences of their sudden popularity in the seventeenth century, the book moves to a discussion of more modern stimulants, such as cocaine and ecstasy. In addition, Regan explains how we process memory, the nature of thought disorders, and therapies for treating depression and schizophrenia. Regan then considers psychedelic drugs and their perceived mystical properties and traces the history of placebos to ancient civilizations. Finally, Intoxicating Minds considers the physical consequences of our co-evolution with drugs--how they have altered our very being--and offers a glimpse of the brave new world of drug therapies.
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
English description: With the rediscovery of Mariano Taccola's technical manuscripts, a primary source has been found for drawings and texts in treatises and sketchbooks of Francesco di Giorgio Martini. Taccola first conceived a new subject in Renaissance literature: rational descriptions and illustrations of utilitarian structures built by master masons, carpenters, millwrights, and artisans in the service of military lords. Taccola's complex and fascinating manuscript is being published fully in facsimile. It was a gift to Johann Albrecht Widmannstetter who studied law (1533-1542) in Siena, probably at the Studio or University where Taccola had been secretary while writing in the building arts. The volume that Taccola entitled "Liber primus leonis" and "Liber secundis draconis" was modified into a "Notebook" when he, in 1435-1438, added many small sketches around each main drawing existing on a folio, and added quires of paper after Book II for additional and later drawings. This edition includes, in the editors' introduction, a short biography of Mariano Taccola, a history of his "Notebook", a description of its sections, an account of Taccola's contribution to the history of thechnology, and a study of his influencce. Each of Taccola's several hundred drawings is identified, his Latin texts and notes are all transcribed an then translated into English. In one Appendix, the editors illustrate and interpret eight drawings identified as copies of Taccola's originals lost from his "Notebook", and a second Appendix concerns the desings of mills, pile-drivers, and water-supply devices of a Machine Complex that other engineers developed from prototypes in Taccola's "Notebook". German description: Mit der Wiederentdeckung der technischen Handschriften Mariano Taccolas wurde auch die Quelle fur die Zeichnungen und Texte in den Abhandlungen und Skizzenbuchern Francesco di Giorgio Martinis entdeckt. Taccola behandelte als erster ein neues Thema in der Renaissanceliteratur: die rationale Beschreibung und Illustration von Zweckbauten. Das Werk, das Taccola ursprunglich als "Liber primus leonis" und "Liber secundus draconis" angelegt hatte, bekam nach und nach den Charakter eines Notizbuchs, als den Hauptzeichnungen mehrere kleinere Skizzen hinzugefugt und mehrere lose Blatter mit technischen Zeichnungen beigelegt wurden. Die Handschrift war ein Geschenk an Johann Albrecht Widmannstetter, der sich einige Jahre in Siena aufhielt. Aus der Sammlung dieses Humanisten gelangte sie anschliessend nach Munchen. Die vorliegende Faksimileausgabe enthalt neben einer kurzen Biographie Mariano Taccolas die Geschichte dieses Notizbuchs, eine Beschreibung der einzelnen Abschnitte sowie Taccolas Bedeutung fur Wissenschaft und Technik der Renaissance. Jede der mehreren hundert Zeichnungen wird erlautert, Taccolas lateinische Beschreibungen der Maschinen werden in Transkription wiedergegeben und ins Englische ubersetzt. Ein Anhang enthalt die Zeichnungen zu Muhlen, Pfahlrammen und Entwurfen zu Wasserleitungssystemen, die spater nach Taccolas Modellen aus dem "Notebook" entwickelt wurden.
This fascinating book will be of as much interest to engineers as to art historians, examining as it does the evolution of machine design methodology from the Renaissance to the Age of Machines in the 19th century. It provides detailed analysis, comparing design concepts of engineers of the 15th century Renaissance and the 19th century age of machines from a workshop tradition to the rational scientific discipline used today.
Leaving aside for once all utilitarian considerations, this book attempts to demonstrate the role and influence of the natural sciences in the development of human thought and in shaping the way in which we perceive the world. This seems to be particularly necessary in the present day and age, in view of the fact that a large section of the public is scarcely aware of the great cultural contribution that the natural sciences make towards moulding our conception of the world and scarcely acknowledges their function in helping us to find our bearings in a world that is becoming increasingly complex.
The textual foundations of works of great cultural significance are often less stable than one would wish them to be. No work of Homer, Dante or Shakespeare survives in utterly reliable witnesses, be they papyri, manuscripts or printed editions. Notions of textual authority have varied considerably across the ages under the influence of different (and differently motivated) agents, such as scribes, annotators, editors, correctors, grammarians, printers and publishers, over and above the authors themselves. The need for preserving the written legacy of peoples and nations as faithfully as possible has always been counterbalanced by a duty to ensure its accessibility to successive generations at different times and in different cultural contexts. The ten chapters collected in this volume offer critical approaches to such authors and texts as Homer, the Bible, The Thousand and One Nights, Dante, Montaigne, Shakespeare, Eliot, but also Leonardo da Vinci's manuscripts uniquely combining word and image, as well as Beethoven's 'Tempest' sonata (Op. 31, No. 2) as seen from the angle of music as text. Together the contributors argue that an awareness of what the 'life of texts' entails is essential for a critical understanding of the transmission of culture.
This book integrates history of science and technology with modern social network theory. Using examples from the history of machines, as well as case studies from wireless, radio and chaos theory, the author challenges the genius model of invention. Network analysis concepts are presented to demonstrate the societal nature of invention in areas such as steam power, internal combustion engines, early aviation, air conditioning and more. Using modern measures of network theory, the author demonstrates that the social networks of invention from the 19th and early 20th centuries have similar characteristics to modern 21st C networks such as the World Wide Web. The book provides evidence that exponential growth in technical innovation is linked to the growth of historical innovation networks.
The technical problems confronting different societies and periods, and the measures taken to solve them form the concern of this annual collection of essays. Volumes contain technical articles ranging widely in subject, time and region, as well as general papers on the history of technology. In addition to dealing with the history of technical discovery and change, History of Technology also explores the relations of technology to other aspects of life -- social, cultural and economic -- and shows how technological development has shaped, and been shaped by, the society in which it occurred.