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Written in the 1130s, Geoffrey's imaginative history of the Britons from Brutus to Cadwallader, and the first to recount the woes of Lear and the glittering career of Arthur, rapidly became a bestseller. An ideal text for scholars, this is a reprint of the Latin text with a facing English translation.
A study of a contemporary witness to the transformation of post-Roman Britain into Anglo-Saxon England. Gildas's De excidio Britonum is a rare surviving contemporary source for the period which saw the beginning of the transformation of post-Roman Britain into Anglo-Saxon England. However, although the De excidio has received much scholarly attention over the last forty years, the value of the text as a primary source for this fascinating if obscure period of British history has been limited by our lack of knowledge concerning its historical and cultural context. In this new study the author challenges the assumption that the British Church was isolated from its Continental counterpart by Germanic settlement in Britain and seeks to establish a theological context for the De excidio within the framework of doctrinal controversy in the early Continental Church. The vexed question of the place of Pelagianism in the early British Church is re-investigated and a case is put forward for a radical new interpretation of Gildas's own theological stance. In addition, this study presents a detailed investigation of the literary structure of the De excidio and Gildas's use of verbal patterns, and argues that his use ofthe Bible as a literary model is at least as significant as his well-documented use of the literary techniques of Classical Latin. Dr KAREN GEORGE is currently a tutor at the Cambridge Institute of Continuing Education.
The full, ancient text: Historia Regum Britanniae.Historia regum Britanniae (or The History of the Kings of Britain) is a supposedly historical account written by Geoffrey of Monmouth in 1136. Though much of the text is largely considered fiction, it does pull from several ancient texts and true historical events/personas.It is notable for being the first, major blockbuster-like success of the Arthurian legends, bringing the character to widespread popularity for the first time. Many of our modern myths (and ancient ones) have drawn from this text.
This book focuses on apse mosaics in Rome and engages topics including time, intercession, materiality, repetition, and vision.
Lady Thatcher, a unique figure in global politics, shares her views about the dangers and opportunities of the new millennium.
The mysterious and haunting Grail makes its first appearance in literature in Chrétien de Troyes' Perceval at the end of the twelfth century. But Chrétien never finished his poem, leaving an unresolved story and an incomplete picture of the Grail. It was, however, far too attractive an idea to leave. Not only did it inspire quite separate works; his own unfinished poem was continued and finally completed by no fewer than four other writers. The Complete Story of the Grail is the first ever translation of the whole of the rich and compelling body of tales contained in Chrétien's poem and its four Continuations, which are finally attracting the scholarly attention they deserve. Besides Chrétien's original text, there are the anonymous First Continuation (translated here in its fullest version), the Second Continuation attributed to Wauchier de Denain, and the intriguing Third and Fourth Continuations - probably written simultaneously, with no knowledge of each other's work - by Manessier and Gerbert de Montreuil. Two other poets were drawn to create preludes explaining the background to Chrétien's story, and translated here also are their works: The Elucidation Prologue and Bliocadran. Only in this, The Story of the Grail's complete form, can the reader appreciate the narrative skill and invention of the medieval poets and their surprising responses to Chrétien's theme - not least their crucial focus on the knight as a crusader. Equally, Chrétien's original poem was almost always copied in conjunction withone or more of the Continuations, so this translation represents how most medieval readers would have encountered it. Nigel Bryant's previous translations from Medieval French include Perlesvaus - the High Bookof the Grail, Robert de Boron's trilogy Merlin and the Grail, the Medieval Romance of Alexander, The True Chronicles of Jean le Bel and Perceforest.
In search of specific national traditions nineteenth-century artists and scholars did not shy of manipulating texts and objects or even outright manufacturing them. The essays edited by János M. Bak, Patrick J. Geary and Gábor Klaniczay explore the various artifacts from outright forgeries to fruits of poetic phantasy, while also discussing the volatile notion of authenticity and the multiple claims for it in the age. Contributors include: Pavlína Rychterová, Péter Dávidházi, Pertti Anttonen, László Szörényi, János M. Bak, Nóra Berend, Benedek Láng, Igor P. Medvedev, Dan D.Y. Shapira, János György Szilágyi, Cristina La Rocca, Giedrė Mickūnaitė, Johan Hegardt and Sándor Radnóti.
Eddic, Skaldic, and Beyond shines light on traditional divisions of Old Norse–Icelandic poetry and awakens the reader to work that blurs these boundaries. Many of the texts and topics taken up in these enlightening essays have been difficult to categorize and have consequently been overlooked or undervalued. The boundaries between genres (Eddic and Skaldic), periods (Viking Age, medieval, early modern), or cultures (Icelandic, Scandinavian, English, Continental) may not have been as sharp in the eyes and ears of contemporary authors and audiences as they are in our own. When questions of classification are allowed to fade into the background, at least temporarily, the poetry can be appreciated on its own terms. Some of the essays in this collection present new material, while others challenge long-held assumptions. They reflect the idea that poetry with “medieval” characteristics continued to be produced in Iceland well past the fifteenth century, and even beyond the Protestant Reformation in Iceland (1550). This superb volume, rich in up-to-date scholarship, makes little-known material accessible to a wide audience.