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Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
This book explores the influence of Stoicism on the evolution of Thomas More's mind, asserting that More's engagement with the work of Erasmus radicalized his understanding of Christianity and shaped the writing of Utopia.
The first study to examine More's complete works in view of his concept of statesmanship and, in the process, link his humanism, faith, and legal and political vocations into a coherent narrative.b
Annotation. The first study to examine More's complete works in view of his concept of statesmanship and, in the process, link his humanism, faith, and legal and political vocations into a coherent narrative.b.
Humanism, in both its rhetoric and practice, attempted to transform the relationships between men that constituted the fabric of early modern society. So argues Alan Stewart in this ground-breaking investigation into the impact of humanism in sixteenth-century England. Here the author shows that by valorizing textual skills over martial prowess, humanism provided a new means of upward mobility for the lowborn but humanistically trained scholar: he could move into a highly intimate place in a nobleman's household that was previously not open to him. Because of its novelty and secrecy, the intimacy between master and scholar was vulnerable to accusations of another type of intimacy--sodomy. In comparing the ways both humanism and sodomy signaled a new economy of social relations capable of producing widespread anxiety, Stewart contributes to the foray of modern gay scholarship into Renais-sance art and literature. The author explores the intriguing relationship between humanism and sodomy in a series of case studies: the Medici court of the 1470s, the allegations against monks in the campaign to suppress the English monasteries, the institutionalized beating of young boys, the treacherous circle of the doomed Sir Thomas Seymour, and the closet secretaries of Elizabeth's final years. Stewart's documentation comes from a wide range of underused materials, from schoolboys' grammar books to political writings, enabling him to reconstruct frequently misunderstood events in their original contexts. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
What is, what was the human? This book argues that the making of the human as it is now understood implies a renegotiation of the relationship between the self and the world. The development of Renaissance technologies of difference such as mapping, colonialism and anatomy paradoxically also illuminated the similarities between human and non-human. This collection considers the borders between humans and their imagined others: animals, women, native subjects, machines. It examines border creatures (hermaphrodites, wildmen and cyborgs) and border practices (science, surveying and pornography).
Publisher Description
This book provides an account of early modern political culture by emphasizing the centrality of humanist rhetoric in it.