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This book fills an important gap in studies on D. D. Kosambi. For the first time, the mathematical work of Kosambi is described, collected and presented in a manner that is accessible to non-mathematicians as well. A number of his papers that are difficult to obtain in these areas are made available here. In addition, there are essays by Kosambi that have not been published earlier as well as some of his lesser known works. Each of the twenty four papers is prefaced by a commentary on the significance of the work, and where possible, extracts from technical reviews by other mathematicians.
This book is the culmination of patient research and mature reflection of a profoundly original mind and has earned universal recognition and honour over the last few decades.
This Volume Brings Together Twelve Of Kosambi`S Major Essays On The Statistical And Analysical Study Of Coins From Ancient India.
Damodar Dharmananda Kosambi (July 31, 1907 - June 29, 1966) was a man with a Renaissance type of versatility: he had a wide range of knowledge without sacrificing depth. He was a mathematician, statistician, and polymath who contributed to genetics by introducing Kosambi's map function. He did pioneering work in numismatics and in compiling critical editions of ancient Sanskrit texts. Above all, he was an outstanding Marxist historian.//The present volume brings together articles by scholars who assess Kosambi's contributions to Indian historiography, Indology, philology, the study of religions, historical materialism, and our understanding of caste in Indian history. While most essays deal with Kosambi the historian, the final essay presents a detailed scientific, historical and political assessment of his mathematical work. The essays are neither allergic to, nor adulatory about, Kosambi's work, but seek to present a balanced and critical appraisal, as well as updating our knowledge with the current thinking in the field. //The editor of this volume, Prof. D. N. Jha, is an acclaimed historian. The other contributors are: Irfan Habib, Suvira Jaiswal, Prabhat Patnaik, C.K. Raju, Krishna Mohan Shrimali, Eugenia Vanina, and Kesavan Veluthat.
First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies.
This Important Book Edited By B.D. Chattopadhyaya Puts Together, For The First Time, The Many Essays, Notes And Reviews Which D.D. Kosambi, An Acknowledged Pioneers Who Introduced New Perspectives And Methods In Indological Studies, Wrote And Published Over A Period Of Almost Thirty Year.
Articles, chiefly on Indian culture and civilization.
The claim that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. Romila Thapar, a distinguished scholar of ancient India, guides us through a panoramic survey of the historical traditions of North India, revealing a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature. The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy amid social change. Spanning an epoch from 1000 BCE to 1400 CE, Thapar delineates three strains of historical writing: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina monks and scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptional evidence, regional accounts, and literary forms such as royal biographies and drama are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.
Dharmananda Kosambi, Buddhist scholar and Pali language expert.