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Enjoy this great comic from DC’s digital archive!
Enjoy this great comic from DC’s digital archive!
This mind-blowing conclusion to the acclaimed, landmark miniseries features Superman and his Justice League going head-to-head against the volatile metahumans they've sought to control. It's Super Hero against Super Hero in a brutal, shocking battle for t
Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.
"Originally published in single magazine form in Adventure Comics 431-440, Wrath of the spectre 1-4"--T.p. verso.
Enjoy this great comic from DC’s digital archive!
Don't miss this comprehensive collection featuring the World's Greatest Super-Heroes as interpreted by one of the most acclaimed authors in comics! The work of Alan Moore (WATCHMEN, V FOR VENDETTA, THE LEAGUE OF EXTRAORDINARY GENTLEMEN) in the DCUniverse during the 1980s is considered a benchmark for great stories with fresh approaches to iconic characters. Collected in this volume are all of Moore's Superman and Batman stories, including 'Whatever Happened to the Man of Tomorrow?' BATMAN:THE KILLING JOKE, and so much more. Collects ACTION COMICS #584, BATMAN ANNUAL #11, DC COMICS PRESENTS #85, DETECTIVE COMICS #549-550, GREEN LANTERN #188, THE OMEGA MEN #26-27, SECRET ORIGINS #10, SUPERMAN #423, TALES OF THE GREEN LANTERN CORPSANNUAL #2 & 3, SUPERMAN ANNUAL #11 and VIGILANTE #17-18.
Superman battles the intergalactic conqueror known as Mongul in these tales from the late 1970s and early 1980s. Introduced as a physical challenge to the Man of Steel, Mongul appeared in stories that guest-starred Wonder Woman, Batman, Supergirland others. This collection includes the classic tale 'For the Man Who Has Everything,' by the WATCHMEN team of writer Alan Moore and artist Dave Gibbons. This volume collects DC COMICS PRESENTS #27-28, 36 and 43 and SUPERMAN ANNUAL #11.
This book will help librarians extend literary graphic novel collections to attract a large, untapped group of comic book readers with a sure-to-be-popular comic book collection. Do comic books belong in libraries? Absolutely—as Comic Book Collections for Libraries makes very clear. This illustrated guide defines the role of comic books in the modern library, provides a thorough grounding in the subject for beginners, and suggests new ideas for those already familiar with these perennial reader favorites. The book begins by introducing the structure of the comic book, industry players, and genres. The bulk of the guide, however, is comprised of actionable advice on such things as creating and maintaining the collection, cataloging for effective access, and promoting the collection, including how to feature comics with other library materials, such as movies and games. Drawing on the authors' experience, the volume answers numerous other questions as well. How can you tell which titles are age-appropriate for your library? Which titles are popular? How do you include characters that will appeal to diverse reader groups? Complete with checklists and a rich array of examples, this easy-to-use work can make every librarian a superhero.
Steve Gerber (1947–2008) is among the most significant comics writers of the modern era. Best known for his magnum opus Howard the Duck, he also wrote influential series such as Man-Thing, Omega the Unknown, The Phantom Zone, and Hard Time, expressing a combination of intelligence and empathy rare in American comics. Gerber rose to prominence during the 1970s. His work for Marvel Comics during that era helped revitalize several increasingly clichéd generic conventions of superhero, horror, and funny animal comics by inserting satire, psychological complexity, and existential absurdism. Gerber's scripts were also often socially conscious, confronting, among other things, capitalism, environmentalism, political corruption, and censorship. His critique also extended into the personal sphere, addressing such taboo topics as domestic violence, racism, inequality, and poverty. This volume follows Gerber’s career through a range of interviews, beginning with his height during the 1970s and ending with an interview with Michael Eury just before Gerber’s death in 2008. Among the pieces featured is a 1976 interview with Mark Lerer, originally published in the low-circulation fanzine Pittsburgh Fan Forum, where Gerber looks back on his work for Marvel during the early to mid-1970s, his most prolific period. This volume concludes with selections from Gerber’s dialogue with his readers and admirers in online forums and a Gerber-based Yahoo Group, wherein he candidly discusses his many projects over the years. Gerber’s unique voice in comics has established his legacy. Indeed, his contribution earned him a posthumous induction into the Will Eisner Comic Book Hall of Fame.