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ATTACK ON ALL FRONTS! The shadow of WWII looms ever larger as the Bombshells battle the Axis Powers across the globe. In Gotham City, a quartet of copycat BATGIRLS are doing their part to protect the home front. In Greece, WONDER WOMAN faces a battalion of the undead, led by the villainous Baroness Paula von Gunther. In London, STARGIRL and SUPERGIRL learn a shocking-and dangerous-family secret, while MERA encounters a monstrous threat from the sea that not even she can control. And in Berlin, ZATANNA attempts to thwart the evil magic that’s been released into the world, while the CATWOMAN and HUNTRESS rescue a captured BATWOMAN from the clutches of the Third Reich. But the paths of these superheroines will converge as they face their greatest challenge yet. To defeat the undead tenebrae soldiers overtaking London, they’ll have to form a Justice League of their own! Inspired by the popular DC Collectibles line, DC COMICS: BOMBSHELLS VOL. 2: ALLIES throws the world’s finest heroines into one of the greatest battles in history! Written by Marguerite Bennett (BATGIRL, EARTH 2: WORLD’S END) and featuring artists including Laura Braga (WITCHBLADE), Mirka Andolfo (CHAOS) and more, this volume collects issues #7-12.
The incredibly popular DC Collectibles line is brought to life in these stories that reimagine the course of history! As Word War II rages across Europe, the Allied forces issue a call to arms for the greatest heroines the world has ever known: THE BOMBSHELLS! KATE KANE, the all-American Batwoman; DIANA OF THEMYSCIRA, warrior Princess of the Amazons; KARA STARIKOV and KORTNI DUGINOVNA, defenders of Mother Russia; and MERA, royal daughter of the legendary Atlantis! With aid from their allies at home and abroad, these mighty women will turn the tide of war and defend those inviolable rights of Truth, Justice and Freedom. From writer Marguerite Bennett (BATGIRL, EARTH 2: WORLD’S END) and featuring artists including Marguerite Sauvage (HINTERKIND), Laura Braga (WITCHBLADE), Bilquis Evely (DOC SAVAGE), Mirka Andolfo (CHAOS) and Ming Doyle (CONSTANTINE: THE HELLBLAZER) comes DC COMICS: BOMBSHELLS VOL. 1: ENLISTED. Collects DC COMICS: BOMBSHELLS #1-6.
The extraordinary heroines known as the Bombshells are fighting on all fronts in an increasingly brutal war. Will the return of two long-lost alliesÑand a squad of unlikely teammatesÑbe enough to secure victory? One of those ready to rejoin the fight is SupergirlÑbut Lex Luthor and Hugo Strange have plans of their own for the Maid of Might. When Supergirl is pitted against her clone, will they find thereÕs room for more than one Kryptonian on this planet? Meanwhile, Raven stows away with Harley Quinn and Poison Ivy, but a mission of mercy becomes one of revenge when she meets Lois Lane! Plus, meet French flying ace Barbara GourdonÑalso known as Batgirl. Her search for her lost love brought her to the Louisiana bayou, where she disappeared for years. But when Bombshells commander Amanda Waller sends Lieutenant Francine Charles on a mission to recruit her, Batgirl and her friends Ravager and Enchantress will form a new kind of super-team: the Suicide Squad! From writer Marguerite Bennett (BATGIRL, EARTH 2: WORLD'S END) and astonishing artists including Laura Braga (Witchblade), Mirka Andolfo (Ms. Marvel) and Elsa Charretier (HARLEY QUINN, The Infinite Loop) comes the next adventure in the DC COMICS: BOMBSHELLS saga, bringing the incredibly popular DC Collectibles line to life in stories from issues #26-29 and DC COMICS: BOMBSHELLS ANNUAL #1!
Supergirl and Stargirl question their new role with the allied forces. But a sudden attack by an army of undead Tenebrae soon has their attention.
Batwoman confronts Nygma, von Gunther brings mayhem to London, and the Bombshells all unite for a final battle!
In this groundbreaking collection of essays, interviews, and artwork, contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experience in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.
BOLD, BRIGHT, BEAUTIFUL BOMBSHELLS! The timeless beauty of the DC Universe's greatest heroines is on full display in THE ART OF DC COMICS BOMBSHELLS! Reimagined in the incredibly popular collectibles line as World War II-era pinups, Wonder Woman, Harley Quinn, Supergirl, Poison Ivy and so many more of the most extraordinary characters in comics are showcased as never before. These gorgeous statues have become modern-day classics, capturing imaginations and inspiring covers in their honor, a monthly comic book series and more. The retro reinventions of these iconic heroes and villains are presented here along with never-before-seen artwork, preliminary designs and commentary from the creative forces behind the ever-expanding world of the Bombshells!
This book analyzes Jewish tropes in popular science fiction ranging from Star Trek and Marvel to other prominent franchises. Sometimes the representation is subtle and thought-provoking; other times, it is limited to cliché and oversimplification of characters. The chapters in this collection examine the representation of Jewish characters in films and franchises including Superman, Lord of the Rings, The Mandalorian, The Twilight Zone, and more to shed light on the broad range of representations of the Jewish experience in popular science fiction and fantasy.
Almost immediately after his first appearance in comic books in June 1938, Superman began to be adapted to other media. The subsequent decades have brought even more adaptations of the Man of Steel, his friends, family, and enemies in film, television, comic strip, radio, novels, video games, and even a musical. The rapid adaptation of the Man of Steel occurred before the character and storyworld were fully developed on the comic book page, allowing the adaptations an unprecedented level of freedom and adaptability. The essays in this collection provide specific insight into the practice of adapting Superman from comic books to other media and cultural contexts through a variety of methods, including social, economic, and political contexts. Authors touch on subjects such as the different international receptions to the characters, the evolution of both Clark Kent's character and Superman's powers, the importance of the radio, how the adaptations interact with issues such as racism and Cold War paranoia, and the role of fan fiction in the franchise. By applying a wide range of critical approaches to adaption and Superman, this collection offers new insights into our popular entertainment and our cultural history.
Finding the superhero genre in need of further investigation from philosophical standpoints that value excess as a creative drive, rather than denigrate it as a problem to be resolved, this book opens up discussions that highlight different approaches to ‘the creative excess of being’ as expressed through the genre. While superheroes are an everyday, culturally dominant phenomena, philosophical methods and investigations have a reputation for lofty superiority. Across 13 chapters, this book facilitates a collision between the superhero genre and the discipline of philosophy, resulting in a voyage of exploration where each illuminates the other. The contributions in this book range from new voices to recognized scholars, offering superhero studies a set of critical interventions that are unusual, conceptually diverse, theoretically grounded and varied in practice. These chapters consider ‘excessive’ traits of superheroes against schools of thought that have attempted to conceptualize and understand excess by analysing texts and figures across a variety of mediums, such as The Fantastic Four, Captain America, The Vision, Logan, Black Panther and Super Hero Girls. With its unique approach to the superhero genre, this book will be an invaluable read for students and scholars working on comic studies, transmedia studies, cultural studies, popular culture and superhero studies.