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A Credible Utopia: Essays on Selected Films of Werner Schroeter offers unique and personal insights into Schroeter's cinematic universe. Many of the films discussed in this book are those upon which Schroeter's worldwide reputation rests: Der Bomberpilot, an absurdist comedy; The Death of Maria Malibran, a film about ecstatic redemption in death; Willow Springs, about the complex relationships between men and women; Day of the Idiots, a visually baroque, operatic and highly dramatic film about madness; The Kingdom of Naples, Schroeter's visually stunning depiction of Italy in the post-war years; and Palermo or Wolfsburg, for which Schroeter won the Golden Bear, an epic film about love, violence, and cultural malaise. But Valente also addresses Schroeter's early experimental films that don't get as much attention, such as Aggression, Neurasia, and Argila, all of which are about the struggle between repression and desire, and Deux, a late work that Schroeter considered his masterpiece, a film about the double and the ways in which identity is formed by integrating the abject part of ourselves with the good. Valente concludes with an analysis of Nuit de Chien, Schroeter's final film, a powerful summation of a live devoted to art, music, literature, and film. When the Museum of Modern Art staged a retrospective of Schroeter's ouevre in 2012, there was hardly anything in English on his films and only one film available on DVD in the US, such that Schroeter's work as a director has remained largely invisible in the English-speaking world. A Credible Utopia repairs this lacuna in film history, and, in a detailed and intimate reading of Schroeter's queer ouevre, links all these films together through Schroeter's desire for a "credible utopia," despite our shared awareness of disaster, torture, viciousness, and political corruption in the world. Peter Valente is a writer, translator, and author of twelve books, including a translation of Nanni Balestrini's Blackout (Commune Editions, 2017), which received a starred review in Publisher's Weekly. His most recent book is Essays on the Peripheries (punctum books, 2021). Forthcoming is his translation of Nicolas Pages by Guillaume Dustan (Semiotext(e), 2023) and his translation of Gérard de Nerval, The Illuminated (Wakefield Press, 2022).
Maria Callas (1923–77) was the greatest opera diva of all time. Despite a career that remains unmatched by any prima donna, much of her life was overshadowed by her fiery relationship with Aristotle Onassis, who broke her heart when he left her for Jacqueline Kennedy, and her legendary tantrums on and off the stage. However, little is known about the woman behind the diva. She was a girl brought up between New York and Greece, who was forced to sing by her emotionally abusive mother and who left her family behind in Greece for an international career. Feted by royalty and Hollywood stars, she fought sexism to rise to the top, but there was one thing she wanted but could not have – a happy private life. In Cast a Diva, bestselling author Lyndsy Spence draws on previously unseen documents to reveal the raw, tragic story of a true icon.
Werner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.
Contributors explore these films' transnational circuits of production, distribution, and exhibition, as well as how the films were made and received, thereby inviting us to reexamine the roots of what New German Cinema was and imagine what it might yet become.
A Must-Read: The New York Times Book Review and Nylon From the acclaimed biographer Cynthia Carr, the first full portrait of the queer icon and Warhol superstar Candy Darling. You must always be yourself no matter what the price . . . Don’t dare destroy your passion for the sake of others. The Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world. Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max’s Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play. Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry was: “I shall try to be grateful for life . . . Cannot imagine who would want me.” Candy died at twenty-nine in 1974, just as conversations about gender and identity were beginning to enter the broader culture. She never knew it, but she changed the world. Brimming with all the fizz and wildness of New York in the 1960s and ’70s, this is the first biography of this extraordinary figure—an unintentional pioneer who became an icon. Cynthia Carr’s Candy Darling is packed with tales of luminaries, gossip, and meticulous research, laced with Candy’s words and her friends’ recollections, and signals Candy’s long-overdue return to the spotlight. Includes 16 pages of color photographs
A murderous madman plans to resurrect an ancient monster buried beneath a small Canadian town in this chilling novel for fans of Joe Hill. It’s 1972, and there are some new arrivals to the remote mining village of Parr’s Landing . . . The recently widowed Christina Parr and her brother-in-law, Jeremy, are the first to show up. Both fled town years ago because of the same woman—but for ultimately different, dark reasons. They weren’t expecting a warm welcome upon their homecoming, but they had nowhere else to turn. Meanwhile, Dr. Billy Lightning is searching for clues to prove the grisly death of his anthropologist father was not an accident. But the police aren’t likely to be helpful to someone like him. Then there’s Richard Weal. With his long hair and cowboy hat, the disheveled man looks like a hippie. But the contents of his hockey bag will show he’s anything but peaceful. He has cut a bloody path across the country to answer a powerful, supernatural call. In a cave near Bradley Lake, there slumbers a three-hundred-year-old horror that urgently wants to be released . . . “Skillfully brings to mind the classic works of Stephen King and Robert McCammon.” —Christopher Rice, New York Times–bestselling author of the Burning Girl series “[Rowe] rescues the modern vampire novel from its current state of mediocrity with his dead-on portrayal of the gothic small town, rich characters and deeply frightening story. . . . Read Enter, Night. With the lights on.” —Susie Moloney, bestselling author of The Thirteen
The title Watchman! Watchman! What of the Night? was selected on the basis of the soon-to-unfold Great Tribulation Period (GTP). The purpose of the title is to attract an interest in the reply that the watchman gave: "I see the dawn coming, and also a Night!" It is this approaching "Night" that the watchman saw-which represents the judgments of God and the wrath of man that will unfold during the GTP. In essence the GTP will last for seven years- "the last week" in Daniel's prophecy that concludes "the 367 weeks" upon the Children of Israel. There is a strong indication that "this Night," which horrified the watchman, is likely to commence anytime between mid-2023 AD and mid-2025 AD. You can follow my deliberations in this regard in this second book; however, there is also complimentary information in Who's Paying Attention? Please refer.
Werner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.
A book that reveals the untold story of one of Long Island's most controversial and eccentric striped bass fishermen. "Night Tides" is as much a tale of nature's gifts too often taken-for-granted, as it is one of blinding individual obsession.
A debut thriller of personal transformation: By the time Matilde Anselm, an American physician in Paris to help with a heart transplant, begins to fear she may instead be a party to murder, she's also fallen in love, inherited a mysterious Paris apartment, and discovered she's not who she thought she was.