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Daylight in the Swamp is the bush memoirs of Selwyn Dewdney, a noted Canadian artist and recorder of native rock art. His two great loves, art and the Canadian north, come together in this book. His respect for native culture and art is reflected in his own work, his insight into native rock art, and his passion for canoeing and the northern experience.The third theme of the book is history spanning the period from 1910 through to the 1970s during which the old north largely vanished. Dewdney was there to record the images of forgotten dreams painted on rocks and cliffs throughout the Canadian Shield. Thanks to these memoirs we are all there to witness these things with Dewdney.
In the churning aftermath of the turbulent sixties, teenager Seth Wickman attempts to lead a quiet life on his parents' farm. One August evening his serenity is disrupted when he receives a call from a frantic neighbor, Wylie Barone, claiming to have just seen a strange light in the dark woods beyond his home. Skeptical yet curious, Seth responds to Wylie's plea without delay and soon witnesses a glowing, green figure slowly emerging from behind a stand of tall pine trees. Much to his chagrin, Seth eventually realizes he has been lured into a hoax perpetrated by Wylie and another mutual friend, Wade Hotchner. Humiliated and wishing very much to escape the butt of a joke, Seth blindly reaches for a diversion. Utilizing the pretense of improving on their scheme, he employs them to help him organize a more elaborate charade aimed at a larger audience. While they plot to scare the daylights out of their intended victims, nothing prepares them for the radical and dangerous chain of events that are about to mar even the best laid plans. As adolescence humor and hormones abound, Seth gradually discovers that there is a fine line between imagination and the reality that accompanies learning the ultimate truth.
Official records produced by the armies of the United States and the Confederacy, and the executive branches of their respective governments, concerning the military operations of the Civil War, and prisoners of war or prisoners of state. Also annual reports of military departments, calls for troops, correspondence between national and state governments, correspondence between Union and Confederate officials. The final volume includes a synopsis, general index, special index for various military divisions, and background information on how these documents were collected and published. Accompanied by an atlas.
A record of remarkable folk narratives told over successive nights on vessels or in camps in remote Karelia