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PROJECT GBA&C recognizes and celebrates the accomplishments of world's renowned artists who have made, and are making, significant contributions in the field of art, producing powerful imagery that continues to captivate, educate, inspire and heal humanity. Engaging art with books " ART EXHIBIT " is one such initiative showcasing the best moments captured by artists across the globe, encapsulating the sheer joy of subtle self-expression behind every art. Editors Panel - PROJECT GBA&C
"Asian Art provides students with an accessible introduction to the history of Asian Art. Students will gain an understanding of the emergence and evolution of Asian art in all its diversity. Using a range of analytical skills, readers will learn to recognize patterns of continuity and change between the arts and cultures of various regions comprising Asia. Images set within their broader cultural and religious backgrounds provides students with important contextual information to understand and decode artworks"--Publisher's description.
"Our endeavour is not to explain the history of the media as a consecutive retrospective, but to move from reflections about the deep time history of arts and sciences to speculations that reach into the present. The contributors to the third volume in the Variantology Series expand our ideas of the interplay between arts, technology, and science in at least three important ways: 1. Themes. Fireworks as a time-based praxis of performance, magnetised chess automata, paper-cuts, thermometers, radical interventions in the natural landscape by humans, and the com pass are revealed as areas where discoveries can be made that lead to much broader and richer concepts of what art and media are. 2. Regions. As we move with the authors from Europe to the Far East and back again it becomes absolutely clear that the history of the media cannot be written with only the former industrial metropolises of the world in our sights, beginning and ending there. 3. Time. The evolution of the Chinese culture of science and technology takes us into dimensions that add unsuspected energies and historical possibilities to the concept of deep time. Brecht's verdict from the 1920s that Chinese civilisation has already forgotten about innovations that the West proudly celebrates as innovations of the Modern Age, is given new meaning."--Publisher's description.
The Delhi Sultanate ruled northern India for over three centuries. The era, marked by the desecration of temples and construction of mosques from temple-rubble, is for many South Asians a lightning rod for debates on communalism, religious identity and inter-faith conflict. Using Persian and Arabic manuscripts, epigraphs and inscriptions, Fouzia Farooq Ahmad demystifies key aspects of governance and religion in this complex and controversial period. Why were small sets of foreign invaders and administrators able to dominate despite the cultural, linguistic and religious divides separating them from the ruled? And to what extent did people comply with the authority of sultans they knew very little about? By focusing for the first time on the relationship between the sultans, the bureaucracy and the ruled Muslim Rule in Medieval India outlines the practical dynamics of medieval Muslim political culture and its reception. This approach shows categorically that sultans did not possess meaningful political authority among the masses, and that their symbols of legitimacy were merely post hoc socio-cultural embellishments.Ahmad's thoroughly researched revisionist account is essential reading for all students and researchers working on the history of South Asia from the medieval period to the present day.
This book includes high-quality, peer-reviewed research papers from the 6thInternational Conference on Innovations in Computer Science & Engineering (ICICSE 2018), held at Guru Nanak Institutions, Hyderabad, India from August 17 to 18, 2018. The book discusses a wide variety of industrial, engineering and scientific applications of the emerging techniques and offers a platform for researchers from academia and industry to present their original work and exchange ideas, information, techniques and applications in the field of computer science.
Exhibition catalog of ten contemporary Indian women artists; includes their brief life sketch.
This book is almost a classic. In 1887, late Rev. L.O. Skrefsrud had published, The Traditions and Institutions of the Santhals, Horkaren Mare Hapramko reak Katha as a guide for Santals, It was re-edited by P.O. Bodding in 1916. and 1929, with some eminent Santals. However, having porved impossible, to get the translation published before the author s death, the manuscript was left in the core of Prof. O. Solberg. Later, it was forestry, edited by Sten Known. Now, this edition is being made available of the benefit of scholar is Tribal Studies and Anthropology and particularly for those, working on Satal literature and culture. About The Author: - Rev P.O. Bodding (1868-1936) is the most outstanding of the missionary-scholars who lived amongst the Santals and studied their language. He belonged to Norway. Contents: - Editor s Preface Foreword by P.O. Bodding All in Connexion with Marriage When a Married Son Lives in the House of His Father Husband and Wife in Their Own Home Village Life Concerning Pleasure and Joy Crime and Its Punishment Religion and Worship Beliefs Connected with the Bongas Death and Final Funeral Ceremonies About the Other World Added Account by Old Jugia Added Account by Old Jugia A New Agreement. The Title 'Traditions And Institutions of the Santals written/authored/edited by P.O. Bodding', published in the year 2013. The ISBN 9788121206723 is assigned to the Hardcover version of this title. This book has total of pp. 206 (Pages). The publisher of this title is Gyan Publishing House. This Book is in English. The subject of this book is Anthropology / Tribal Studi