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This publication is a culmination of my attempt at writing which started in 1966 in emulating Daniel Defoes Robinson Crusoe whose story I had grown so greatly fascinated with through English lessons I was having from a friend of my late father. It was then that I started nurturing dreams of writing a similar life-like story in the first person narrative voice. I would almost every day religiously confine myself in my study and write zestfully for hours from morning after breakfast up to night with intermittent breaks. Soon, I was beginning to get lost in the imaginary world I was starting to create. My first story was in 1972 in response to a call for contributions to a short story competition. It might have been part of the preliminary run-down to our participation in FESTAC in Lagos Nigeria. Ever since then I have been engrossed in writing one thing or another. But at some time I would be mostly preoccupied with reading and editing the scripts of my slowly accumulating story collections. But the dim prospects of being published were a damper to accelerated writing. But I still kept an eye on my work as treasures to be preserved for posterity. Some of the stories: The Day of Judgment Has Arrived, Bra Spiders Flight on his Friend Bra Cunny Rabbits Success have been adaptations of folktale I have heard, collected and translated from Krio. Requiem for the Presumptuous Mister Courifer has been an adapted version of Adelaide Caseley Hayfords Mister Courife. Richard Gets Lured into a Wide Reading and Literate Culture is an adaptation of the autobiography of a section of black American writer, Richard Wright who in fact passed through Freetown on his way to Ghana in 1954 a year before I was born. A dream of Coming into Great Wealth Turns Sour an adaptation of a fascinating episode in the life of Olaudah Equiano, the first major black African writer to have emerged from the dungeons of slavery to line the literary landscape.The most recent is Writer's Cramp Gripping, or Crippling an ill-fated response to a cue to a writers competition at Writers.com. The total number of stories included is 12 covering a wide range of themes of love, changing fortunes, materialism, the process of growing up, reflections on ones past, the blatant display of power featuring life-like characters. Some of the selections have been read to great effect at public readings. The prospects of being published seeming more and more chancy even with the publication of my Folktales from Freetown which was widely reviewed internationally on the BBC, American journals and stocked in many university libraries in the US and in Britain as well as in the Library of Congress, made me decide in 2007 after returning from the U.S.A. on an International Visitors programme to start publishing on the internet rather than keep waiting for an unforeseen chance of publication. This saw many of them published in ezinearticles.com and articlescorner.com, the latter which was in 2009 pulled down. But for the fact that I had had printed copies from the site I would have lost all trace of them as well. The Day of Judgement could be rightly said to have received the greatest exposure having first been published in LOTUS, a journal of the Afro Asian Writers Association, read throughout the world and translated into Bulgarian and published in a journal of the Bulgarian PEN in 2008. My decision to start publishing my stories on the web in spite of its hazards and its being un-remunerative was to give visibility to them and my creativity which could otherwise be lost to time and to the reading world.
Comic stories by a Russian writer. In Hermit and Six Toes, chickens debate the nature of the world, which is ruled by bloodthirsty gods in white coats, while in Mid-Game, young Communist activists change sex to become hard-currency prostitutes.
In his fourth short-story collection, Watson again demonstrates the extraordinary scope of his imagination. The title story has ancient witchcraft meeting complacent modern suburbia in a tale of spine-chilling horror, while 'When the Timegate Failed' casts an unexpected light in the dangers of space travel and man's powers of self-delusion. Alien matters of a different kind crop up in 'Windows', in which mysterious artefacts found on Mars prove to be something of a problem for their chic human owners. Evil Water is a highly inventive collection which is a delight to read.
The Crime of the Wandering Dog and Other Stories is a collection of illustrated poems by the Brothers Grim and Grimy, the nom the plume of the Irish artist and writer Declan Moran. Tales that stretch from the start to the end of time, and from the top to the very bottom, and from the bottom to the very top again.
With humor and compassion, author J. H. Hall chronicles the joys and tribulations of Maine fly fishermen, their loved ones, and their adversaries. Hall's characters share a passion for fly-fishing-their lifeline-and an indifference to most of society's other conventions. Whether building an indoor trout stream, robbing a bank, or waging mischief against a market-savvy, modernist guide, these characters gallantly struggle to preserve a way of life and a part of Maine that is rapidly disappearing. Praise for previously published works by J. H. Hall: Paradise: Stories of a Changing Chesapeake: 'Hall's portrayal glows like a watercolor. He mobilizes his language in quick, sure strokes: subdued, taut, winsome by turns." -Ramon de Rosas, Maine In Print 'Michael Crichton is not the only doctor-turned-writer to come down the pike in the past few years.In fact, I would.say he's not even the best. The author I've just discovered [J. H. Hall] is considerably better." -Cheryl Nowak, Eastern Shore News Selling Fish: Stories from a Fishing Life: '.Jim Hall has always been dead serious about fishing. Those of you who feel the same way will love and understand this book" -John Cole, author of Striper and In Maine
THE HUMAN IS SUPPOSED TO BE THE TOP ANIMAL. BUT EVERY ONE OF THESE TRUE STORIES SHOWS HOW NONSENSICAL THAT IDEA CAN BE. Back in the day, Carter Langdale’s job could be summed up easily: solve every problem that has anything whatever to do with animals. He had an official RSPCA brass plaque outside his Yorkshire home. He was a local figure, like the doctor or dentist, the village postmistress, the vicar, the vet or the undertaker, and sometimes he had to be bits of all of those. Off duty? No such thing. People would knock on the door and present the Langdales with a litter of kittens, an injured owl, any kind of stray – foxes, badgers, young otters, hedgehogs. Some folk were genuinely concerned, some over concerned; some saw a convenient way to rid themselves of an inconvenient animal. Carter never knew what might happen next. It could be a cow stuck in a ravine, a dog down a badger sett, a goose in a pub car park or a tortoise trying to cross the road. It might be an accusation of cruelty or, perhaps worse, a rumour of cruelty. It could be a cat up a tree, a runaway anaconda, an escaped budgerigar, or someone who kept five goats and a horse in the dining room. There were wildlife criminals, too: badger diggers, bird’s eggers, bird trappers, bird-of-prey poisoners. There were wildlife UFO spotters convinced they had seen the Phantom Black Panther of Cleckuddersfax, and there was everything in between, from a monkey to a porpoise and back again. Some stories will make you laugh, and some will make you weep. But they are all told with great humour and sympathy. For any animal lover, this book is a feast.
An enchanting collection of tales which showcase Anton Chekhov at the height of his power as a writer In the final years of his life, Chekhov produced some of the stories that rank among his masterpieces, and some of the most highly-regarded works in Russian literature. The poignant 'The Lady with the Little Dog' and 'About Love' examine the nature of love outside of marriage - its romantic idealism and the fear of disillusionment. And in stories such as 'Peasants', 'The House with the Mezzanine' and 'My Life' Chekhov paints a vivid picture of the conditions of the poor and of their powerlessness in the face of exploitation and hardship. With the works collected here, Chekhov moved away from the realism of his earlier tales - developing a broader range of characters and subject matter, while forging the spare minimalist style that would inspire such modern short-story writers as Ernest Hemingway and William Faulkner. In this edition Ronald Wilks's translation is accompanied by an introduction in which Paul Debreczeny discusses the themes that Chekhov adopted in his mature work. This edition also includes a publishing history and notes for each story, a chronology and further reading. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Sensational journalism has never been so deadly. The weekly cable news show Judgment Day with Suzanne Kidwell promises to expose businessmen, religious leaders, and politicians for the lies they tell. Suzanne positions herself as a champion of ethics and morality with a backbone of steel—until a revelation of her shoddy investigation tactics and creative fact embellishing put her in hot water with her employers, putting her credibility in question and threatening her professional ambitions.. Bitter and angry, Suzanne returns home one day to find an entrepreneur she is investigating, John Edward Sterling, unconscious on her living room floor. Before the night is over, Sterling is dead, she has his blood on her hands, and the police are arresting her for murder. She needs help to prove her innocence, but her only hope, private investigator Marcus Crisp, is also her ex-fiancé–the man she betrayed in college. Marcus and his partner Alexandria Fisher-Hawthorne reluctantly agree to take the case, but they won’t cut Suzanne any slack. Exposing her lack of ethics and the lives she’s destroyed in her fight for ratings does little to make them think Suzanne is innocent. But as Marcus digs into the mire of secrets surrounding her enemies, he unveils an alliance well-worth killing for. Now all he has to do is keep Suzanne and Alex alive long enough to prove it.
James Herbert reigned supreme as Britain's undisputed master of horror before his death in March 2013. But his legacy lives on in this fully authorised work, Craig Cabell examines the story behind horror writing's most darkly brilliant mind.For almost 40 years, Herbert was Britain's most popular horror author. With sales of over 50 million copies, he carved a niche in quality bestselling fiction all of his own. Famous for his Rats trilogy and The Fog, he broke away from the cut-and-thrust populist horror novels of the 1970s and 80s to more though-provoking works, featuring the scientific reasoning behind the manifestations of the ghosts and spirits in which he truly believed. Books such as Others, Once...and The Secret of Crickley Hall bear testament to his growth as a writer and his continuing desire to chill his readers.Craig Cabell's exploration into the dark, sinister world of James Herbert is given incredible depth thanks to a series of over a dozen exclusive candid interviews. Drawing striking parallels between Herbert's career and the events of his life, this work sheds light on the personal demons which drove the boy from London's East End to become the pre-eminent horror writer of his generation.Cabell, a friend and confidant of Herbert's until the very end, shares personal correspondence and reminiscences - including one of Herbert's previously unpublished pieces entitles To Ye All - to complete a portrait of one of the most iconic authors of the 20th Century.Prepare to be gripped by the utterly absorbing last chapter in the life of the Master of Chills.