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Collection of skits, readings, poems & information for holidays.
Poetry. In LABOR DAY--a long serial poem in fifty-six parts--Rebecca Kosick pursues a series of movements in and out of the natural and economic landscapes of the postindustrial Midwest at the turn of the twenty-first century, attempting to incarnate a language adequate to memory, a memory adequate to place. Kosick's verse modulates from auratic to frank, stately to aching, its presiding recollective mood accumulating like a mist over a warming landscape: scattered homophones peer up through layers of sediment, once-familiar terrain is eroded by diluvial, counterintuitive etymologies. The rhetorical layering of LABOR DAY is memory's residue, a "paused emptiness of season" that freezes an instant only to watch it dissolve under charged scrutiny. There is something here of the animistic sociability and glancing observation of Dorothy Wordsworth's journals, offset by a strain of Hopkins's providential empiricism, a tender attunement to inscape whose materiality can take a sudden Steinian swerve into resonant disaggregation. While formally hovering on this threshold between lyric excavation and sonic concreteness, the poems unfold in a georgic, postindustrial reality in which haleness retires each day only an arms-length from hardship. Held in counterpoise by disrupted cycles of care, riven efforts against forgetting, LABOR DAY becomes the genius loci it sets out to summon, constructing--not unambivalently--a sonic space to stand for those places that memory can't reconstruct.
The United States has seen a dramatic rise in the number of informal day labor sites in the last two decades. Typically frequented by Latin American men (mostly “undocumented” immigrants), these sites constitute an important source of unskilled manual labor. Despite day laborers’ ubiquitous presence in urban areas, however, their very existence is overlooked in much of the research on immigration. While standing in plain view, these jornaleros live and work in a precarious environment: as they try to make enough money to send home, they are at the mercy of unscrupulous employers, doing dangerous and underpaid work, and, ultimately, experiencing great threats to their identities and social roles as men. Juan Thomas Ordóñez spent two years on an informal labor site in the San Francisco Bay Area, documenting the harsh lives led by some of these men during the worst economic crisis that the United States has seen in decades. He earned a perspective on the immigrant experience based on close relationships with a cohort of men who grappled with constant competition, stress, and loneliness. Both eye-opening and heartbreaking, the book offers a unique perspective on how the informal economy of undocumented labor truly functions in American society.
"Every day in American cities street vendors spread out their wares on sidewalks, food trucks serve lunch from the curb, and homeowners hold sales in their front yards—examples of the wide range of informal activities that take place largely beyond the reach of government regulation. This book examines the “informal revolution” in American urban life, exploring a proliferating phenomenon often associated with developing countries rather than industrialized ones and often dismissed by planners and policy makers as marginal or even criminal. The case studies and analysis in The Informal City challenge this narrow conception of informal urbanism. The chapters look at informal urbanism across the country, empirically and theoretically, in cities that include Los Angeles, Sacramento, Seattle, Portland, Phoenix, Kansas City, Atlantic City, and New York City. They cover activities that range from unpermitted in-law apartments and ad hoc support for homeless citizens to urban agriculture, street vending and day labor. The contributors consider the nature and underlying logic of these activities, argue for a spatial understanding of informality and its varied settings, and discuss regulatory, planning, and community responses"--Publisher's website.
On December 1, 1930, W K Kellogg replaced the three daily eight-hour shifts in his cereal plant with four six-hour shifts. By adding on a new shift he created jobs. When World War II ended, Kellogg's managers abandoned the six-hour shift and began to define progress as more work for more people. This book documents the struggle of workers.